Happily ever after

C. K. WILLIAMS

Love: Beginnings

They’re at that stage where so much desire streams between

them, so much frank need and want,

so much absorption in the other and the self and the

self-admiring entity and unity they make –

her mouth so full, breast so lifted, head thrown back so far in her

laughter at his laughter,

he so solid, planted, oaky, firm, so resonantly factual in the

headiness of being craved so,

she almost wreathed upon him as they intertwine again, touch

again, cheek, lip, shoulder, brow,

every glance moving toward the sexual, every glance away

soaring back in flame into the sexual –

that just to watch them is to feel again that hitching in the groin,

that filling of the heart,

the old, sore heart, the battered, foundered, faithful heart,

snorting again, stamping in its stall.

 

MURIEL RUKEYSER

Looking at Each Other

Yes, we were looking at each other

Yes, we knew each other very well

Yes, we had made love with each other many times

Yes, we had heard music together

Yes, we had gone to the sea together

Yes, we had cooked and eaten together

Yes, we had laughed often day and night

Yes, we fought violence and knew violence

Yes, we hated the inner and outer oppression

Yes, that day we were looking at each other

Yes, we saw the sunlight pouring down

Yes, the corner of the table was between us

Yes, bread and flowers were on the table

Yes, our eyes saw each other’s eyes

Yes, our mouths saw each other’s mouth

Yes, our breasts saw each other’s breasts

Yes, our bodies entire saw each other

Yes, it was beginning in each

Yes, it threw waves across our lives

Yes, the pulses were becoming very strong

Yes, the beating became very delicate

Yes, the calling the arousal

Yes, the arriving the coming

Yes, there it was for both entire

Yes, we were looking at each other

 

TED HUGHES

Bride and Groom Lie Hidden for Three Days

She gives him his eyes, she found them

Among some rubble, among some beetles

He gives her her skin

He just seemed to pull it down out of the air and lay it over her

She weeps with fearfulness and astonishment

She has found his hands for him, and fitted them freshly at the wrists

They are amazed at themselves, they go feeling all over her

He has assembled her spine, he cleaned each piece carefully

And sets them in perfect order

A superhuman puzzle but he is inspired

She leans back twisting this way and that, using it and laughing, incredulous

Now she has brought his feet, she is connecting them

So that his whole body lights up

And he has fashioned her new hips

With all fittings complete and with newly wound coils, all shiningly oiled

He is polishing every part, he himself can hardly believe it

They keep taking each other to the sun, they find they can easily

To test each new thing at each new step

And now she smooths over him the plates of his skull

So that the joints are invisible

And now he connects her throat, her breasts and the pit of her stomach

With a single wire

She gives him his teeth, tying their roots to the centrepin of his body

He sets the little circlets on her fingertips

She stitches his body here and there with steely purple silk

He oils the delicate cogs of her mouth

She inlays with deep-cut scrolls the nape of his neck

He sinks into place the inside of her thighs

So, gasping with joy, with cries of wonderment

Like two gods of mud

Sprawling in the dirt, but with infinite care

They bring each other to perfection.

WILLIAM BLAKE

When a Man has Married a Wife

he finds out whether

Her knees & elbows are only

glued together

 

JOHN MILTON

from Paradise Lost, Book IX

Thus Eve with count’nance blithe her story told;

But in her cheek distemper flushing glowed.

On th’ other side, Adam, soon as he heard

The fatal trespass done by Eve, amazed,

Astonied stood and blank, while horror chill

Ran through his veins, and all his joints relaxed;

From his slack hand the garland wreathed for Eve

Down dropped, and all the faded roses shed:

Speechless he stood and pale, till thus at length

First to himself he inward silence broke.

O fairest of Creation, last and best

Of all God’s works, creature in whom excelled

Whatever can to sight or thought be formed,

Holy, divine, good, amiable or sweet!

How art thou lost, how on a sudden lost,

Defaced, deflow’red, and now to death devote?

Rather how hast thou yielded to transgress

The strict forbiddance, how to violate

The sacred fruit forbidd’n! Some cursèd fraud

Of Enemy hath beguiled thee, yet unknown,

And me with thee hath ruined, for with thee

Certain my resolution is to die;

How can I live without thee, how forgo

Thy sweet convérse and love so dearly joined,

To live again in these wild woods forlorn?

Should God create another Eve, and I

Another rib afford, yet loss of thee

Would never from my heart; no no, I feel

The link of nature draw me: flesh of flesh,

Bone of my bone thou art, and from thy state

Mine never shall be parted, bliss or woe.

 

ALDEN NOWLAN

Parlour Game

We were sitting there

hating one another when

some friends dropped in

who’ve always said

we’re the most loving

couple they know

and of course the two of us

went into the act

as usual, each afraid

of the other’s equally

strong inclination

to give the game away,

both sneering inwardly

for the first five or ten

minutes and then

both trying not to burst,

without knowing whether

the laughter that came

would be savage or joyous

– and within half an hour

we caught ourselves exchanging

silly and affectionate

smiles even when

nobody else was watching:

for the millionth time,

starting over again.

 

WILLIAM BARNES

Jeäne

We now mid hope vor better cheer,

My smilen wife o’ twice vive year.

Let others frown, if thou bist near

Wi’ hope upon thy brow, Jeäne;

Vor I vu’st lov’d thee when thy light

Young sheäpe vu’st grew to woman’s height;

I loved thee near, an’ out o’ zight,

An’ I do love thee now, Jeäne.

