Ackers, Tom. See Gilligan, Melanie and Tom Ackers
Adams, Ansel, 10
Adorno, Theodore, 11–13, 15–16, 191, 212 n. 70
Akomfrah, John, 187
Alaimo, Stacy, 191
Alfred, Taiaiake, 73
Alfrey, Nicholas, 8
Allora, Jennifer and Guillermo Calzadilla, Land Mark (Foot Prints), 166
Alÿs, Francis, When Faith Moves Mountains, 92, 164–65, 175
Ancient Springtime Fey (Yao Lu), 173–74
Andre, Carl, 93
Annual Rings (Oppenheim), 161–62, 175
anthropocene, the,
capitalism and, 43
eco art and, 9, 41, 44, 71, 82, 98, 122, 196–97
Archive: Endangered Waters (Rúrí), 60–61, 64, 68, 114–15, 118–19, 129
arctic, representations of the, 9–10, 33, 53, 66–70, 131, 195
Arden, Roy, 34–36
Pulp Mill Dump (#1) Nanaimo, B.C., 34–36
Arnold, Grant, 133
Art & Language (group), 51–52
articulation, theory of, 11, 16–17
Atlantis, 132
Background Story: Qiu Shan Xian Yi Tu (秋山仙逸图) (Xu Bing), 172–73
Bal, Mieke, 8
Balog, James, 189
Banerjee, Subhankar, 9
Battle for the Woodlands (Devine), 84–87
Beardsley, John, 7
Beltrá, Daniel, 189
Bennett, Jane, 22, 177, 191, 195
Bergson, Henri, 196
Berlant, Lauren, 195–96
Beuys, Joseph, 13, 71, 176–77, 183, 186–87, 206
7000 Oaks, 31, 46, 56, 181, 203
Bierstadt, Albert, 10, 73–78, 81, 103, 149
Cho-looke, the Yosemite Fall, 77
Boettger, Suzaan, 7, 34, 53, 94, 209 n. 8
Boetzkes, Amanda, 13, 15–17, 65
Border Series—Treaties (Niro), 170
Braddock, Alan and Christoph Irmscher, 3
Broomberg, Adam and Oliver Chanarin, 55
Brown, Dee, 84
Jakobshavn-Ilulissat Quartet, 66
Burnham, Jack, 12, 26, 98, 159, 176, 183–84
Calzadilla, Guillermo. See Allora, Jennifer and Guillermo Calzadilla
camera obscura, 38–39, 135–56, 206
Camera Obscura Image of the Philadelphia Museum of Art, East Entrance in Gallery #171 with a de Chirico Painting (Morell), 151–152
capitalocene, the, 4
Carbon 14: Climate is Culture (exhibition), 3, 67, 122, 189
Carr, Emily, 27,
Carson, Rachel, 31
Carus, Carl Gustav, 58, 60–67, 70, 77, 185, 206
Castree, Noel, 22–23
Center for Land Use Information (CLUI), 2, 98, 189
Chakrabarty, Dipesh, 12–13
Chanarin, Oliver. See Broomberg, Adam and Oliver Chanarin
Chemin de la Frontière, Québec (Rutkauskas), 166–168
Cher, 76
Landscape, 171
Cho-looke, the Yosemite Fall (Bierstadt), 77
chthulucene, the, 4, 211 n. 47
Clark, Kenneth, 5
Clifford, James, 17
climate change, anthropogenic, 12, 41, 48, 62
Coates, Peter, 22,
commons, the, 103
Connor, Steven, 59
consanguinity, theory of, 89
Cosgrove, Dennis, 18
Crary, Jonathan, 144
#crazyweather (Swtizer), 127
Crooked Path (Wall), 159–60
Crutzen, Paul, 4
Crystal Monument (Sonfist), 184.
