The page numbers in Index represents the print page number and will differ with the eBook page numbers
Abramtsevo artists’ colony
absolute music
accent-désinence
Acmeist poetry
Acocella, Joan
action française, L’
Adler, Ellen
Adorno, Theodor
aesthetic experience
aestheticism
Afanas’ev, Alexander
Afonina, Aleksandra
African American traditions
African dance
African musical traditions
AG Indexical, with a Little Help from H.M.
agitprop theater
Agrest, Mikhail
Aissawas
Aivazov, Ivan
Akhmatova, Anna
Alexander II (tsar)
Alexandra (tsarina)
algorithm. See harmonies: created by algorithm
alternations
American jazz
anabasis
anacrusis
Anderson, Benedict
Ansermet, Ernest
anthropology
antirealism. See also realism
antirepublicanism
anti-Semitism
Apaches (artistic circle)
apartheid
apocalypticism
Applegate, Celia
archaeology
Archer, Kenneth. See also Hodson, Millicent, in Index of Choreographers
architectonic music
Archive and the Repertoire, The (Taylor)
Arnold Schönberg Center
Aronofsky, Darren
art décoratif russe, L’ (art exhibit)
Art Nouveau
Artscène (Montreal)
Asaf'ev, Boris
Asian dance
Astruc, Gabriel
asymmetry
atonality
audio clips: bell ringing examples
introduction
Metropolitan Opera, Stravinsky: Le sacre du printemps, Le rossignol, Oedipus Rex
René Leibowitz recording, London Festival Orchestra
Robert Craft recording, London Symphony Orchestra
Ausdruckstanz
Austrians
Austro-German school
autoexoticism
automatic writing
avant-garde
Babin, Stanley
Bad Plus, The (jazz trio)
Bakhtin, Mikhail
Bakst, Léon
Balkan war (first)
ballet: femininity in
men in
origins of
post–World War II revisionism in
in Russia
women in. See also ballet companies; Ballets Russes; dance
ballet blanc
ballet companies: Birmingham Royal Ballet
Bolshoi Ballet
Finnish National Ballet
Hyogo Performing Arts Ballet
Joffrey Ballet
Mariinsky Ballet
Rome Opera Ballet
Royal Ballet. See also Ballets Russes
ballet entrée
ballet-pantomime
Ballets Russes: assimilation into French cultural life
Benois’ sets for
founding and early years
idylls antiques by
influence of France on
influence on French fashion
last performance of The Rite
in London
in 1920
in Paris
at the premiere of the Rite
in Rite of Spring
Russian productions of
in the United States. See also Diaghilev, Sergei
Bal’mont, Konstantin
barbarism
Barbier, Georges
Barcet, Emmanuel
bar lines. See meter
Bartig, Kevin
bass clarinet
bassoon
opening solo
Beaumont, Cyril
Bebung. See also trembling
Beilis Trial
“belle aux moineaux, La” (Barbier)
Belle Époque
bell patterns
polyphony in. See also Russian Orthodox bell ringing
belly dancers
Belyakin, Irina (Ira Belline)
Belyi, Andrei
Benois, Alexandre Nikolavich
Berg, Shelley
Berlière, Jean-Marc
Berlin Opera
Berlin Philharmonic
Bernhardt, Sarah
Bernstein, Leonard: at the Berlin Wall
in the Soviet Union
Symphony No. 2
Beyond the Pleasure Principle (Freud)
Bhabha, Homi
Bilhaud, Paul
Billington, James
Biriukov, Pavel
Birmingham Royal Ballet
Birth of Tragedy, The (Nietzsche)
Black Swan (film)
Bloch, Adolphe
block form
Blok, Alexander
Blom, Anna
Bloody Sunday
Blum, Lise Léon
bob/strike motive
Bogart, Anne
Bogdanov-Berezovsky, Valerian
Bohémiennes in Paris
Böhm, Karl
Bolshevik Revolution (October Revolution)
Bolsheviks
Bolshoi Ballet
Bolshoi Festival
Bolshoi Orchestra
Bolshoi Theatre (Moscow)
Book About Stravinsky, A (Asaf'ev)
border crossing
Boretz, Benjamin
Boschot, Adolphe
Boston Philharmonic
Boston Symphony Orchestra
in the USSR
Boulez, Pierre
brass
horns
tuba ostinato
tubas
Brezhnev Stagnation
Brinkmann, Reinhold
Brown, John
Buckle, Richard
Bull, Deborah
Bullard, Truman C.
