AUDIO TRANSCRIPT 1/1
21:03
SPEAKER 1
Of auntie! Eat up Richard and will begin.
SPEAKER 2
Yes come on kids this’ll be fun.
SPEAKER 3
I’m not sure. This plan has a little Magnus in it.
SPEAKER 2
I Jess think Marcus needs to see a doll.
SPEAKER 1
Yes baby that’s sad funny I can see it.
EVIE MASTERS
Yes, well, eat up, Richard!
SPEAKER 1
Of auntie!
EVIE MASTERS
Yes, Avanti!
RICHARD LAWSON
That was a delicious steak, Isabella.
Thank you.
SPEAKER 3
It was enough for me it was from senior Marcus.
Sound of plates being cleared away.
Silence.
Footsteps.
21:34
SPEAKER 4
Para Carlo.
SPEAKER 5
Okay.
SPEAKER 4
Get your key.
Sound of footsteps.
SPEAKER 3
We live photo?
SPEAKER 5
You’re not fucking serious?
SPEAKER 4
Crystals, silver plate!
SPEAKER 5
This is a fucked-up miss! This cycle path sister tying all the evidence in string because it amuses him and Gibson are hard on.
SPEAKER 4
Family la bush, Christos.
SPEAKER 5
No! Not anymore. Yeah make it more give sleepy walkers a slipping peels and then dumpy down the sea.
SPEAKER 3
Scuzzy! You mess never Mercedes.
Mustard Mercedes.
SPEAKER 4
Shut your mouth, Crystals.
SPEAKER 5
You are a traffic cone, it’s a Bella. This is what the world is now discovering. It is not Claire knew.
SPEAKER 4
Crystals, for God’s sake.
SPEAKER 3
If I could get out of this I would I’m just as chat as you I’m still be paying my own debt.
SPEAKER 5
All because of this goddamn little vampire.
Footsteps.
22:01
The door creaks.
Footsteps.
SPEAKER 4
Be more careful what you say.
SPEAKER 5
I’m not doing this anymore!
SPEAKER 4
Do you have a good choice, idiot.
SPEAKER 5
If this is going to be made into a movie we are all screwed.
SPEAKER 4
You would not dare you’d go to please on.
SPEAKER 5
Yeah? And so with you. All of you.
SPEAKER 3
You are here. Why? And what is the meaning of this? You have been recording us. Why? Please, you must tell me how to switch off and delete.
EVIE MASTERS
Why? I thought you had no secrets here. I thought everything was public and open?
SPEAKER 3
Please.
EVIE MASTERS
That’s mine.
SPEAKER 3
Tell me how can I do it. Then you have back.
EVIE MASTERS
No. Keep it. I have the recording online anyway.
SPEAKER 3
This is an invasion of privacy. You have accidentally recorded very private things.
EVIE MASTERS
Yeah? I bet I’m not the only one. You’ve been listening to us since we arrived. Do you get off on it somehow? And what have you done with a notebook I left in my womb?
SPEAKER 3
Are you coming to bed, Richard?
05:30
SPEAKER 3
You do want me. I do not imagine?
RICHARD LAWSON
You do not imagine.
SPEAKER 3
Please. You would like water?
RICHARD LAWSON
Yes. Thank you.
05:43
SPEAKER 3
You like?
RICHARD LAWSON
Yes I never.
SPEAKER 3
Like this more?
RICHARD LAWSON
Oh yes.
SPEAKER 3
Oh Richard.
RICHARD LAWSON
Where is EV?
SPEAKER 3
I should put this pho somewhere.
RICHARD LAWSON
Is it still the recording?
06:01
Knocking at door.
SPEAKER 3
Yes please wait there.
06:03
SPEAKER 3
Richard. Wake up!
RICHARD LAWSON
What’s happened?
SPEAKER 3
It is your wife. A violin.
RICHARD LAWSON
Oh my God. Is she OK?
SPEAKER 3
They have not found her. I Moscow.
06:07
SPEAKER 3
You will stay here, for only good.
RICHARD LAWSON
Sorry?
SPEAKER 3
Darling Richard I am going to lock you in because you must not go after the storm it is still so bad. EV hasn’t been seen since the airport.
RICHARD LAWSON
I don’t understand.
SPEAKER 3
I will come back with a violin soon.
RICHARD LAWSON
But what about you? What about us?
