This List is arbitrary and is confined to books which are essential for consultation and further study. For a more comprehensive bibliography the reader is recommended to Mr Bernard Karpel’s Art of the Twentieth Century—a Bibliography (New York, Wittenbom & Co.). Most of the monographs on individual artists listed below contain detailed bibliographies of their subjects.
H.R.
Documents of Modern Painting
fiedler, Conrad: On Judging Works of Visual Art. Trans. Henry Schaefer-Simmern and Fulmer Mood. University of California, 2nd edn, 1957.
van gogh, Vincent: The Complete Letters of Vincent van Gogh. 3 vols. London, 1958.
CEZANNE, Paul: Letters. Ed. John Rewald. London, 1941.
worringer, Wilhelm: Abstraktion und Einfiihlung. Munich, 1908, 1948. Trans. Michael Bullock: Abstraction and Empathy. London, 1953. Formproblemeder Gothik. Munich, 1912. Trans. Form in Gothic. London, 1927.
KANDINSKY, Wassily: Uber das Geistige in der Kunst. Munich, 1912.
Trans, (1) The Art of Spiritual Harmony. Trans, with an Introduction by M. T. H. Sadler. London, 1914. (2) Concerning the Spiritual in Art. Revised trans. by Francis Golffing, Michael Harrison and Ferdinand Ostertag. New York, 1947.
gleizes, Albert, and Jean metzinger: Du ‘Cubisme \ Paris, 1912.
Trans. Cubism. London, 1913.
\pollinaire, Guillaume: Les Peintres Cubistes. Paris, 1913.
Trans. Lionel Abel: The Cubist Painters:
Aesthetic Meditations. New York, 1944. New edn 1949. (See ‘Additional Works’, below.)
klee, Paul: Uber die moderne Kunst (1924). BernBiimpliz, 1945.
Trans. Paul Findlay: On Modem Art. London, 1948.
Das bildnerische Denken. Ed. Jiirg Spiller. Basel/Stuttgart, 1956.
mondrian, Piet: Plastic Art and Pure Plastic Art J 937 an d other Essays, 1941-1943. New York, *945
Archivi del Futurismo. Raccolti e ordinati da M. Drudi Gambillo e T. Fiore. Rome, 1958-62.
Histories of Modern Painting
[££ira] History of Modem Painting:
(1) From Baudelaire to Bonnard. The Birth of a New Vision. Text by Maurice Raynal. Introduction by Herbert Read. Historical and Biographical notes by Jean Ley marie. Trans. Stuart Gilbert, Geneva, 1949.
(2) Matisse Munch Rouault. Fauvism Expressionism. Text and documentation by Maurice Raynal, Arnold Rudlinger, Hans Bolliger, Jacques Lassaigne. Introduction by George Schmidt. Trans. Stuart Gilbert, Geneva, 1950.
Bibliography 375
(3) From Picasso to Surrealism. Texts and documentation by Maurice Raynal, Jacques Lassaigne, Werner Schmalenbach, Arnold Riidlinger, Hans Bolliger. Trans. Douglas Cooper, Geneva, 1950.
dorival, Bernard: Les Etapes de la peinture francaise contemporaine. Paris, 1943-6.
huyghe, Rene: Histoire de Part contemporain: la peinture. In collaboration with G. Bazin. Paris, 1935.
zervos, Christian: Histoire de Part contemporain. Paris, 1938.
Monographs
(a) Movements
rewald, John: The History of Impressionism. New York, 1946 (London and New York, 1974). Post-Impressionism — From Van Gogh to Gauguin. New York, 1956.
pevsner, Nikolaus: Pioneers of the Modem Movement — From William Morris to Walter Gropius. London, 1936 (1966).
duthuit, Georges: Les Fauves. Geneva, 1949. Trans: Ralph Manheim: TheFauvistPainters, New York, 1950.
barr, Alfred H.: Cubism and Abstract Art. New York, 1936.
motherwell, Robert (ed.): The Dada Painters and Poets. New York, 1951.
verkauf, Willy (ed.): Dada — Monograph of a Movement. New York, 1957.
barr, Alfred H. Jr: Fantastic Art, Dada, Surrealism , with essays by Georges Hugnet. New York, 1936.
jaffe, H. L. C.: De Stijl— 1917-1931: The Dutch Contribution to Modem Art. Amsterdam, 1956. (See ‘Additional Works’, below.)
selz, Peter: German Expressionist Painting. Berkeley and Los Angeles, 1957.
myers, Bernard S.: Expressionism. London and New York, 1957.
seuphor, Michel: L*Art Abstrait, ses origines, ses premiers maitres. Paris, 1949.
Dictionnaire de la peinture abstraite. Paris and London, 1957.
brion, Marcel: Art abstrait. Paris, 1956.