Bunin, Ivan
Burton, Humphrey
Butler, Mark
butoh
Calvocoressi, Michel-Dmitri
canonic solos. See also Rite of Spring choreography: “Simultaneous Solos”
Canudo, Ricciotto
Capucilli, Terese
Capus, Alfred
Carnegie Hall
Carolina Performing Arts
Carr, Maureen
Carraud, Gaston
Caruthers, Osgood
Casalonga, Marguerite
Casals, Pablo
Casino de Paris
Castellane, Boni de
Catholic Theatre Movement
Catterson, Pat
Cavarero, Adriana
cellos
censorship
Center for Contemporary Music
Chagall, Marc
Chaliapin, Feodor
Chalupt, René
Chanel, Gabrielle “Coco”
Chantavoine, Jean
Charles-Roux, Edmonde
Chekhov, Anton
chorales
by Bach
chords, detached
choreographic blocks
choreographic counterpoint: canonic solos
chromatic dynamics
dancing of polyrhythms
“Five-Part Counterpoint”
imitation of orchestral patterns
in Jeux
kinesthetic dynamics
in “Labyrinth”
in mass movement
in men’s groups
relationship of music and dance
rhythmic
in the ritual community
in the sacrificial dance
spatial counterpoint
in the “splitting of the cell”
use of circles
in the use of inverted position
use of stasis
visual dynamics. See also individuality vs. collective action
choreography. See dance moves
choreomusical analysis
Chosen One / Chosen Maiden / Sacrificial Maiden (role): and the Ancestors
attempts at escape
Bull as
Capucilli as
circle pattern surrounding
as defiant
“Dancing Out of the Earth”
differing views of
Graham as
isolation of
Iosifidi as
Nijinska as
Piltz as
on the playbill
relationship with elders
rescue by shepherd
in revised plot
Rodriguez as
in RoS Indexical
“Run and Clutch”
sacrifice of
selection by fate
Sokolova as
Wigman as
Wozniak as. See also Rite of Spring scenes, “Sacrificial Dance” / “Danse sacrale” / “Dance of the Chosen One” / “Sacrifice of the Chosen One”
chromatic harmonizations: in “Mystic Circles of the Young Girls”
in “Ritual of Abduction”
chromaticism
in the bass line
chromatic scale descending
Chukovsky, Korney
Chung, Myung-Whun
Cingria, Charles-Albert
Cinq Concerts Historiques Russes
Circassians in Paris
circle pattern: in the ensemble counterpoint in Part I
in Matisse’s paintings
in “Mystic Circles of the Young Girls”
in Nijinsky’s choreography
in “Ritual Action of the Ancestors”
in “Ritual of the Rival Tribes”
in sectarian practices
in “Simultaneous Solos”
surrounding the Chosen One
of tribal elders
of Young People
clarinet in A
clarinet themes. See also woodwinds
Classical style
Claudel, Paul
Clifford, James
Coates, Emily
Coco and Igor (film)
Cocteau, Jean
Cold War diplomacy
Colles, Henry Cope
Cologne Opera House
colonialism
Communism
Comoedia illustré (magazine)
conceptual dance movement
conductors: Agrest, Mikhail
Ansermet, Ernest
Bernstein, Leonard
Boulez, Pierre
Chung, Myung-Whun
Craft, Robert
Dronov, Igor
Fried, Oskar
Furtwängler, Wilhelm
Gergiev, Valery
Goossens, Eugène
Kolisch, Rudolf
Koussevitzky, Serge
Leibowitz, René
Lewis, Allan
Markevitch, Igor
Matsov, Roman
Monteux, Pierre
Rattle, Simon
Rozhdestvensky, Gennady
Speck, Scott
Stiedry, Fritz
Stokowski, Leopold
Stravinsky, Igor
Svetlanov, Evgeny (Yevgeny)
Tabachnik, Mikhail
Tilson Thomas, Michael
von Bülow, Hans
Wordsworth, Barry
Zander, Benjamin
conflict theory
connecting sections
Contes russes
contrapuntal relationships. See also counterpoint
Corredor, Josep Maria
cosmopolitanism
