Select bibliography


Abbot, Djilda, and Segerman, Ephraim, ‘Gut Strings’, Early Music 4 (1976), pp. 430–7
Abraham, Gerald (ed.), Grieg: A Symposium (London, 1948)
Adorno, Theodor W., Alban Berg, Eng. trans. Julianne Brand and Christopher Hailey (Cambridge, 1991)
Altmann, Wilhelm, Handbuch für Streichquartettspieler (4 vols., Berlin, 1928–31, 2/1972–4)
Antokoletz, Elliott, The Music of Béla Bartók: a Study of Tonality and Progression in Twentieth-Century Music (Berkeley, 1984)
Archibald, Bruce, ‘Berg’s Development as an Instrumental Composer’, in Douglas Jarman (ed.), The Berg Companion (Boston, 1989), pp. 91–122
Association française pour le patrimoine musical (ed.), Le Quatuor à cordes en France de 1750 à nos jours (Paris, 1995)
Aulich, Bruno, and Heimeran, Ernst, Das stillvergnügte Streichquartett (Munich, 1936); Eng. trans. D. Millar Craig as The Well-tempered String Quartet (London, 1938)
Baillot, Pierre, L’art du violon: nouvelle méthode (Paris, 1835)
Banfield, Stephen (ed.), Music in Britain: The Twentieth Century (Oxford, 1995)
Baron, John Herschel, Chamber Music: a Research and Information Guide (New York, 1987)
Baron, John Herschel, Intimate Music: A History of the Idea of Chamber Music (Stuyvesant, New York, 1998)
Barrett-Ayres, Reginald, Joseph Haydn and the String Quartet (London, 1974)
Bashford, Christina, ‘Public Chamber-music Concerts in London, 1835–50: Aspects of History, Repertory and Reception’ (diss., University of London, 1996)
Bashford, Christina, ‘Learning to Listen: Audiences for Chamber Music in Early-Victorian London’, Journal of Victorian Culture 4 (1999), pp. 25–51
Bayley, Amanda (ed.), The Cambridge Companion to Bartók (Cambridge, 2001)
Beckerman, Michael (ed.), DvoU+0159ák and his World (Princeton, NJ, 1993)
Benson, Mark, ‘Schoenberg’s Private Program for the String Quartet in D minor, Op. 7’, Journal of Musicology 11 (1993), pp. 374–95
Berger, M., Guide to Chamber Music (New York, 1985)
Beveridge, David (ed.), Rethinking DvoU+0159ák: Views from Five Countries (Oxford, 1996)
Blum, D., The Art of Quartet Playing (London, 1986)
Bonnerot, Jean, Camille Saint-Saëns (Paris, 1922)
Bonta, Stephen, ‘Catline Strings Revisited’, Journal of the American Musical Instrument Society 14 (1988), pp. 38–60
Boomkamp, Carel van Leeuwen, and Meer, John Henry van der, The Carel van Leeuwen Boomkamp Collection of Musical Instruments (Amsterdam, 1971)
Boyden, David D., The History of Violin Playing from its Origins to 1761 (London, 1965)
Boyden, David D., ‘The Violin Bow in the Eighteenth Century’, Early Music 8 (1980), pp. 199–212
Brandt, Nat, Con Brio: Four Russians called The Budapest String Quartet (New York, 1993)
Brown, Clive, Louis Spohr: A Critical Biography (Cambridge, 1984)
Brown, Clive Classical and Romantic Performing Practice 1750–1900 (Oxford, 1999)
Brown, David, Tchaikovsky: to the Crisis – 1840–1878 (2 vols., London, 1992)
Brown, Howard Mayer, and Sadie, Stanley (eds.), Performance Practice (2 vols., London, 1989)
Burghauser, Jarmil, Antonín DvoU+0159ák (Prague, 1964–7)
Burkholder, J. Peter, Charles Ives: the Ideas behind the Music (New Haven, CT, 1985)
Burkholder, J. Peter, All Made of Tunes: Charles Ives and the Uses of Musical Borrowing (New Haven, CT, 1995)
Chua, Daniel K. L., The ‘Galitzin’ Quartets of Beethoven. Opp. 127, 132, 130 (Princeton, NJ, 1995)
Clapham, John, DvoU+0159ák (New York, 1979)
Clapham, John, Smetana (London, 1972)
Cobbett, Walter Willson (ed.), Cobbett’s Cyclopedic Survey of Chamber Music (2 vols., London, 1929; rev. C. Mason, 3 vols. 2/1963/R)
Coolidge, Richard A., ‘Form in the String Quartets of Franz Schubert’, Music Review 32 (1971), pp. 309–25
