Plates Section

image

News Limited

Sef in May 2002, at his family members’ graves.

image

News Limited

The young Gonzales family shortly after their move to Sydney.

image

News Limited

The Gonzales house sealed off as a crime scene. Sef’s green car is in the carport (far left), Loiva’s and Teddy’s cars are in the garage, and to the right is the front door.

image

Shane Hanley, Sef’s neighbour, who entered the house with Sef and saw the bodies. Behind him is John Atamian’s house.

image

The racist scrawl on the family-room wall, with a wall hanging removed and dumped on the floor.

image

Sef’s handwriting, obtained by police for comparison with the racist scrawl.

image

Teddy’s briefcase contents scattered as part of the crime scene ‘staging’.

image

A bloody shoeprint in the hallway, left by a Human brand shoe sole and enhanced by police with chemicals.

image

Loiva’s handbag near the dining-room table, a short distance from where her body was found.

image

More staging — blood was found on the floor underneath the handbag and contents.

image

Clodine’s bedroom as it was found. Blood enhanced with chemicals is in the foreground and to the right is the desk where she had been studying.

image

One of the impressions, probably left by a bat, in the gyprock wall in Clodine’s room, above where her body was found.

image

Sef’s meticulously neat room, showing the Human brand shoebox in the bottom right-hand corner, underneath the K-Swiss box.

image

News Limited

Sef on the upstairs level of 6 Collins Street in May 2002. He stands next to his mother’s Catholic shrine and behind his right shoulder is the door to Clodine’s room.

image

The four knives found in the Global brand knife holder in the kitchen (left), compared with another set of the knives bought by police (right). The largest knife, and possibly the second largest, are the same as those used in the murders.

image

The jumper that Sef was wearing when police arrived on the night of the murders.

A magnification of the jumper’s left sleeve, showing the blue paint on the fibres.