Cossack Collection (Saint Laurent)
costume design: for Firebird
for Les noces
Maidens’ smocks
in Rite of Spring
stylized makeup
Cottinet, Émile
counterpoint: musical. See also choreographic counterpoint; contrapuntal relationships
Covent Garden
Craft, Robert
Creitz, Lowell
Croce, Arlene
crossbones motif
Cubism
cultural mobility
cultural transfer
cycle
cyclic reiterations
Dada
Dalcroze, Jacques
Dalcroze Eurythmics
dance: African
Asian
conceptual
ecstatic
Javanese
modern. See also ballet; dance moves
Dance Critics Association, Rite of Spring symposium
Dance II (Matisse)
dance moves: arm lifts
arm swings
automaticity
beaten steps
bobbing
bob/strike motive
claps
drops
falls
fast turns
flinging of arms
footwork
frenetic
grands battements
inverted position
jerky gestures
leaps
pas de deux
pliés
pointework
punching the air
puppet-like
rolls
shuddering
spinning
spins
stamping
trembling
two-footed jumps
upper body gestures
vibrating
whirling. See also circle pattern; jumps; trembling
dancers, added sound effects from
Danilowitch, Charles de
danse d’ecole
Danses russes
Daudet, Léon
decadence
decadentism
decontextualization
Delage, Maurice
délivrance de Renault, La
Delmet, Paul
depersonalization
Derain, André
Derzhanovskii, Vladimir
Deutscher Akademischer Austauschdienst (DAAD)
developing variation. See also motives
Dewey, John
Diaghilev, Sergei: ballet productions in Paris
Deauville productions
influence in France
influence on French fashion
Mir iskusstva
musical series in Paris
Parisian art exhibit
at the premiere of the Rite
publicity for The Rite of Spring
1920 revival of The Rite
relationship with Nijinsky
in Riot at the Rite
with Roerich
on Russian art and culture
“Russian” productions of
“Saison Russe à Paris”
second staging of The Rite
staging of The Rite
at Talashkino
in the United States. See also Ballets Russes
diaspora studies
diatonic foundation
Dior, Christian
displacement. See also meter
dissonance: in bell ringing
in bells
central
in chords
displacement
embedded grouping
grouping
reverberating
in Rite of Spring
in Stravinsky’s music
in twentieth-century Neotonality
divination
with twigs
dodecaphonism. See also serialism; twelve-tone music
dominant lock (dominant preparation)
Dostoevsky, Fyodor
Dowler, Wayne
Downes, Olin
dreams, cultural context of
Dronov, Igor
Druskin, Mikhail
Dubinets, Elena
Dudarova, Veronika
du Mas, Henri Postel
Duncan, Isadora
Dunham, Lawrence
durational values
Dushkin, Samuel
dynamic contrast
earthquakes: as imagery
as musical topoi
échange, L’ (Claudel)
echo statements
Edison, Thomas
Edwardian Age
Egyptian stage sets
Egyptomania
Ekaterinskaia Pustyn’ Monastery
Eksteins, Modris
élémens, Les (Destouches)
elements: associated with political conflict and violence
as topoi
Élisabeth. See Greffuhle, Élisabeth.(comtesse)
elision
elitism
Engelstein, Laura
English horn
in Pelleas and Melisande
English horn themes
entrainment
eroticism
Eskimos
estrangement
ethnography
ethnology
ethnomusicology
Eurocentrism
Eurythmics
Evans, Edwin
Evening Standard (London)
Excelsior (journal)
exile studies
exoticism
Expositions Universelles (Paris)
Porte Binet
Expressionism
facial expression
falls
Fantasia (Disney)
Fascism
fashion. See French fashion; Russian fashion
Fauvism
February Revolution of 1917
