Song
Go, lovely rose,
Tell her that wastes her time and me,
That now she knows
When I resemble her to thee
How sweet and fair she seems to be.
Tell her that’s young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
Small is the worth
Of beauty from the light retired;
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die that she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair.
If you were coming in the Fall,
I’d brush the Summer by
With half a smile, and half a spurn,
As Housewives do, a Fly.
If I could see you in a year,
I’d wind the months in balls –
And put them each in separate Drawers,
For fear the numbers fuse –
If only Centuries, delayed,
I’d count them on my Hand,
Subtracting, till my fingers dropped
Into Van Dieman’s Land.
If certain, when this life was out –
That yours and mine, should be –
I’d toss it yonder, like a Rind,
And take Eternity –
But, now, uncertain of the length
Of this, that is between,
It goads me, like the Goblin Bee –
That will not state – its sting.
Mariana
‘Mariana in the moated grange’
Measure for Measure
With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look’d sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, ‘The night is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen’s low
Came to her: without hope of change,
In sleep she seem’d to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, ‘The day is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
About a stone-cast from the wall
A sluice with blacken’d waters slept,
And o’er it many, round and small,
The cluster’d marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarlèd bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, ‘The night is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
All day within the dreamy house,
The doors upon their hinges creak’d;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek’d,
Or from the crevice peer’d about.
Old faces glimmer’d thro’ the doors,
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, ‘My life is dreary,
He cometh not,’ she said;
She said, ‘I am aweary, aweary,
I would that I were dead!’
The sparrow’s chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, ‘I am very dreary,
He will not come,’ she said;
She wept, ‘I am aweary, aweary,
Oh God, that I were dead!’
Twilight Night, II
Where my heart is (wherever that may be)
Might I but follow!
If you fly thither over heath and lea,
O honey-seeking bee,
O careless swallow,
Bid some for whom I watch keep watch for me.
Alas! that we must dwell, my heart and I,
So far asunder.
Hours wax to days, and days and days creep by;
I watch with wistful eye,
I wait and wonder:
When will that day draw nigh – that hour draw nigh?
Not yesterday, and not I think today;
Perhaps tomorrow.
Day after day ‘tomorrow’ thus I say:
I watched so yesterday
In hope and sorrow,
Again today I watch the accustomed way.
Three Weeks
Three weeks longing, water burning
stone. Three weeks leopard blood
pacing under the loud insomnia of stars.
Three weeks voltaic. Weeks of winter
afternoons, darkness half descended.
Howling at distance, ocean
pulling between us, bending time.
Three weeks finding you in me in new places,
luminescent as a tetra in depths,
its neon trail.
Three weeks shipwrecked on this mad island;
twisting aurora of perfumes. Every boundary of body
electrified, every thought hunted down
by memory of touch. Three weeks of open eyes
when you call, your first question,
Did I wake you…
In Three Days
So, I shall see her in three days
And just one night, but nights are short,
Then two long hours, and that is morn.
See how I come, unchanged, unworn!
Feel, where my life broke off from thine,
How fresh the splinters keep and fine, –
Only a touch and we combine!
Too long, this time of year, the days!
But nights, at least the nights are short.
As night shows where her one moon is,
A hand’s-breadth of pure light and bliss,
So life’s night gives my lady birth
And my eyes hold her! What is worth
The rest of heaven, the rest of earth?
O loaded curls, release your store
Of warmth and scent, as once before
The tingling hair did, lights and darks
Outbreaking into fairy sparks,
When under curl and curl I pried
After the warmth and scent inside,
Through lights and darks how manifold –
The dark inspired, the light controlled!
As early Art embrowns the gold.
What great fear, should one say, ‘Three days
That change the world might change as well
Your fortune; and if joy delays,
Be happy that no worse befell!’
What small fear, if another says,
‘Three days and one short night beside
May throw no shadow on your ways;
But years must teem with change untried,
With chance not easily defied,
With an end somewhere undescried.’
No fear! – or if a fear be born
This minute, it dies out in scorn.
