Passionately

ROBERT JONES

And is it night? are they thine eyes that shine?

    Are we alone, and here? and here, alone?

May I come near, may I but touch thy shrine?

    Is jealousy asleep, and is he gone?

O Gods, no more! silence my lips with thine!

Lips, kisses, joys, hap, – blessings most divine!

Oh, come, my dear! our griefs are turned to night,

    And night to joys; night blinds pale envy’s eyes;

Silence and sleep prepare us our delight;

    Oh, cease we then our woes, our griefs, our cries:

Oh, vanish words! words do but passions move;

O dearest life! joy’s sweet! O sweetest love!

 

ROBERT BROWNING

Now

Out of your whole life give but a moment!

All of your life that has gone before,

All to come after it, – so you ignore,

So you make perfect the present, – condense,

In a rapture of rage, for perfection’s endowment,

Thought and feeling and soul and sense –

Merged in a moment which gives me at last

You around me for once, you beneath me, above me –

Me – sure that despite of time future, time past, –

This tick of our life-time’s one moment you love me!

How long such suspension may linger? Ah, Sweet –

The moment eternal – just that and no more –

When ecstasy’s utmost we clutch at the core

While cheeks burn, arms open, eyes shut and lips meet!

 

JACKIE KAY

High Land

I don’t remember who kissed who first,

who touched who first, who anything to whom.

All I remember in the highland night –

the sheep loose outside,

the full moon smoking in the sky –

was that you led me and I led you.

And all of a sudden we were in a small room

in a big house with the light coming in

and your legs open; mine too.

And it was this swirling, twirling thing.

It’s hard to fasten it down;

it is hard to remember what was what –

who was who when the wind was coming in.

 

GEORGE GORDON, LORD BYRON

from Don Juan, Canto II

CLXXXVI

A long, long kiss, a kiss of youth, and love,

    And beauty, all concentrating like rays

Into one focus, kindled from above;

    Such kisses as belong to early days,

Where heart, and soul, and sense, in concert move,

    And the blood’s lava, and the pulse a blaze,

Each kiss a heart-quake, – for a kiss’s strength,

I think, it must be reckon’d by its length.

CLXXXVII

By length I mean duration; theirs endured

    Heaven knows how long – no doubt they never

        reckon’d;

And if they had, they could not have secured

    The sum of their sensations to a second:

They had not spoken; but they felt allured,

    As if their souls and lips each other beckon’d,

Which, being join’d, like swarming bees they clung –

Their hearts the flowers from whence the honey sprung.

CLXXXVIII

They were alone, but not alone as they

    Who shut in chambers think it loneliness;

The silent ocean, and the starlight bay,

    The twilight glow, which momently grew less,

The voiceless sands, and dropping caves, that lay

    Around them, made them to each other press,

As if there were no life beneath the sky

Save theirs, and that their life could never die.

CLXXXIX

They fear’d no eyes nor ears on that lone beach,

    They felt no terrors from the night, they were

All in all to each other: though their speech

    Was broken words, they thought a language there, –

And all the burning tongues the passions teach

    Found in one sigh the best interpreter

Of nature’s oracle – first love, – that all

Which Eve has left her daughters since her fall.

EMILY DICKINSON

Come slowly – Eden!

Lips unused to Thee –

Bashful – sip thy Jessamines –

As the fainting Bee –

Reaching late his flower,

Round her chamber hums –

Counts his nectars –

Enters – and is lost in Balms.

 

HUGO WILLIAMS

Rhetorical Questions

How do you think I feel

when you make me talk to you

and won’t let me stop

till the words turn into a moan?

Do you think I mind

when you put your hand over my mouth

and tell me not to move

so you can ‘hear’ it happening?

And how do you think I like it

when you tell me what to do

and your mouth opens

and you look straight through me?

Do you think I mind

when the blank expression comes

and you set off alone

down the hall of collapsing columns?

 

JO SHAPCOTT

Muse

When I kiss you in all the folding places

of your body, you make that noise like a dog

dreaming, dreaming of the long run he makes

in answer to some jolt to his hormones,

running across landfills, running, running

by tips and shorelines from the scent of too much,

but still going with head up and snout

in the air because he loves it all

and has to get away. I have to kiss deeper

and more slowly – your neck, your inner arm,

the neat creases under your toes, the shadow

behind your knee, the white angles of your groin –

until you fall quiet because only then

can I get the damned words to come into my mouth.