Femina (magazine)
femininity in ballet
feminism
second-wave
Fenley, Molissa
Ferro, Marc
fertility goddess
fertility rites
festin, Le (ballet)
Figaro, Le (newspaper)
Findeizen, Nikolai
Finnish National Ballet
Fixer, The (Malamud)
Flier, Iakov
flutes
flute themes
Fluxus
Fokin, Mikhail (Michel Fokine)
Art Nouveau style of
orgiastic dynamism
rejection of nineteenth-century Russian ballet conventions
folk material: folk music
French folk art
in Nijinsky’s choreography
in Les noces
in Rite of Spring
in Roerich’s use of
Russian/Slavic folklore
wedding songs. See also Slavic rituals
folk music
formalism
Forte, Allen
Fouquières, André de
Fouquières, Pierre de
Franco-Russian school
French fashion: “Ballets Russes” collection (Saint Laurent)
dress (Chanel)
evening dress (Chanel)
evening dress (Dior)
“Ford signed Chanel”
Russian influence on
French music
Freud, Sigmund
Freudianism
Freund, Marya
Fried, Oskar
Friends of New Music Orchestra
Fuller, Loïe
Furtseva, Elena
Furtwängler, Wilhelm
Futurism
Fyodor and Igor Stravinsky Collection (National Library of Russia)
Gabriac, Arthur de
gamelan music
Garafola, Lynn
Gauguin, Paul
gazette du bon ton, La
Gelbart, Matthew
Georges-Michel, Michel
Gergiev, Valery
German music
Gerschel Studio
Gesamtkunstwerk
Ghéon, Henri
Gide, André
Gil Blas
Gille, Philippe: Yedda
Gilliam, Florence
globalization
Gogol, Nikolai
Goldberg, Marianne
Goldberg, RoseLee
Golovin, Alexandre
Goncharova, Natalia
Goodman, Saul
Goossens, Eugène
Gorky, Maxim
Gorodetsky, Sergei
grace notes
Graham, Martha: choreography of
as Chosen One
Great Philharmonic Hall (Leningrad)
Great Sacrifice, The. See Rite of Spring
Great War. See World War I
Greenblatt, Stephen
Greffuhle, Élisabeth (comtesse)
Greve, Kenneth
Grigoriev, Sergei
Gross, Valentine: engraving by
pastels of
sketches by
writing in Comoedia illustré
grouping dissonances
embedded. See also meter
Grum-Grzhimailo, Tamara
Grundgestalt
Gubaidulina, Sofia
Guillemot, Maurice
Hahn, Reynaldo
Haimson, Leopold
Haimson Thesis
Halley’s comet
harmonies: chromatic
created by algorithm
dominant-seventh chords
modal
poly-
recurrent relations
static
structural
haute couture
Hernani (Hugo)
Herodotus
Herrick, Myron T.
Hesse, Barnor
hexachords
Hill, Peter
Hirayama, Motoko
Hockney, David
Hoffbauer, Patricia
Hofmann, Josef
Hofmannsthal, Hugo von
Holocaust
homophonic music
Horlacher, Gretchen
horns
Howell, Christopher
Hugo, Valentine Gross
Hugo, Victor
Huisman, Maurice
Huron, David: Sweet Anticipation
hybridization
Hyogo Performing Arts Ballet
hypermeter
Iarilo (sun deity)
Iarustovskii, Boris
idealism
identity, national
identity cards
idylles antiques
Immigration Act of 1924 (U.S.)
immigration policies
imperialism
Impressionism
improvisation
in thirds
individuality vs. collective action
individual modus: in Le coq d’or
in Rite of Spring
instrumentation
Internationale Gesellschaft für Neue Musik
International Women’s Day
interval class 1. See semitones (interval class 1)
intonational theory
Iosifidi, Alexandra
irony
Island of Doctor Moreau, The (Wells)
Iswolsky, Alexander (count)
Jackendoff, Ray
Ja! Media
Jardin d’Acclimatation
Javanese music and dance
Jay, Martin
jazz, American
Jérôme Bel (ballet)
jeux de nombres
Joffrey, Robert
Joffrey Ballet
Johnson-Reed Act
Jordan, Stephanie
Joseph, Charles M.