Curbed Concepts: NATURE (Martindale), 105–8
Curtis, Edward S., 75–76
Dahl, Johann Christian, 68
Dark Years Away (Neudecker), 192
data farm, 100
Dean, Tacita, 57–58
Fatigues, 57
Deep Time (Ackers, Gilligan), 41–44, 60, 78, 101
De Landa, Manuel, 9
Deleuze, Gilles, 20, 124, 176, 180, 196
De Maria, Walter, 47, 50, 110, 122, 145–46, 159
Demos, T.J., 11
Denes, Agnes, 28, 31, 98–100, 108, 163, 178
Wheatfield—A Confrontation: Battery Park Landfill, Downtown Manhattan, 9, 96, 98–99
Descola, Philippe, 1, 158, 195
Devine, Bonnie, 72, 84, 85–90, 94, 168
Battle for the Woodlands, 84–87
Dion, Mark, 54–56,156
Neukom Vivarium, 33, 42, 47, 121
Schildbach Xylotheque, 55, 187
Directed Seeding—Cancelled Crop (Oppenheim), 32, 96–97
Double Echo (Drury), 134
Drury, Chris, 134–35, 141–42, 150
Double Echo, 134
Durant, Sam, 36–37
Upside Down Pastoral Scene, 36
earth-death pictures, 58–64, 68, 195, 200, 214 n. 36
earth-life pictures (Erdlebenbildkunst), 58, 62, 67, 185
Earth Room (DeMaria; two versions), 91, 123, 206
eco art
descriptions of, 1–5, 209 n. 1
and eco art history, 3–4, 27, 37, 41, 54, 66, 73, 136, 158, 168, 172, 190, 195
and ecotones, 157–60, 177, 185, 191
Ehrlich, Gretel, 204
Eliasson, Olafur, 1–2, 47, 92, 111, 121, 124, 179, 187–88, 203
and ethics, 205–206
and technology, 154
The weather project, 2, 107, 126
Your embodied garden, 127–28
Evernden, Neil, 18, 22, 25, 158
Faraday, Michael, 65
Fatigues (Dean), 57
Fer, Briony, 115
Fischli, Peter and David Weiss, 41, 43–44
The Right Way, 41–43
Forst (Sailstorfer), 125–126
Fourth World (Monkman) 73, 77–78
Friedrich, Caspar David, 53, 56, 58, 60, 62, 68
Fulton, Hamish, 47, 50, 92, 134, 159
Gainsborough, Thomas, 103–04, 159
geoaesthetics, 22, 123–24, 176–77, 180
Sow Farm (near Libbey, Oklahoma), 99–104
Gilligan, Melanie and Tom Ackers, 41–44, 60, 101
glaciers, 2, 66–69, 71–72, 114–15, 118–20, 129, 185, 187, 189, 193–94
Glue Pour (Smithson), 123
Graham, Rodney, 38–39
Millennial Time Machine, 38–39
Griffin, Tim, 92–93
Grosz, Elizabeth, 20
Guattari, Félix, 19, 124, 176, 180, 209 n. 2
Haacke, Hans, 12–17, 26, 98, 183–84, 194
Rhine Water Purification Plant, 13–15, 26, 98, 194
Hackert, Jacob Philipp, 137
Haeckel, Ernst, 25
Hall, Stuart, 16–17
Hamilton, William, 58
Harrison, Charles, 51–54, 58, 104
Harrison, Newton and Helen Mayer Harrison, 6, 31, 33, 54, 58, 108
Harrist, Robert E. Jr., 173
Harvey, David, 22
Hayeur, Isabelle, 145, 197–202
Limulus, 200
Substances, 197–98
Heizer, Michael, 30–32, 47, 90–93, 100, 119, 131
Levitated Mass, 108–112
as pioneering land artist, 6–7, 50
Hiorns, Roger, 181–183
Holmes, Tiffany, 194
Horn, Roni, 2–3, 45, 107–20, 191
Water, Selected, from Vatnasafn / Library of Water, 2–3, 108, 112–20