Fear? I shall see her in three days
And one night, now the nights are short,
Then just two hours, and that is morn.
Not to Sleep
Not to sleep all the night long, for pure joy,
Counting no sheep and careless of chimes,
Welcoming the dawn confabulation
Of birds, her children, who discuss idly
Fanciful details of the promised coming –
Will she be wearing red, or russet, or blue,
Or pure white? – whatever she wears, glorious:
Not to sleep all the night long, for pure joy,
This is given to few but at last to me,
So that when I laugh and stretch and leap from bed
I shall glide downstairs, my feet brushing the carpet
In courtesy to civilized progression,
Though, did I wish, I could soar through the open window
And perch on a branch above, acceptable ally
Of the birds still alert, grumbling gently together.
Invitation to Miss Marianne Moore
From Brooklyn, over the Brooklyn Bridge, on this fine
morning,
please come flying.
In a cloud of fiery pale chemicals,
please come flying,
to the rapid rolling of thousands of small blue drums
descending out of the mackerel sky
over the glittering grandstand of harbor-water,
please come flying.
Whistles, pennants and smoke are blowing. The ships
are signaling cordially with multitudes of flags
rising and falling like birds all over the harbor.
Enter: two rivers, gracefully bearing
countless little pellucid jellies
in cut-glass epergnes dragging with silver chains.
The flight is safe; the weather is all arranged.
The waves are running in verses this fine morning.
Please come flying.
Come with the pointed toe of each black shoe
trailing a sapphire highlight,
with a black capeful of butterfly wings and bon-mots,
with heaven knows how many angels all riding
on the broad black brim of your hat,
please come flying.
Bearing a musical inaudible abacus,
a slight censorious frown, and blue ribbons,
please come flying.
Facts and skyscrapers glint in the tide; Manhattan
is all awash with morals this fine morning,
so please come flying.
Mounting the sky with natural heroism,
above the accidents, above the malignant movies,
the taxicabs and injustices at large,
while horns are resounding in your beautiful ears
that simultaneously listen to
a soft uninvented music, fit for the musk deer,
please come flying.
For whom the grim museums will behave
like courteous male bower-birds,
for whom the agreeable lions lie in wait
on the steps of the Public Library,
eager to rise and follow through the doors
up into the reading rooms,
please come flying.
We can sit down and weep; we can go shopping,
or play at a game of constantly being wrong
with a priceless set of vocabularies,
or we can bravely deplore, but please
please come flying.
With dynasties of negative constructions
darkening and dying around you,
with grammar that suddenly turns and shines
like flocks of sandpipers flying,
please come flying.
Come like a light in the white mackerel sky,
come like a daytime comet
with a long unnebulous train of words,
from Brooklyn, over the Brooklyn Bridge, on this fine
morning,
please come flying.
A Bowl of Warm Air
Someone is falling towards you
as an apple falls from a branch,
moving slowly, imperceptibly as if
into a new political epoch,
or excitedly like a dog towards a bone.
He is holding in both hands
everything he knows he has –
a bowl of warm air.
He has sighted you from afar
as if you were a dramatic crooked tree
on the horizon and he has seen you close up
like the underside of a mushroom.
But he cannot open you like a newspaper
or put you down like a newspaper.
And you are satisfied that he is veering towards you
and that he is adjusting his speed
and that the sun and the wind and rain are in front of him
and the sun and the wind and rain are behind him.
All Legendary Obstacles
All legendary obstacles lay between
Us, the long imaginary plain,
The monstrous ruck of mountains
And, swinging across the night,
Flooding the Sacramento, San Joaquin,
The hissing drift of winter rain.
All day I waited, shifting
Nervously from station to bar
As I saw another train sail
By, the San Francisco Chief or
Golden Gate, water dripping
From great flanged wheels.
At midnight you came, pale
Above the negro porter’s lamp.
I was too blind with rain
And doubt to speak, but
Reached from the platform
Until our chilled hands met.
You had been travelling for days
With an old lady, who marked
A neat circle on the glass
With her glove, to watch us
Move into the wet darkness
Kissing, still unable to speak.