Judson Dance Theater
jumps: in ecstatic dances
flat
flexed-foot
in Hodson’s reconstruction
by men
mirror
in Nijinsky’s choreography
“odd”
repetitive
in “Sacrificial Dance”
stabbing
two-footed
virtuosic
whirling
Jurgenson, Boris
Juszkiewicz, Anton
Kahn, Frida
Kamchatka people
Kamensky, Alexander
Kaminski, Jason
kampong javanais
Kandinsky, Vasily
Karatygin, Viacheslav
Karsavina, Tamara
karyokinesis
Kasatkina, Natal’ia
Keldysh, Iurii
Keller, Hans
Kelly, Thomas
Kerman, Joseph
Kessler, Harry Graf
kettledrums. See timpani
Khar’kovsky, Alexander
Khentova, Sof’ia
Khlyst sect
Kholopov, Yuri Nikolaevich: analytical interpretations
class assignment on The Rite of Spring
on Taneyev and Stravinsky
teaching harmony
on Webern and Prokofiev
Kholopova, Valentina N.
Khorovody (round dances)
khozhdeniia
Khrennikov, Tikhon
Khrushchev, Nikita
Khrushchev Thaw
Kisselgoff, Anna
Kogan, Leonid
Kolisch, Rudolf: conducting the New School Chamber Orchestra
conducting Rite of Spring
on performance practice
photo
on tempo in Beethoven symphonies
on a theory of tempo
Kolisch Quartet
Kommissarzhevskaya, Vera
Koussevitzky, Serge
Kramer, Jonathan D.
Krasovskaya, Vera
Krebs, Harold
Kuchka. See Moguchaya Kuchka (Mighty Five)
kul’tura
and the elements
Kuznetsova, Mariia
Lacoste, Eugène
Lady (magazine)
Lalo, Pierre
Laloy, Louis
Langlie, Warren
Larionov, Mikhail
Laus, Abdon
Leacock, Richard
League of Composers
Leibowitz, René: changes in tempo
conducting the London Festival Orchestra
on modern music
study with Kahn
subversive tendencies of
on tempo
Leitcomplexes
Leitpitches
Lena Goldfields Massacre
Leningrad House of Composers
Leningrad Philharmonic Orchestra
Lepecki, André
Lerdahl, Fred
Lesure, François
Levene, Louise
Levinson, André
Levitz, Tamara
Lewis, Allan
Lifar, Serge
Lincoln, W. Bruce
linear composites
Linor, Gustav
Lipkin, Seymour
Lipscomb, Jeffrey
Literaturnaia gazeta
London, Justin
London Festival Orchestra
London Symphony Orchestra
Lunacharsky, Anatoly
Lyzhov, Grigory
Macdonald, Nesta
machine image
Madrid, Alejandro
Mahler, Alma
“Maiden Advancing” (Hodson)
major sevenths
Makaroff (Madame)
Malamud, Bernard
Mamontov, Savva
Manners and Customs of the Russian People (Tereshchenko)
Manning, Susan
Maria Feodorovna (tsarina)
Maria Tenisheva (princess)
portrait
Mariinsky Ballet
Markevitch, Igor
Marks, Steven
Marnold, Jean
Martha Graham in Japan with the Martha Graham Dance Company
Marty, André
Marx, Karl
Marxism
Massie, Robert
Matisse, Henri
Matsov, Roman
Mauclair, Camille
Maurras, Charles
Maus, Octave
Mazo, Margarita
McDonald, Matthew
McGinness, John
Medvedev, Alexander
melodies: chromatic
chromatic harmonizations of
diatonic
folk sources for
fragments of
melodic cells
pentatonic
rondo patterns of. See also folk material
Mengelberg, Willem
Merezhkovsky, Dmitri
Messing, Scott
météques
meter: barring
conservative vs. radical
displacement of
entrainment of
modulation in
monometrics
multiple
nonparallelism in
parallelism in
poly-. See also displacement; grouping dissonances
Metropolitan Opera
Metropolitan Opera House
Meyer, Leonard
Meyerhold, Vsevolod
Miaskovsky, Nikolai
Michelangelo (Buonarotti)
migration studies
minimalism
minor sevenths
minor thirds
Minsky, Nikolai
Mir iskusstva (group)
Mir iskusstva (magazine)
mirror jumps
Mir Stravinskogo (Savenko)
miscegenation laws
Mishchenko, Mikhail
Misler, Nicoletta
Mitusov, Stepan Stepanovich
Mitusova, Liudmila
