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Sef in May 2002, at his family members’ graves.
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The young Gonzales family shortly after their move to Sydney.
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The Gonzales house sealed off as a crime scene. Sef’s green car is in the carport (far left), Loiva’s and Teddy’s cars are in the garage, and to the right is the front door.
Shane Hanley, Sef’s neighbour, who entered the house with Sef and saw the bodies. Behind him is John Atamian’s house.
The racist scrawl on the family-room wall, with a wall hanging removed and dumped on the floor.
Sef’s handwriting, obtained by police for comparison with the racist scrawl.
Teddy’s briefcase contents scattered as part of the crime scene ‘staging’.
A bloody shoeprint in the hallway, left by a Human brand shoe sole and enhanced by police with chemicals.
Loiva’s handbag near the dining-room table, a short distance from where her body was found.
More staging — blood was found on the floor underneath the handbag and contents.
Clodine’s bedroom as it was found. Blood enhanced with chemicals is in the foreground and to the right is the desk where she had been studying.
One of the impressions, probably left by a bat, in the gyprock wall in Clodine’s room, above where her body was found.
Sef’s meticulously neat room, showing the Human brand shoebox in the bottom right-hand corner, underneath the K-Swiss box.
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Sef on the upstairs level of 6 Collins Street in May 2002. He stands next to his mother’s Catholic shrine and behind his right shoulder is the door to Clodine’s room.
The four knives found in the Global brand knife holder in the kitchen (left), compared with another set of the knives bought by police (right). The largest knife, and possibly the second largest, are the same as those used in the murders.
The jumper that Sef was wearing when police arrived on the night of the murders.
A magnification of the jumper’s left sleeve, showing the blue paint on the fibres.