CONTENTS

 

PREFACE

ACKNOWLEDGMENTS

PART I: FROM PHILOSOPHY TO FILM

1. Philosophy, Democracy, and the Turn to Film

2. Freedom and Persuasion

3. On Interpretation

PART II: FILM AND THE SOCIAL IMAGINARY

4. Violence and the State

5. Love, Romance, and Pornography

Conclusion: Film, Faith, and Love

 

NOTES

BIBLIOGRAPHY: ESSAYS ON SOURCES

INDEX