Holt, Nancy, 31, 50, 92, 94, 108, 133, 141–44
Views Through a Sand Dune, 141–42
Huang, Vincent J.F., 187
Hudson River School, 53, 58, 75
Humboldt, Alexander von, 62, 64, 77
Huyghe, Pierre, 45–47, 92, 112, 121, 129–34, 165
and Joseph Beuys, 46
A Journey That Wasn’t, 130–132
and Robert Smithson, 132
Untilled: Alive Entities and Inanimate Things, Made and Not Made, 46–47
Hydrangea in Room (Anteroom Series) (Nizam), 144–145
Indigeneity: See land and Indigeneity
Irland, Basia, 13, 170, 175–176, 187, 204
Irmscher, Christoph. See Braddock, Alan and Christoph Irmscher
Iyer, Pico, 204
Jakobshavn-Ilulissat Quartet (Burko), 66
Jasanoff, Sheila, 157–158
Jeremijenko, Natalie, 40
Jones, Caroline A., 15–16, 116
A Journey That Wasn’t (Huyghe), 130–32
Kant, Immanuel, 46, 102, 212 n. 80
Katz, Jonathan D., 73
Kaufmann, Thomas DaCosta, 21
Kelsey, Robin, 89
Klee, Paul, 180
Kolbe, Carl Wilhelm the Elder, 27
Koziara, Jarosław, 163–164
Unity Fish, 163–164
Krauss, Rosalind, 47, 50, 91, 97, 146
Kwon, Miwon, 122
land
geo-centered turn, 22
and Indigeneity, 17, 20, 23, 23–24, 58, 73–77, 81–82, 84–89, 168
reclamation and remediation, 9–11, 13–14, 32, 52, 190, 203–04
land art, critiques of, 54–55
Landscape (Chin), 171
Land Mark (Foot Prints) (Alloora and Calzadilla), 166
Latour, Bruno, 4, 15, 22, 62, 124, 158, 162–163
Lee, Pamela M., 92
Levitated Mass (Heizer), 108–112
LeWitt, Sol, 93
Leys, Ruth, 195
Limulus (Hayeur), 200
Lippard, Lucy, 91, 95, 123, 132, 164–166, 172, 176
Loutherbourg, Philip James de, 102
Luke, Timothy, 25,
Luna, James, 72
MacLaren, Ian, 4
Maisel, David, 10,
Manacorda, Francesco, 156
Map of Broken Clear Glass (Atlantis) (Smithson), 132-133
mapping, 20–21, 52, 67, 84–88, 94, 159, 160–161, 164, 170, 175–176, 181
Marclay, Christian, 193
Markonish, Denise, 75
Martindale, Sean, 105–108
Curbed Concepts: NATURE, 105–108
Matilsky, Barbara C., 7
McEvilley, Thomas, 121
Michelson, Alan, 72, 87, 168–70, 172
Mihalyo, Daniel, 166
Non-Sign II, 166
Millennial Time Machine (Graham), 38–39
Mitchell, W.J.T., 8, 19, 49–51, 58
modernocene, the, 12
Monkman, Kent, 58, 72–83, 89, 103, 149
The Rise and Fall of Civilization, 78, 80–81
Trappers of Men, 73–76
Moore, Jason W. 4, 211 n. 47
Morell, Abelardo, 146–150, 155
Camera Obscura Image of the Philadelphia Museum of Art, East Entrance in Gallery #171 with a de Chirico Painting, 151–152
Tent-Camera Image on Ground: El Capitan from Cathedral Beach, Yosemite National Park, 147
Morris, Robert, 9, 50, 93, 203
Morton, Timothy, 13, 22, 25, 101–2, 124, 154, 158, 162, 196–97, 205
Muybridge, Eadweard, 76
Nabhan, Gary Paul, 24
New Topographics, the, 75
Ngo, Viet, 9
Niro, Shelley, 170–72
Border Series—Treaties, 170