Cooper, Jeffrey, The Rise of Instrumental Music and Concert Series in Paris, 1828–1871 (Ann Arbor, 1983)
Day, Timothy, A Century of Recorded Music: Listening to Musical History (London, 2000)
Dent, Edward J., ‘The Earliest String Quartets’, Monthly Musical Record 33 (1903), pp. 202–4
Drabkin, William, ‘The Cello Part in Beethoven’s Late Quartets’, Beethoven Forum 7 (1999), pp. 45–66
Drabkin, William, A Reader’s Guide to Haydn’s Early String Quartets (Westport, CT, 2000)
Ehrlich, A. [Payne, Albert] (ed.), Das Streich-quartet in Wort und Bild (Leipzig, 1898)
Ehrlich, Cyril, The Music Profession in Britain since the Eighteenth Century: a Social History (Oxford, 1985)
Farish, Margaret K., String Music in Print (New York, 1965; supplement 1968)
Fauquet, Joël-Marie, Les sociétés de musique de chambre à Paris de la Restauration à 1870 (Paris, 1986)
Ferguson, Donald N., Image and Structure in Chamber Music (Minneapolis, 1964)
Finscher, Ludwig, ‘Zur Sozialgeschichte des klassischen Streichquartetts’, Gesellschaft für Musikforschung: Kongress-Bericht (Kassel, 1962), pp. 37–9
Finscher, Ludwig, ‘Zur Geschichte des Streichquartetts als musikalische Gattungsgeschichte’, in Vera Schwarz (ed.), Violinspiel und Violinmusik (Graz, 1972), pp. 80–9
Finscher, Ludwig, Studien zur Geschichte des Streichquartets, vol. I: Die Entstehung des klassischen Streichquartetts: von den Vorformen zur Grundlegung durch Joseph Haydn (Kassel, 1974)
Finson, Jon W., and Todd, R. Larry (eds.), Mendelssohn and Schumann: Essays on their Music and its Context (Durham, NC, 1984)
Flesch, Carl, The Memoirs of Carl Flesch; Eng. trans. Hans Keller (London, 1957)
Flesch, Carl, Die Kunst des Violinspiels (2 vols., Berlin, 1923–8); Eng. trans. Frederick H. Martens as The Art of Violin Playing (New York, 1924–9)
François-Sappey, Brigitte, Alexandre P. F. Boëlly, 1785–1858 (Paris, 1989)
Frank, Alan, see Stratton, George
Frisch, Walter, The Early Works of Arnold Schoenberg, 1893–1908 (Berkeley, 1993)
Frisch, Walter (ed.), Schubert: Critical and Analytical Studies (Lincoln, NE, 1986)
Frisch, Walter (ed.), Brahms and his World (Princeton, 1990)
Gallois, Jean, Chausson (Paris, 1994)
Geminiani, Francesco, The Art of Playing on the Violin (London, 1751/R1952)
Gillespie, Don (ed.), George Crumb: Profile of a Composer (New York, 1986)
Gillett, Judy, ‘The Problem of Schubert’s G Major String Quartet (D. 887)’, Music Review 35 (1974), pp. 281–92
Gillies, Malcolm (ed.), The Bartók Companion (London, 1993)
Graesser, Hanno, and Holliman, Andy, Electric Violins (Frankfurt am Main, 1999)
Griffiths, Paul, The String Quartet: a History (London and New York, 1983)
Griffiths, Paul, György Ligeti (London, 1983)
Gruhle, W., Streichquartett-Lexikon: Komposition, Werke, Interpretation (Gelnhausen, 1996, 2/1999)
Gut, Serge, and Pistone, Danièle, La musique de chambre en France de 1870 à 1918 (Paris, 1978)
Hanning, Barbara R., ‘Conversation and Musical Style in the Late Eighteenth-Century Parisian Salon’, Eighteenth-century Studies 12 (1989), pp. 512–28
Hawkins, Frank V., The Story of Two Thousand Concerts (London, [1969])
Hawkins, Frank V., A Hundred Years of Chamber Music (London, 1987)
Hefling, Stephen E. (ed.), Nineteenth-century Chamber Music (New York, 1998, R/2003)
Heimeran, Ernst, see Aulich, Bruno
Hickman, Roger, ‘Six Bohemian Masters of the String Quartet in the Late Eighteenth Century’ (diss., University of California, Berkeley, 1979)
Hickman, Roger, ‘The Nascent Viennese String Quartet’, Musical Quarterly 67 (1981), pp. 193–212
