Feelings in the Presence of the Sight and Sound of the Bread and Puppet Theater
ADMIRATION
Oh! Ah! The gorgeousness the solemn size the humorous disparities
HAPPINESS
Sheer happiness just plain happiness
RESTFULNESS
In some of the long slow pieces often of holy intention—rest—the spirit—also the body rests inside the event the work-with room and permission for absence. The gathering of knowledge at the “five senses’ entry to the soul”—so with rest comes thought—time—room for thinking during the work not only after it.
ARTISTIC INSPIRATION
Why not speak the truth directly? Just speak out! Speak to! Why not?
POLITICAL INSPIRATION
Why not speak the truth directly? Just speak out! Speak up! Speak to! Why not?
CORROBORATION
Yes! That’s just what’s happening.
ENVY
Because the work is so useful the courage of its usefulness in a long period when usefulness was mocked Envy as an artist for the beauty and usefulness of the huge puppet figures like legends out of history the gray women of suffering the ridiculous evil Uncle Fatso the lovely oxen turning round and round in the dance of silent beasts the white deer on the hill under the red ball of the sun the high birds bravely carried that have flown before and after us on our demonstrations and have waited fluttering in the wind outside the jails of New York Vermont Washington.
To have been useful As an Artist to the important movements of our times to have spoken out as artists for the poor, the oppressed and humiliated in Europe Africa and at home and been heard.
AND FINALLY LOVE AND GRATITUDE
for Peter Schuman and Elka Schuman and that solid core of puppeteers—also for those who came, worked with Peter for a couple of years, and then went off to Maine California France Italy Germany Ninth Street New York Brooklyn Gratitude for their gifts to us of labor and beauty from the earliest unknown days on Delancey Street when we were sometimes fewer than they—to these wonderful summer circus days in Vermont where we, their comrades and friends, meet one another in the thousands AND GRATITUDE also for the opportunity generously given to be one of them an ox a deer a stilt walker a horse a maintenance man a washerwoman.
And thanks Peter for the tens of thousands of Loaves of Bread and the music
(1981)