Hydrangea in Room (Anteroom Series), 144–45
N.E. Thing Co.; NETCO, 94–95, 101
North American Telexed Triangle (No. 1), 94
Neukom Vivarium (Dion), 33, 42, 47
Neudecker, Mariele, 68–71, 192–98, 202
Dark Years Away, 192
Over and Over, Again and Again, 68
There Is Always Something More Important, 70
Nisbet, James, 32, 53, 122–123, 159
Nixon, Rob, 124
Non-Sign II (Lead Pencil Studio), 166
North American Telexed Triangle (No. 1), (N.E. Thing. Co.), 94
Olmsted, Frederick Law, 5, 30–32
Olwig, Kenneth R., 19
One Ton II (Starling), 97, 207–208
Oppenheim, Dennis, 30–33, 50–53, 91–100, 108, 113, 122, 160–163, 173
Directed Seeding—Cancelled Crop, 32, 96–97
as pioneering land artist, 30, 52
Over and Over, Again and Again (Neudecker), 68
Owens, Craig, 113
Parker, Patricia, 8
Parikka, Jussi, 4, 18, 22, 97, 177, 195, 208
Paterson, Katie, 68, 71–72, 114
Penone, Giuseppe, 27
Phillips, Mark Salber, 58–59
Phillips, Ruth, 72
The Photograph: Suspended Tree (Wright), 155–156
Picasso, Pablo, 79–81
picturesque, concept of the, 4–5, 18, 30–31, 45, 54–55, 93, 106, 139, 145, 160, 185, 202
Pope, Alexander, 103–04, 126, 135, 137–141, 185, 202, 206
Poussin, Nicolas, 37
Price, Uvedale, 31
Pulp Mill Dump (#1) Nanaimo, B.C (Arden), 34
Ragain, Melissa Sue, 25
Rand, Tom, 197
Ray, Charles, 28
Reitzenstein, Reinhard, 39–41
Transformer, 40–41
Renwick, Arthur, 72, 84–85, 87, 175
Tah-ton-kah-he-yo-ta-kah (Sitting Bull), from Delegates: Chiefs of Earth and Sky, 84–85
Requiem for a Glacier (Walde), 193–196
Reynolds, Joshua, 144
Rhine Water Purification Plant (Haacke), 13–15, 26, 98, 194
The Right Way (Fischli, Weiss), 41–43
Rise and Fall of Civilization (Monkman), 78, 80–81
Rodchenko, Alexander, 123
Ruisdael, Jacob van, 27
Archive: Endangered Waters, 60–61, 64, 68, 114–15, 118–19, 129
Ruskin, John, 30, 60, 64, 185, 201–2
Rutkauskas, Andreas, 166–68, 175, 219 n. 22
Chemin de la Frontière, Québec, 166–68
Sailstorfer, Michael, 125–26
Forst, 125–26
Salgado, Sebastiāo, 31
Sallis, John, 13
Savery, Roelandt, 28,
Schama, Simon, 18
Schildbach Xylotheque (Dion) 55, 187
Schopenhauer, Arthur, 177–78, 180
Schum, Gerry, 91
Scorched Earth, Clear-Cut Logging on Native Sovereign Land, Shaman Coming to Fix (Yuxweluptun), 81–83
7000 Oaks (Beuys), 31, 46, 56, 181, 203
Sherman, Tom, 90, 105, 108, 118
Serres, Michel, 59, 124–126, 129, 134, 156, 202
settlers; settler colonialism, 24, 49, 72
Shiva, Vandana, 124
Skelton, Jonathan, 147
Skinner, Damian, 72,
Slack, Jennifer, 16
Sleeman, Joy, 8
Somerville, Mary, 65
Sow Farm (near Libbey, Oklahoma) (Gerrard), 99–104
Smithson, Robert, 5–7, 29–39, 54, 58, 91–94, 97, 106, 108, 113–123, 125, 130–138, 140–145, 159, 176–178, 180–182, 185, 199–200, 203, 207