Hickman, Roger, ‘The Flowering of the Viennese String Quartet in the Late Eighteenth Century’, Music Review 1 (1989), pp. 157–80
Hinson, Maurice, The Piano in Chamber Ensemble: an Annotated Guide (Bloomington, IN, 1978)
Hitchcock, H. Wiley, Ives: a Survey of the Music (London, 1977)
Hitchcock, H. Wiley, Music in the United States: A Historical Introduction (3rd edn, Englewood Cliffs, NJ, 1988)
Hitchcock, H. Wiley, see also Sadie, Stanley
Hollander, Hans, Leos JanáU+010Dek. His Life and Work; Eng. trans. Paul Hamburger (London, 1963)
Holliman, Andy, see Graesser, Hanno
Horton, John, Grieg (London, 1974)
Howes, Frank, The English Musical Renaissance (London, 1966)
Hyatt King, Alec, Chamber Music (London, 1948)
Jacobson, Bernard, A Polish Renaissance (London, 1996)
Joachim, Joseph, and Moser, Andreas, Violinschule (3 vols., Berlin, 1902–5); Eng. trans. Alfred Moffat (London, 1905)
Jones, John Barrie (ed. and trans.), Gabriel Fauré: a Life in Letters (London, 1989)
Kárpáti, János, Bartók’s String Quartets; Eng. trans. Fred MacNicol (Budapest, 1975)
Keller, Hans, The Great Haydn Quartets: Their Interpretation (London, 1986)
Kemp, Ian, Tippett: The Composer and his Music (London, 1984)
Kemp, Ian (ed.), Michael Tippett: a Symposium on his 60th Birthday (London, 1965)
Kerman, Joseph, The Beethoven Quartets (New York, 1967)
Kilburn, N., The Story of Chamber Music (London, 1904, 2/1932 with G. E. H. Abraham as Chamber Music and its Masters in the Past and in the Present)
Kirkendale, Warren, Fugue and Fugato in Rococo and Classical Chamber Music, rev. and enlarged M. Bent and W. Kirkendale (Durham, NC, 1979)
Konold, W., Das Streichquartett, von den Anfängen bis Franz Schubert (Wilhelmshaven, 1980; Eng. trans. Susan Hellauer, New York, 1983)
Kornstein, E., ‘How to Practise a String Quartet’, Music and Letters 3 (1922), pp. 329–44
Kramarz, J., Von Haydn bis Hindemith: das Streichquartett in Beispielen (Wolfenbüttel, 1961)
Krummacher, Friedhelm, Das Streichquartett [= Handbuch der musikalischen Gattungen, vol. VI/1] (Laaber, 2001)
Large, Brian, Smetana (London, 1970)
Lawrence, Ian, The Twentieth-Century String Quartet (London, 2001)
Lawson, Colin, Brahms: Clarinet Quintet (Cambridge, 1998)
Lawson, Colin, and Stowell, Robin, The Historical Performance of Music: an Introduction (Cambridge, 1999)
Layton, Robert, Sibelius (London, 1965)
Léner, Jenö, The Technique of String Quartet Playing (London, 1935)
Leppert, Richard, Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England (Cambridge, 1988)
Levy, Janet M., Beethoven’s Compositional Process (Philadelphia, 1982)
MacDonald, Malcolm, Brahms (New York, 1990)
MacRae, Julia (ed.), Wigmore Hall 1901–2001: a Celebration (London, 2001)
Maes, Francis, A History of Russian Music (Berkeley, CA, 2002)
Mahling, C.-H. (ed.), Schloss Engers Colloquia zur Kammermusik, vol. I: Aspekte der Kammermusik vom 18. Jahrhundert bis zur Gegenwart (Mainz, 1998)
Martin, Robert, see Winter, Robert
McCalla, James, Twentieth-Century Chamber Music (New York, 1996)
McFarlane, Meredith, ‘The String Quartet in Late Eighteenth-century England: a Contextual Examination’ (diss., Royal College of Music, London, 2002)
McVeigh, Simon, Concert Life in London from Mozart to Haydn (Cambridge, 1993)
Meer, John Henry van der, see Boomkamp, Carel van Leeuwen
Miller, Mina (ed.), The Nielsen Companion (London, 1994)
Moldenhauer, Hans, Anton von Webern (London, 1978)
Momigny, Jérôme-Joseph de, La seule vraie théorie de la musique (Paris, 1821)
Mongrédien, Jean, French Music from the Enlightenment to Romanticism, 1789–1830, Eng. trans. Sylvain Frémaux (Portland, OR, 1996)