( b ) Artists
malingue, Maurice: Gauguin — Le Peintre et son Oeuvre. Paris, 1948.
de la faille, J. B.: Van Gogh. Trans. Prudence Montague-Pollock, London and Toronto, n.d.
venturi, Lionello: Cezanne. 2 vols. Paris, 1936. fry, Roger: Cezanne, a Study of his Development. London, 1927.
rewald, John: Seurat. New York, 1943, 1946. hodin, J. P.: Edvard Munch. Stockholm, 1948 (London and New York, 1972). barr, Alfred H. Jr: Matisse—His Art and his Public. New York, 1951.
Picasso—Fifty Tears of his Art. New York, ■ 94 6
boeck, Wilhelm, and sabartes, Jaime: Picasso.
London and New York, 1955. zervos, Christian: Pablo Picasso. Vol. I (18951906); Vol II (in two parts—1906-12 and 1912-17), Paris, 1932-42. elgar, Frank, and maillard, Robert: Picasso.
Paris and London, 1955 ( 1 973 )penrose, Roland: The Life of Picasso. London, I 95 8 (WO*
Einstein, Carl: Georges Braque. Paris, 1934. hope, Henry R.: Georges Braque. New York, 1949. kahnweiler, Daniel-Henry: Juan Gris—His Life and Work. Trans. Douglas Cooper, London, ‘ 947
bill, Max: Wassily Kandinsky (avec la participation de Jean Arp, Charles Estienne, Carola Giedion-Welcker, Will Grohmann, Ludwig Grote, Nina Kandinsky, Alberto Magnelli), Paris, 1951.
grohmann, Will: Kandinsky. Cologne, London and New York, 1958.
grohmann, Will: Paul Klee. London, 1954. cooper, Douglas: Fernand Leger et U nouvel espace. Geneva, 1949.
sweeney, James Johnson: Joan Miro. New York, 1941
venturi, Lionello: Georges Rouault. New York, 1940; Paris, 1948.
soby, James Thrall: Georges Rouault. New York, 1945
hoffman, Edith: Kokoschka, Life and Work. London, 1947.
wheeler, Monroe: Soutine. New York, 1950. sweeney, James Johnson: Marc Chagall. New York, 1946.
erben, Walter: Marc Chagall. London, 1 957 seuphor, Michel: Piet Mondrian. London and New York, 1957
read, Herbert (ed.): (1) Ben Nicholson — Paintings, reliefs, drawings. London, 1948.
(2) Ben Nicholson — Work since 1947. London, * 95 6
Additional Works
The author's bibliography has been reprinted virtually as it stands (with the addition of a
376 Bibliography!List of Works Reproduced
number of subsequent editions of works mentioned). The new section below lists some useful books published since 1959.
\Skira] History of Modem Painting:
(4) Contemporary Trends. Text by Nello Ponente. Geneva, i960.
richter, Hans: Dada, Art and Anti-Art. London and New York, 1966.
lucie-smith, Edward: Movements in Art Since 1945. London, 1969. Published in USA as Late Modem , New York, 1969. russell, John, and Suzi gablik, Pop Art Redefined. London and New York, 1969.
[. Skira] American Painting: (2) The Twentieth Century. Text by Barbara Rose, Geneva, 1969. jaffe, H. L. C.: De Stijl. London and New York, 1970.
sandler, Irving: Abstract Expressionism: The Triumph of American Painting. New York and London, 1970.
Abstract Art Since 1945. With contributions by Jean Leymarie, Werner Haftmann, Irving
H. Sandler, Michel Ragon, Francine C. Legrand, Gillo Dorfles, H. L. C. Jaffe, Umbro Apollonio, Lucy R. Lippard, Oto Bihalji-Merin. London and New York. 1971. Figurative Art Since 1945. With contributions by J. P. Hodin, Giuseppe Marchiori, Emile Langui, Rene Passeron, Wieland Schmied, Jean Dypreau, Robert Melville, Lawrence Alloway, Mario Amaya, Pierre Restany, Gerald Gassiot-Talabot, Alain Jouffroy. London and New York, 1971. gray, Camilla: The Russian Experiment in Art 1863-1922. London and New York, (1962)
I 97 I ■
cooper, Douglas: The Cubist Epoch. London. New York and Los Angeles, 1971.
Apollinaire on Art: Essays and Reviews 1902-18. Ed. LeRoy C. Breunig. New York and London, 1972.
klee, Paul: Notebooks. (1) The Thinking Eye ; (11) The Nature of Nature. Ed. Jiirg Spiller. London and New York, 1961 and 1973. apollonio, Umbro (ed.): Futurist Manifestos. London and New York, 1973.