Mitusova, Tatiana
modality
modern art
modern dance
modernism: in the arts
bourgeois
in fashion
in Nijinsky’s choreography
popular resistance to
of The Rite
state-supported
in Stravinsky’s works
and systemic racism
twentieth-century
modernity
Moguchaya Kuchka (“Mighty Five”)
monarchism
monometrics
Monteux, Pierre
Montjoie! (journal)
moralism
Morris, Bernadine
Morris, Mark
Morton, Lawrence
Moscow Art Theater
Moscow Easter Festival
Moscow Forum: An International Music Festival
Moscow Philharmonic Orchestra
Mother Raw Earth
motives
development of
recurring
Schoenberg’s use of. See also developing variation; varied repetition
motor pulse
Mouromtzoff (Madame)
multiple meter
Munnings, Hilda Tansley. See Sokolova, Lydia (Hilda Tansley Munnings)
music: absolute
African
architechtonic
folk
German
homophonic
Javanese gamelan
objective
programme
twentieth-century French
musical blocks. See block form
musical layers, superimpositions of
Musical Quarterly (MQ)
musical sketches: for Apollo
for “Cinq pieces monométriques”
differences from final version
for “Evocation of the Ancestors”
facsimile edition
for The Flood
for “Glorification of the Chosen One”
for Khovanshchina
for “Mysterious Circles of the Maidens”
in the National Library of Russia
for The Nightingale
rhythmic
for Rite of Spring
for “Ritual of Abduction”
for “Ritual of the Rival Tribes”
for “Sacrificial Dance”
for “Spring Rounds”
for Symphonies of Wind Instruments, See also orchestration
Music Analysis (journal)
Music of the World’s Great Composers
musicology
Russian
Musique russe et musique expagnole (Soubies)
Muzyka (journal)
Myers, Charles Samuel
mysticism
mythology
Nakagawa, Maki
nationalism: Parisian
Russian. See also neonationalism
National Library of Russia
Native Americans
Neff, Severine
Nemirovich-Danchenko, Vladimir
Neoclassicism
neonationalism. See also nationalism
Neo-primitivism
neotonality
Nest’ev, Izrail’
Nestor the Chronicler
Neuberger, Joan
Neue Sachlichkeit
New Folk Wave
New York Philharmonic: programs from USSR performances 1959
in the Soviet Union
New York Times
New York Tribune
Nicholas, Larraine
Nicholas II (tsar)
Nickell, William
Nietzsche, Friedrich
Nijinska, Bronislava: as Chosen One
drawing by
Early Memoirs
in Faune
Memoirs
on opening night of The Rite
Nijinska, Irina
Nijinsky, Vaslav: as dancer
in Le festin
in Jeux
at the premiere of the Rite
relationship with Diaghilev. See also Nijinsky, Vaslav, in Index of Choreographers
Nijinsky’s Crime against Grace (Hodson)
Nikolaevna, Nadezhda
Nolan, Sydney
“No Manifesto” (Rainer)
nouvelle revue française, La
Novaia fol’klornaia volna
oboe themes
Oborin, Lev
Observer (London)
octatonicism
blocks
derivations
intervention
octatonic scale
relations
octave doubling
October Revolution (Bolshevik Revolution)
Ojai North! Festival
Old Believers
Ollila, Mira
On Music Living and Dead (Shneerson)
On Sacred Ground
Opéra Comique
orchestral sketches. See musical sketches; orchestration
Orchestra of St. Luke’s
orchestras: Berlin Philharmonic
Bolshoi Orchestra
Boston Philharmonic
Boston Symphony Orchestra
Friends of New Music Orchestra
Leningrad Philharmonic Orchestra
London Festival Orchestra
London Symphony Orchestra
Moscow Philharmonic Orchestra
New York Philharmonic
Orchestra of St. Luke’s
Orchestre Symphonique de Paris
Orkestr Kusevitskogo
Paris Conservatory Orchestra
Philadelphia Orchestra