Morrow, Mary Sue, Concert Life in Haydn’s Vienna: Aspects of a Developing Musical and Social Institution (Stuyvesant, NY, 1989)
Moser, Andreas, see Joachim, Joseph
Mozart, Leopold, Versuch einer gründlichen Violinschule (Augsburg, 1756); Eng. trans. Editha Knocker as A Treatise on the Fundamental Principles of Violin Playing (London, 1948, 2/1951)
Musgrave, Michael, The Music of Brahms (Oxford, 1994)
Nicholls, David (ed.), The Cambridge History of American Music (Cambridge, 1998)
Nichols, Roger, Ravel (London, 1977)
Nichols, Roger (ed.), Debussy Remembered (London, 1992)
Norris, Christopher (ed.), Shostakovich: the Man and his Music (London, 1982)
Norton, M. D. Herter, The Art of String Quartet Playing (New York, 1925, 2/1962/R as The Art of String Quartet Playing: Practice, Technique and Interpretation)
Oboussier, Philippe, ‘The French String Quartet, 1770–1800’, in Malcolm Boyd (ed.), Music and the French Revolution (Cambridge, 1992), pp. 74–92
Orledge, Robert, Gabriel Fauré (2nd edn, London, 1983)
Otto, Jacob Augustus, A Treatise on the Structure and Preservation of the Violin and All Other Bow-instruments, 2nd edn, Eng. trans. John Bishop (London, 1860)
Page, Athol, Playing String Quartets (London, 1964)
Parker, Mara, ‘Friedrich Wilhelm II and the Classical String Quartet’, The Music Review 54/3–4 (1993), pp. 161–82
Perle, George, ‘The Secret Programme of the Lyric Suite’, Musical Times 118 (1977), pp. 629–32, 709–13, 809–13
Pincherle, Marc, ‘On the Origins of the String Quartet’; Eng. trans. M. D. Herter Norton, Musical Quarterly 15 (1929), pp. 77–87
Pistone, Danièle, see Gut, Serge
Pochon, A., A Progressive Method of String-Quartet Playing (New York, 1924)
Potter, Caroline, Henri Dutilleux: His Life and Works (Aldershot, 1997)
Quantz, Johann Joachim, Versuch einer Anweisung die Flöte traversiere zu spielen (Berlin, 1752; 3rd edn, 1789/R1952); Eng. trans. Edward R. Reilly as On Playing the Flute (London and New York, 1966)
Rae, Charles Bodman, The Music of Lutoslawski (London, 1999)
Risatti, Howard, New Music Vocabulary: A Guide to Notational Signs for Contemporary Music (Urbana, IL, 1975)
Robertson, Alec (ed.), Chamber Music (Harmondsworth, 1957)
Roda, Joseph, Bows for Musical Instruments of the Violin Family (Chicago, 1959)
Sadie, Stanley (ed.), The New Grove Dictionary of Music and Musicians, 2nd edn (29 vols., London, 2001)
Sadie, Stanley, and Hitchcock, H. Wiley (eds.), The New Grove Dictionary of American Music (London, 1986)
Salmen, Walter, Haus- und Kammermusik: Privates Musizieren im gesellschaftlichen Wandel zwischen 1600 und 1900, Musikgeschichte in Bildern, vol. IV/3 (Leipzig, 1969)
Samson, Jim, The Music of Szymanowski (London, 1981)
Schelleng, John, ‘The Physics of the Bowed String’, Scientific American 230 (1974), pp. 87–95
Schiff, David, The Music of Elliott Carter (London, 1983)
Schneider, Herbert, ‘Das Streichquartett Op. 45 von Vincent D’Indy als Exemplum des zyklischen Sonate’, in Studien zur Musikgeschichte: ein Festschrift für Ludwig Finscher (Kassel, 1995)
Schwinger, Wolfgang, Krzysztof Penderecki: his Life and Work (London, 1989)
Seaman, Gerald, ‘The First Russian Chamber Music’, Music Review 26 (1965), pp. 326–37
Seaman, Gerald, ‘Amateur Music-Making in Russia’, Music and Letters 47 (1966), pp. 249–59
Segerman, Ephraim, ‘Strings through the Ages’, The Strad 99 (1988), pp. 52–5, 195–201, 295–9
Segerman, Ephraim, see also Abbot, Djilda
Smallman, Basil, The Piano Quartet and Quintet: Style, Structure and Scoring (Oxford, 1994)
Smith, Joan Allen, Schoenberg and his School (New York, 1986)
Snowman, Daniel, The Amadeus Quartet: the Men and the Music (London, 1981)