and ecology, 30–31
Glue Pour, 123
Map of Broken Clear Glass (Atlantis), 132-133
Spiral Jetty, 50, 91, 93–94, 110, 116, 130–133, 188, 199
Upside Down Tree I, 29
Snow Storm—Steam-Boat off a Harbour’s Mouth (Turner), 65
Sonfist, Alan, 23, 25–26, 108, 177, 183–185
Crystal Monument, 184
Spiral Jetty (Smithson), 50, 91, 93–94, 110, 116, 130–133, 188, 199
Spirn, Anne Whiston, 19
Stafford, Barbara Maria, 182
Starling, Simon, 97, 177, 203, 206–208
Stengers, Isabelle, 24
sublime, concept of the, 6, 53, 55, 57–58, 65, 68, 73–77, 101–104, 106–107, 202
Substances (Hayeur), 197–198
Sun Tunnels (Holt), 135, 142, 144
Swenson, Kirsten, 4
Switzer, Sharon, 127
#crazyweather, 127
Tah-ton-kah-he-yo-ta-kah (Sitting Bull), from Delegates: Chiefs of Earth and Sky (Renwick), 84–85
Tansey, Mark, 75
Tecumseh, 88
Tent-Camera Image on Ground: El Capitan from Cathedral Beach, Yosemite National Park (Morell), 147
There Is Always Something More Important (Neudecker), 70
Tiravanija, Rirkrit, 92
Todd, Zoe, 20
Townsend-Gault, Charlotte, 83
Transformer (Reitzenstein), 40–41
Trappers of Men (Monkman), 73–76
Tree Correction #2 (Wright), 152
Turner, J.M.W., 6, 57–58, 60, 64–65, 70, 185, 206
Snow Storm—Steam-Boat off a Harbour’s Mouth, 65
War: The Exile and the Rock Limpet, 200–202
Ukeles, Mierle Laderman, 11, 108
Unity Fish (Koziara), 163–164
Untilled: Alive Entities and Inanimate Things, Made and Not Made (Huyghe), 130–132
Untitled Photograph #3 (Plant) (Wright), 155–156
Upside Down Pastoral Scene (Durant) 36
Upside Down Tree I (Smithson), 29
Views Through a Sand Dune (Holt), 141–142
Viola, Bill, 34
Requiem for a Glacier, 193–196
Wall, Jeff, 159–160
The Crooked Path, 159–160
Wark, McKenzie, 22
War: The Exile and the Rock Limpet (Turner), 200–202
Water, Selected, from Vatnasafn / Library of Water (Horn), 2–3, 108, 112–120
The weather project (Eliasson), 2, 107, 126
Weiss, David. See Fischli, Peter and David Weiss
Wheatfield—A Confrontation: Battery Park Landfill, Downtown Manhattan (Denes), 9, 96, 98–99
When Faith Moves Mountains (Alÿs), 92
Widén, Anna, 28
Wieland, Joyce, 32–33
wilderness, concept of, 18, 30, 73–74, 90
Williams, Raymond, 22
Wolfe, Patrick, 86
Worringer, Wilhelm, 179–182
Wright, Andrew, 152–56
The Photograph: Suspended Tree, 155–56
Tree Correction #2, 152
Untitled Photograph #3 (Plant), 152
Xu Bing, 172–74
Background Story: Qiu Shan Xian Yi Tu (秋山仙逸图), 172–73
Yanagi, Yukinori, 162–163
Yao Lu, 173–74
Ancient Springtime Fey, 173–74
Young, Samson, 175
Your embodied garden (Eliasson), 127–28
Yuxweluptun, Lawrence Paul, 72–73, 81–85
Scorched Earth, Clear-Cut Logging on Native Sovereign Land, Shaman Coming to Fix, 81–83
Zakai, Shai, 203