SPEAKER 3
The patient, darling.
06:12
Sounds of paper rustling.
Sounds of pen on paper.
11:15
Knocking sound.
RICHARD LAWSON
Hello? Who’s there?
11:18
Knocking sound.
EVIE MASTERS
Richard? Richard?
11:22
Knocking sound.
EVIE MASTERS
Richard!
RICHARD LAWSON
Evie? Where are you?
EVIE MASTERS
I’m in the store cupboard next to you. I’m locked on. What the fuck’s happening?
RICHARD LAWSON
What store cubby. Where?
EVIE MASTERS
It’s like some kind of drum cover or something. I’ve been banging on trying to get attention for ages. The door’s locked. What the fuck’s going in?
RICHARD LAWSON
I really don’t know. It’s a Bella said she went to rescue.
EVIE MASTERS
You have to speak up Richard I can’t hear you properly through the war.
RICHARD LAWSON
Well are you rescued where did you go why didn’t you leave a note why are you locked in?
EVIE MASTERS
What? Seriously?
RICHARD LAWSON
What’s that supposed to mean?
EVIE MASTERS
I left you a long letter.
RICHARD LAWSON
Well where is it?
EVIE MASTERS
Maybe you should ask for a bell and. I inspect she got all of my notes by now or oh my God the dapple little man I bet he got them somehow.
RICHARD LAWSON
The dapple little man why would he have them?
EVIE MASTERS
Because he’s a collector he collects everything that’s what he gets so fun.
RICHARD LAWSON
I’ve been I’ve been writing your letter actually.
EVIE MASTERS
What is it say?
RICHARD LAWSON
It says I’m sorry I’m kind of a long winded way and I suppose it kind of concludes that I do love you.
EVIE MASTERS
How is it possible that I’ve only just realized that I actually do love you too what we done Richard?
RICHARD LAWSON
Is this bad?
EVIE MASTERS
You know how much I hate you as well?
RICHARD LAWSON
I’m sorry.
EVIE MASTERS
And you want to go to her after everything he went to her why Richard?
RICHARD LAWSON
I’m sorry.
EVIE MASTERS
I suppose it’s because she doesn’t know who you really are why are you really are your dog secrets.
RICHARD LAWSON
It’s not like I’ve got anything left to lose.
EVIE MASTERS
Oh for God’s sake when are you going to stop running away?
RICHARD LAWSON
What happened to our CV is it too late could we maybe start again completely from scratch this time?
EVIE MASTERS
I can’t tell you how much I love that I just don’t know how far back would have to go if there even is a time when you’re okay you know I’m not even sure there was ever a time when I was okay I don’t know when I got broke but I don’t know why I thought you could put me back together.
RICHARD LAWSON
It was sort of fun earlier before. Acting the sleepy walkers.
EVIE MASTERS
Why can’t it be like that more often why are we so spiky all the time?
RICHARD LAWSON
Because we’ve always been tragic.
EVIE MASTERS
Utterly doomed yes. Just like heretic his horoscope.
RICHARD LAWSON
Did you know before the wedding I mean that’s what I keep asking myself if you knew and somehow even punishing me.
EVIE MASTERS
What? Of course not. I had no idea. I mean I’ll be mad if I fucking hell is this you still thinking that I’m mad?
RICHARD LAWSON
I mean maybe we can have some therapy and talk about it all you know my father especially and.
EVIE MASTERS
I think they’re gonna kill us.
RICHARD LAWSON
No.
EVIE MASTERS
Yes. It’s too late.
RICHARD LAWSON
Why?
EVIE MASTERS
Because we know what they did.
RICHARD LAWSON
I don’t know anything.
EVIE MASTERS
Are you sure?
RICHARD LAWSON
I mean maybe the story of the sleepy walkers there’s a little suspicious.
EVIE MASTERS
You wreck on?
RICHARD LAWSON
I heard something earlier about a traffic king?
EVIE MASTERS
What? I can’t hear you properly.
RICHARD LAWSON
A traffic cone? With those young people.
EVIE MASTERS
I still can’t hear what you’re saying. I just took hands up to the airport.
RICHARD LAWSON
Who? Hamza? That Arab boy? How?
EVIE MASTERS
We used Christos’s car Hamza is in trouble.
RICHARD LAWSON
Because of the traffic?
EVIE MASTERS
And I gave Crystals the password for my audio transcription but he