Solomon, Maynard, ‘Schubert and Beethoven’, 19th Century Music 3 (1979), pp. 114–25
U+0160ourek, Otakar, The Chamber Music of Antonín DvoU+0159ák, Eng. trans. Roberta Finlayson Samsour (Prague, 1956)
Spohr, Louis, Violinschule (Vienna, [1832])
Spohr, Louis Selbstbiographie, vols. I–II (Kassel, 1860–1; Eng. trans., 1865/R, 2/1878/R)
Stein, Leonard (ed.), Style and Idea: Selected Writings of Arnold Schoenberg (London, 1984)
Stevens, Halsey, The Life and Music of Béla Bartók (3rd edn, ed. Malcolm Gillies, Oxford, 1993)
Stowell, Robin, Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries (Cambridge, 1985)
Stowell, Robin, The Early Violin and Viola: a Practical Guide (Cambridge, 2001)
Stowell, Robin (ed.), The Cambridge Companion to the Violin (Cambridge, 1992)
Stowell, Robin (ed.), The Cambridge Companion to the Cello (Cambridge, 1999)
Stowell, Robin (ed.), see also Lawson, Colin
Strange, Patricia, and Strange, Allen, The Contemporary Violin: Extended Performance Techniques (London, Berkeley and Los Angeles, 2001)
Stratton, George, and Frank, Alan, The Playing of Chamber Music (London, 1935)
Stucky, Stephen, Lutoslawski and his Music (Cambridge, 1981)
Sutcliffe, W. Dean, Haydn: String Quartets Op. 50 (Cambridge, 1992)
Taruskin, Richard, Defining Russia Musically: Historical and Hermeneutical Essays (Princeton, NJ, 1997)
Tawaststjerna, Erik, Sibelius, Eng. trans. Robert Layton (London, 1976–97)
Todd, R. Larry, see Finson, Jon W.
Truscott, Harold, ‘Schubert’s D minor String Quartet’, Music Review 19 (1958), pp. 27–36
Truscott, Harold, ‘Schubert’s String Quartet in G Major’, Music Review 20 (1959), pp. 119–45
Ulrich, H., Chamber Music: the Growth and Practice of an Intimate Art (New York, 1948, 2/1966)
Viano, Richard J., ‘By Invitation Only: Private Concerts in France during the Second Half of the Eighteenth Century’, Recherches sur la musique française classique 27 (1991–2), pp. 131–62
Vidal, Louis-Antoine, Les instruments à archet: . . . les joueurs d’instruments, leur histoire sur le continent européen, suivi d’un catalogue général de la musique de chambre (3 vols., Paris, 1876–78)
Walden, Valerie, One Hundred Years of Violoncello (Cambridge, 1998)
Walsh, Stephen, Bartók Chamber Music (London, 1982)
Walthew, Richard, The Development of Chamber Music (London and New York, [1909])
Wasielewski, W. J. von, Die Violine und ihre Meister (Leipzig, 1869)
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Weber, Horst, Alexander Zemlinsky (Vienna, 1977)
Webster, James, ‘The Bass Part in Haydn’s Early String Quartets and in Austrian Chamber Music, 1750–1780’ (diss., Princeton University, 1973)
Webster, James ‘The Bass Part in Haydn’s Early String Quartets’, Musical Quarterly 63 (1977), pp. 390–424
Webster, James, ‘Towards a History of Viennese Chamber Music in the Early Classic Period’, Journal of the American Musicological Society 27 (1974), pp. 212–47
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Whittall, Arnold, Schoenberg Chamber Music (London, 1972)
Whittall, Arnold, The Music of Britten and Tippett; Studies in Themes and Techniques (Cambridge, 1990)
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Winter, Robert, and Carr, B. (eds.), Beethoven, Performers and Critics (Detroit, 1980)
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Zaimont, J. L., ‘String Quartets by Women: Report on Two Conferences’, The Musical Woman: an International Perspective, vol. II (New York, 1987), pp. 378–87
Zukofsky, Paul, ‘On Violin Harmonics’, in Benjamin Boretz and E. T. Cone (eds.), Perspectives on Notation and Performance (New York, 1976), pp. 145–53