San Francisco Symphony
Straram Orchestra
orchestration: bass clarinet
bassoon
bassoon opening solo
brass
clarinet in A
clarinet themes
critical praise for
English horn themes
flutes
flute themes
horns
oboe themes
piccolo clarinet
Schoenberg’s thoughts on
of Stravinsky
structural
timpani
tubas. See also musical sketches; strings
Orchestre Symphonique de Paris
ordered succession
Orientalism
Orkestr Kusevitskogo
oscillation, pitch
ostinato/ostinati
blocks
low bass
otherness
Owen, Wilfred
pagan rituals. See Slavic rituals
Palais Garnier
pantonality
Paquin, Jeanne
“Parable of the Old Man and the Young, The” (Owen)
parallel intervals
thirds
parallelism
metrical
Paris: ethnic fascination in
foreign composers in
The Rite designed for. See also Rite of Spring premiere(s): in Paris
Paris Conservatory Orchestra
Paris Opéra
pas de deux
passus duriusculus
Pasternak, Boris
Patagonia
pathetic fallacy
Paul Sacher Foundation (Basel)
pavillon d’Armide, Le
Pawlowski, Gaston de
pedal tones
Peirce, Charles Sanders
pentachords
percussion. See timpani
Performa Festival
performance art
Perros, Jean
Petersburg (Belyi)
Peter the Great
Petipa, Marius
Pétrarque (Cingria)
Philadelphia Orchestra: recording by
in the USSR
Philharmonia Hall (St. Petersburg)
“Physical Cities” (The Bad Plus)
pianola
piccolo clarinet
Pina (film)
Pioch, Georges
plainchant
poetry
pointework
pointillism
Pokrovskii, Arkadii Makhailovich
polychords
polyharmonies
polymeters
polyphony
polyrhythms
Portrait of Princess Maria Tenisheva (Repin)
positivism
Potter, Pamela
Poulson, Stephen
primitivism
Pro Arte Quartet
programme music
Prokhorov, Vasily
Prokudin-Gorskii, Sergei Mikhailovich
prometheanism
prophesy
Prugavin, Alexander
puritanism
Quittard, Henri
racial exclusion
racism: and the arts
colonial
in critical reviews of The Rite
postwar concept of
systemic
radenie rite
Raiskin, Iosif
Rambert, Marie: annotations by
autobiography
as dancer
interview with
Rasputin, Grigorii
Rattle, Simon
Raulin, Émile
Read, Christopher
realism. See also antirealism
“Reassessing The Rite: A Centennial Conference”
Redfern, John
Reinach, Salomon
repetition
of pitch
sequential
shortened
varied. See also ostinato/ostinati
repetitive process music
Repin, Ilya
Reynolds, Joel
rhythm(s): agitated
archetypes of
automated
complex
critical praise for
as duration
expression of in form
and hypermeter
“lapidary”
poly-
pulsating
punctuated
in ritual music
static
and strict application of the beat
synthesis of
as unifying factor
Riemann, Hugo
Rimsky-Korsakov, Andrei
Riot at the Rite (film)
Rite of Spring: arrangements of
audience expectations of
audio clips
and the Ballets Russes
banned in Russia
bell ringing in
as “biological or sociological” ballet
centennial celebration of
and the concept of otherness
contextualization of
criticism of
cultural relevance of
dance commentary on
as designed for Paris
Entr’acte
as event
evolution of
fascist ideology in
fiftieth anniversary observation
final dress rehearsal
first dress rehearsal
folk material in
machine image
mechanical aspects of
as metaphor for social revolution
official objections to in USSR
patterns of development in
performance traditions of
pianola recording
possible interpretations of
press release
proposed alternate titles for
reinvention of
re-sourcing of
re-visioning of
and the role of the audience
Russian nature of
Schoenberg and
as Scythian vision
video clips