 

PERCY BYSSHE SHELLEY

from Epipsychidion

Our breath shall intermix, our bosoms bound,

And our veins beat together; and our lips

With other eloquence than words, eclipse

The soul that burns between them and the wells

Which boil under our being’s inmost cells,

The fountains of our deepest life, shall be

Confused in passion’s golden purity,

As mountain-springs under the morning Sun.

We shall become the same, we shall be one

Spirit within two frames, oh! wherefore two?

One passion in twin-hearts, which grows and grew,

Till, like two meteors of expanding flame,

Those spheres instinct with it become the same,

Touch, mingle, are transfigured; ever still

Burning, yet ever inconsumable:

In one another’s substance finding food,

Like flames too pure and light and unimbued

To nourish their bright lives with baser prey,

Which point to Heaven and cannot pass away:

One hope within two wills, one will beneath

Two overshadowing minds, one life, one death,

One Heaven, one Hell, one immortality,

And one annihilation!

 

THOM GUNN

The Bed

The pulsing stops where time has been,

    The garden is snow-bound,

The branches weighed down and the paths filled in,

         Drifts quilt the ground.

We lie soft-caught, still now it’s done,

    Loose-twined across the bed

Like wrestling statues; but it still goes on

          Inside my head.

ELIZABETH JENNINGS

Passion

The violence is over. They lie apart,

They are shapes belonging to no-one or could be

Part of an abstract painting or figure sliding

Upon a Dali sea.

But they are breathing fast still as if they’d been running,

Man and woman, carried by a wind blowing

Out of an open window. Here is passion

Appeased, here is pleasure

Exulted in. And here

Is possible creation. Here could be

Adam and Eve, turning away ashamed.

Here is loss waiting to be redeemed.

 

MICHAEL DONAGHY

Pentecost

The neighbours hammered on the walls all night,

Outraged by the noise we made in bed.

Still we kept it up until by first light

We’d said everything that could be said.

Undaunted, we began to mewl and roar

As if desire had stripped itself of words.

Remember when we made those sounds before?

When we built a tower heavenwards

They were our reward for blasphemy.

And then again, two thousand years ago,

We huddled in a room in Galilee

Speaking languages we didn’t know,

While amethyst uraeuses of flame

Hissed above us. We recalled the tower

And the tongues. We knew this was the same,

But love had turned the curse into a power.

See? It’s something that we’ve always known:

Though we command the language of desire,

The voice of ecstasy is not our own.

We long to lose ourselves amid the choir

Of the salmon twilight and the mackerel sky,

The very air we take into our lungs,

And the rhododendron’s cry.

And when you lick the sweat along my thigh,

Dearest, we renew the gift of tongues.

 

W. H. AUDEN

Lullaby

Lay your sleeping head, my love,

Human on my faithless arm;

Time and fevers burn away

Individual beauty from

Thoughtful children, and the grave

Proves the child ephemeral:

But in my arms till break of day

Let the living creature lie,

Mortal, guilty, but to me

The entirely beautiful.

Soul and body have no bounds:

To lovers as they lie upon

Her tolerant enchanted slope

In their ordinary swoon,

Grave the vision Venus sends

Of supernatural sympathy,

Universal love and hope;

While an abstract insight wakes

Among the glaciers and the rocks

The hermit’s carnal ecstasy.

Certainty, fidelity

On the stroke of midnight pass

Like vibrations of a bell

And fashionable madmen raise

Their pedantic boring cry:

Every farthing of the cost,

All the dreaded cards foretell,

Shall be paid, but from this night

Not a whisper, not a thought,

Not a kiss nor look be lost.

Beauty, midnight, vision dies:

Let the winds of dawn that blow

Softly round your dreaming head

Such a day of welcome show

Eye and knocking heart may bless,

Find our mortal world enough;

Noons of dryness find you fed

By the involuntary powers,

Nights of insult let you pass

Watched by every human love.

SIMON ARMITAGE

        Let me put it this way:

        if you came to lay

        your sleeping head

        against my arm or sleeve,

        and if my arm went dead,

        or if I had to take my leave

        at midnight, I should rather

        cleave it from the joint or seam

        than make a scene

        or bring you round.

        There,

        how does that sound?

 

GAVIN EWART

Creation Myth Haiku

        After the First Night

        the Sun kissed the Moon: ‘Darling,

        you were wonderful!’