The air is bruised by the blast of fireworks
and the dusk smells faintly of gunpowder
though it’s weeks until Guy Fawkes.
Straight ahead
a gravelly lane separates
two rows of gardens,
and despite Google Maps telling me to
turn right,
I cut through it, back into town,
down towards the sea.
In one garden,
a greenhouse with mouldy windows.
In another,
a collection of toys piled into a pyramid.
In the next,
a stack of deckchairs and folding tables.
But near the end of the lane
is a ramshackle shed,
its door ajar,
overshadowed by an abandoned house –
no lights on inside,
ivy like lace across its windows.
I slip through a gap in the fencing,
push open the door to the shed,
slip inside.
It is strewn with rusting cans of paint,
a split bag of cement.
Heavy tools hang from hooks;
the one small window looking on to the lane
is curtained over with a torn cardigan.
I can use my jumper as a pillow.
I can lie with my feet against the door.
There are worse harbours.