El Salvador

I wondered what possible contribution I could make to this rich book of facts, this book of women whose lives have been a longing and a struggle for a revolution that would transform their entire country and would include women’s lives in that transformation. (This has not always happened in revolutions.)

We were actually on our way to Nicaragua, but stopped in El Salvador. We owed this—the next three days—to our own U.S. government, which did not permit Nica Air to fly from the United States to Nicaragua. Still, the planes of my rich country seem to almost line the skies of the planet—unless some other earth-and-heaven owning nation says, “Not over us! Not just yet!”

In the course of those packed, well-organized days we saw the streets of San Salvador guarded against its own citizens by soldiers dressed in heavy weaponry. We traveled to barbed-wire camps, dusty, full of displaced villagers. We learned from the idealistic and endangered Catholic and Lutheran caretakers that the barbed wire was not so much to keep the peasants in as to prevent the death squads from easily snatching a hounded mountain villager or a guerilla’s cousin for questioning and torture.

We saw orphanages where an energetic priest tiptoed around visiting U.S. congressmen. He hoped they would have contacts with philanthropists who might help pay for the cottage camps so that little children could have books to learn from and prostheses to walk with. (Just a few miles from this camp, this orphanage, on the very same road, four nuns had been killed, removed from the dangerous occupation of active compassion and prayer by busy killers.) Walking among these children whose parents were murdered or imprisoned or in exile, I couldn’t help but think of Vietnam, where first our government created orphans, then decided to adopt, nurture, and finally educate them, away from the life and history of their people.

We were able to visit Ilopango prison—the women’s prison—a little while after the fasting, the strikes, the struggles described in A Dream Compels Us. And found, ironically, a somewhat freer environment than we had observed in San Salvador. Young women greeted us, black-tammed commandantes who had been captured in the mountains. A chorus sang the “Internationale” to us. A theater group made a play. We met several young women who, having been fruitlessly interrogated, were shot in the leg to ensure immobility, then raped and arrested. In Ilopango prison there were many small children—some the babies of love, some of rape. For the legless young women, sixteen, seventeen years old, there was only one pair of crutches, which meant that only one woman could get around at a time, making for a kind of sad listlessness in the others. We called the MADRE1 office in New York (we were members of a tour organized by MADRE), and they announced this need on the WBAI radio station. Within a couple of days the office was jammed with crutches, and within two weeks a group from NACLA2 had brought the crutches down to Ilopango. A small shiny pebble in a dirty field of torment, hypocrisy, murder.

Back in San Salvador we visited the Mothers of the Disappeared. Their office had been raided and nearly destroyed a couple of days earlier. The women greeted us generously, as though they didn’t know it was our U.S. tax money that was being used to increase and deepen their sorrow. (They knew a great deal.) They had placed two large photograph albums on the table, which we looked at. We could hardly turn the pages, as it would be an act of abandonment of the murdered son or daughter photographed on that page—usually a teacher or health worker, the same dangerous professions attacked by the Contras in Nicaragua.

In San Salvador I

     Come   look   they said

     here are the photograph albums

     these are our children.

     We are called the Mothers of the Disappeared

     we are also the mothers of those who were seen once more

     and then photographed   sometimes parts of them

     could not be found

     a breast   an eye   an arm is missing

     sometimes a whole stomach

     that is why we are called   the Mothers

     of the Disappeared   although we have these large

     heavy photograph albums full of beautiful

     torn faces

In El Salvador II

     Then one woman spoke   About my son

     she said   I want to tell you   This

     is what happened

                    I heard a cry   Mother

     Mother   keep the door closed   a scream

     the high voice of my son   his scream

     jumped into my belly   his voice

     boiled there and boiled until hot water

     ran down my thigh

                    The following week I waited

     by the fire making tortilla   I heard What?

     the voice of my second son   Mother quickly

     turn your back to the door   turn your back

     to the window

                    And one day of the third week

     my third son called me   Oh Mother please

     hurry up   hold out our apron   they are

     stealing my eyes

                    And then in the fourth week   my

     fourth son   No

                    No   It was morning   he stood

     in the doorway   he was taken right

     there   before my eyes the parts of

     the body of my son were tormented   are

     you listening?   do you understand

     this story?   there was only one

     child   one boy   like Mary I had

     only one son

I have written these few remembrances of a country my country won’t leave alone because the faces of the people I saw in those short days do not leave me. I see it clearly right now. The teachers of ANDES—the teachers’ union—demonstrating on the steps of the great cathedral, where hundreds, mourning Oscar Romero’s murder, had been shot only a couple of years earlier. They held banners and called for decent wages, and an end to disappearances. On those historic steps they seemed naked to the rage of the death squads. I could see how brave they were because their faces were pale and their eyes, searching the quiet crowd, were afraid. Still, they stood there, shouted the demands, and would not be moved.

(1989)