Ingmar Bergman

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Library of Congress Cataloging-in-Publication Data is available on file.

ISBN: 978-1-61145-611-0

“Each Film Is My Last,” by Ingmar Bergman, copyright ©1966 by and reprinted by permission of the Drama Review, Vol. 11, No. 1, T-33, Fall 1966; “Remembering Alf Sjoberg” from The Magic Lantern, by Ingmar Bergman, translated by Joan Täte, translation copyright ©1988 by Joan Täte, original copyright ©1987 by Ingmar Bergman, reprinted by permission of Viking Penguin, a division of Penguin Books USA Inc.; “Bergman’s Best Intentions,” copyright ©1991 by Lasse Bergstrom, translation copyright ©1992 by and reprinted by permission of Richard Nord, originally published in Scanorama, May 1992; “Through a Life Darkly,” ©1988 by Woody Allen, reprinted by permission of Rollins and Joffe for the author, originally published in the New York Times BookReview, September 18, 1988; “On Ingmar Bergman” from The Films inMy Life, by Francois Truffaut, copyright ©1975 by Flammarion, translation copyright ©1978 by Simon & Schuster, Inc., reprinted by permission of Simon & Schuster; “Bergmanorama,” by Jean-Luc Godard, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “Working with Bergman: Excerpts from a Seminar with Liv Ullmann,” copyright ©1973 by and reprinted by permission of Liv Ullmann, originally published in American Film, March 1973; “The Bergman Vaccination Method,” by Erland Josephson, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “A Letter to Ingmar Bergman,” by Max von Sydow, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “Confessions of a Bergman Co-Worker,” by Gunnel Lindblom, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “Some Thoughts about an Old Colleague on His Way to Canonization,” by Eva Dahlbeck, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “Bergman on Stage and Screen: Excerpts from a Seminar with Bibi Andersson,” copyright ©1977 by and reprinted by permission of Bibi Andersson, originally published in American Film, March 1977; “The Northern Protestant,” copyright ©1960 by James Baldwin, reprinted by permission of the James Baldwin Estate, originally published in Esquire and collected in Nobody Knows My Name: More Notes of a Native Son, published by Vintage Books; “A Filmmaker in the Borderland: Bergman and Cultural Traditions,” by Mikael Timm, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “The Significance of Ingmar Bergman,” by Jörn Donner, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Ingmar Bergman at 70: A Tribute, special issue of Chaplin Film Magazine, edited by Lars Ahlander, 1988; “Bergman’s Trilogy: Tradition and Innovation,” by Roger W. Oliver, copyright ©1992 by and reprinted by permission of The Johns Hopkins University Press, originally published in Performing Arts Journal #40, Vol. 14, No. 1, January 1992; “Bergman as Novelist,” by Caryn James, copyright ©1994 by and reprinted by permission of the New York Times, originally published as “Ingmar Bergman Adds to the Mosaic of Autobiography” in the New York Times, April 22, 1994; “The Imagined Past in Ingmar Bergman’s The Best Intentions, “ copyright © 1994 by Rochelle Wright; “ The Typically Swedish in Ingmar Bergman,” by Maaret Koskinen, copyright ©1988 by and reprinted by permission of the Swedish Film Institute, originally published in Chaplin Film Magazine, 25th anniversary issue, edited by Lars Ahlander, 1984;” ‘Manhattan Surrounded by Ingmar Bergman,’“ copyright ©1994 by Birgitta Steene; “Winter Songs,” copyright© 1994 by John H. Lahr, reprinted by permission of Georges Borchardt, Inc. for the author, originally published in The New Yorker, October 3, 1994.

Photo credits appear on page 161.