This glittering church, built between 1383 and 1425, is easily the city’s most impressive. It is one of the finest examples of Gothic architecture in Portugal and was declared a national monument in 1910. Like many buildings in Porto it has undergone numerous additions and alterations over the years. The lavish interior is filled with breathtaking talha dourada, gilded woodcarvings that occupy almost every surface – unlike the modest Franciscan order, the elite patrons of the Catholic Church liked to flaunt their wealth.
Rua do Infante Dom Henrique • www.ordemsaofrancisco.pt • Open Mar–Jun & Oct: 9am–7pm daily; Jul–Sep: 9am–8pm daily; Nov–Feb: 9am–5:30pm daily; • Adm €4.50
The central aisle is like something out of a fairy tale. The immense amount of gold used by the master gilders is believed to weigh more than 400 kg (880 lb).
Spread over two floors, the museum in the Dispatch House hosts permanent exhibitions on the Franciscan order and the history of Porto.
The polychrome granite sculpture of St Francis is located in a niche just on the right through the main entrance. Dating from the 13th century, it is one of few pieces to have survived from the original church.
The main altar, backlit by tall windows, forms a dramatic focal point to the main chapel. Dating from 1718, the altarpieces are surrounded by gilded Solomonic columns and overlooked by sculptures of Franciscan monks from both sides of the apse.
Generously funded by donations from Porto’s wealthiest patrons, the interior of the church was lavishly decorated with extraordinary talha dourada during the 17th and 18th centuries. The elaborately carved and decorated wood covers almost every inch of the building’s interior.
A multicoloured altarpiece depicting the genealogy of Christ is one of the most eye-catching segments of the interior. Teachings about the lineage of Christ were especially popular in the 18th century, appearing in various forms including stained glass, paintings and woodcarvings.
The west portal has been heavily altered over time and the only original Gothic feature on this side of the church is the beautiful rose window.
Unlike the Baroque west façade, the south portal, overlooking the river, has largely retained its modest Gothic style. A triangular gable, adorned with a pentagram can be seen above the Islamic-style decorative moulding of the portal.
The remains of some of the members of the Franciscan order are buried in the eerie catacombs in the crypt below the church. A macabre ossuary is visible below a grate in the floor in the corner.
Portuguese architect Diogo de Castilho made the Capela São Baptista in the south transept arm. A carved portal opens onto a Baroque altar and a 16th-century painting of the baptism of Christ. The Manueline-style rib vaulted ceiling is of particular note.