An’ we’ve a-trod the sheenen bleäde

Ov eegrass in the zummer sheäde,

An’ when the leäves begun to feäde

Wi’ zummer in the weäne, Jeäne;

An’ we’ve a-wander’d drough the groun’

O’ swaÿen wheat a-turnen brown,

An’ we’ve a-stroll’d together roun’

The brook an’ drough the leäne, Jeäne.

An’ nwone but I can ever tell

Ov all thy tears that have a-vell

When trials meäde thy bosom zwell,

An’ nwone but thou o’ mine, Jeäne;

An’ now my heart, that heav’d wi’ pride

Back then to have thee at my zide,

Do love thee mwore as years do slide,

An’ leäve them times behine, Jeäne.

 

SEAMUS HEANEY

Scaffolding

Masons, when they start upon a building,

Are careful to test out the scaffolding;

Make sure that planks won’t slip at busy points,

Secure all ladders, tighten bolted joints.

And yet all this comes down when the job’s done

Showing off walls of sure and solid stone.

So if, my dear, there sometimes seem to be

Old bridges breaking between you and me

Never fear. We may let the scaffolds fall

Confident that we have built our wall.

 

U. A. FANTHORPE

Atlas

There is a kind of love called maintenance,

Which stores the WD40 and knows when to use it;

Which checks the insurance, and doesn’t forget

The milkman; which remembers to plant bulbs;

Which answers letters; which knows the way

The money goes; which deals with dentists

And Road Fund Tax and meeting trains,

And postcards to the lonely; which upholds

The permanently ricketty elaborate

Structures of living; which is Atlas.

And maintenance is the sensible side of love,

Which knows what time and weather are doing

To my brickwork; insulates my faulty wiring;

Laughs at my dryrotten jokes; remembers

My need for gloss and grouting; which keeps

My suspect edifice upright in air,

As Atlas did the sky.

 

PHYLLIS MCGINLEY

The 5:32

She said, If tomorrow my world were torn in two,

Blacked out, dissolved, I think I would remember

(As if transfixed in unsurrendering amber)

This hour best of all the hours I knew:

When cars came backing into the shabby station,

Children scuffing the seats, and the women driving

With ribbons around their hair, and the trains arriving,

And the men getting off with tired but practiced motion.

Yes, I would remember my life this, she said:

Autumn, the platform red with Virginia creeper,

And a man coming toward me, smiling, the evening paper

Under his arm, and his hat pushed back on his head;

And wood smoke lying like haze on the quiet town,

And dinner waiting, and the sun not yet gone down.

 

SHARON OLDS

True Love

In the middle of the night, when we get up

after making love, we look at each other in

complete friendship, we know so fully

what the other has been doing. Bound to each other

like mountaineers coming down from a mountain,

bound with the tie of the delivery-room,

we wander down the hall to the bathroom, I can

hardly walk, I wobble through the granular

shadowless air, I know where you are

with my eyes closed, we are bound to each other

with huge invisible threads, our sexes

muted, exhausted, crushed, the whole

body a sex – surely this

is the most blessed time of my life,

our children asleep in their beds, each fate

like a vein of abiding mineral

not discovered yet. I sit

on the toilet in the night, you are somewhere in the room,

I open the window and snow has fallen in a

steep drift, against the pane, I

look up, into it,

a wall of cold crystals, silent

and glistening, I quietly call to you

and you come and hold my hand and I say

I cannot see beyond it. I cannot see beyond it.

 

RICHARD WILBUR

For C.

After the clash of elevator gates

And the long sinking, she emerges where,

A slight thing in the morning’s crosstown glare,

She looks up toward the window where he waits,

Then in a fleeting taxi joins the rest

Of the huge traffic bound forever west.

On such grand scale do lovers say good-bye –

Even this other pair whose high romance

Had only the duration of a dance,

And who, now taking leave with stricken eye,

See each in each a whole new life forgone.

For them, above the darkling clubhouse lawn,

Bright Perseids flash and crumble; while for these

Who part now on the dock, weighed down by grief

And baggage, yet with something like relief,

It takes three thousand miles of knitting seas

To cancel out their crossing, and unmake

The amorous rough and tumble of their wake.

We are denied, my love, their fine tristesse

And bittersweet regrets, and cannot share

The frequent vistas of their large despair,

Where love and all are swept to nothingness;

Still, there’s a certain scope in that long love

Which constant spirits are the keepers of,

And which, though taken to be tame and staid,

Is a wild sostenuto of the heart,

A passion joined to courtesy and art

Which has the quality of something made,

Like a good fiddle, like the rose’s scent,

Like a rose window or the firmament.

 

JOHN KEATS

Bright star! would I were steadfast as thou art –

Not in lone splendour hung aloft the night

And watching, with eternal lids apart,

Like nature’s patient, sleepless Eremite,

The moving waters at their priestlike task

Of pure ablution round earth’s human shores,

Or gazing on the new soft-fallen mask

Of snow upon the mountains and the moors –

No – yet still steadfast, still unchangeable,

Pillowed upon my fair love’s ripening breast,

To feel for ever its soft swell and fall,

Awake for ever in a sweet unrest,

Still, still to hear her tender-taken breath,

And so live ever – or else swoon to death.