“Rite of Spring by Igor Stravinsky: An Analytical-Structural Presentation” (Kholopov)
Rite of Spring choreography: “Abrupt Kiss”
“Bows to the Earth”
“Cell”
“Conversation”
“Divination with Twigs”
“Fights and Flirtations”
“Five-Part Counterpoint”
“Kiss of the Earth”
“Labyrinth”
“Laughing and Lamenting Circles”
“Maiden’s Falls”
“Mandala”
“Simultaneous Solos”
“Spirals”
staging chart
“Tribal Trembling during the Sage’s Kiss”
Rite of Spring concert performances: by Bernstein
early productions
presentations of
by Yseult Roch (sung)
in Russia
Rite of Spring premiere(s): audience reaction to
critical appreciation for
critical descriptions of
critical objections to
critical reactions to
dancers for
first night patrons
first reviews of
first Russian choreography
insults from the audience
in London
and the myth of the riot
in Paris
programming for
in Russia
in the United States
Rite of Spring productions: Bernstein’s performances in USSR
compilations of
in Estonia
in Germany
in Paris
programming for 1913 Paris performances
programs from USSR performances 1959
Russian
Rite of Spring reconstruction: correspondences between ground patterns and costume patterns
creation of
discussion of
global performances of
by Hyogo Performing Arts Ballet
individual vs. collective actions
Nijinsky’s choreographic counterpoint
Nijinsky’s rhythmic formalism
premiere of
rehearsal protocols
score
video clips. See also De utvalda [The chosen ones] (film)
Rite of Spring reconstruction scenes: “Augurs of Spring”
“Dance of the Earth”
“Evocation of the Ancestors”
“Glorification of the Chosen One”
“Mystic Circles of the Maidens”
“Ritual Action of the Ancestors”
“Ritual of Abduction”
“Ritual of the Rival Tribes”
“Sacrificial Dance”
“Spring Rounds”
Rite of Spring recordings: audio clips
Pierre Boulez
René Leibowitz
London Symphony Orchestra
Metropolitan Opera
Orchestre Symphonique de Paris
Fazil Say (on Yamaha Disklavier)
Staram Orchestra
Rite of Spring roles: Ancestors
Elders
Five Young People / Five Young Men
Maidens
Maidens in Red
Oldest and Wisest
Old Sage
Old Woman of 300 Years
Possessed Woman
Sage
Shaman
Shepherd
Small Maidens in Red
Tall Women in Mauve
Young Men
Young People
Young Women in Blue. See also Chosen One / Chosen Maiden / Sacrificial Maiden (role)
Rite of Spring scenes, “Augurs of Spring”: “Augurs” chord
bob/strike motive
divination with wands in
jazz version of
opening bars of
in the reconstructed choreography
trembling motif in
video clips
Rite of Spring scenes, “Dance of the Earth / Dancing Out of the Earth”: bell-ringing layers in
choreography
duple groupings (score)
individual figures (score)
in the reconstructed choreography
resultant texture and combined formations (score)
role of opposition in
tempo of
time signature and rhythm
triple groupings (score)
video clip
Rite of Spring scenes, “Evocation of the Ancestors”: aesthetic experience of
alternative barrings
first and principal chord of
meter and motivic repetition in
opening thematic statement
in the reconstructed choreography
repetition in
rhythm
Slavic rituals as inspiration for
stratification and displacement in
technical information and aesthetic bliss
transformation in
video clip
Rite of Spring scenes, “Glorification of the Chosen One”: bell-ringing motifs in
choreography
melodic motifs in
in the reconstructed choreography
Stravinsky’s sketches for
tempo
trembling motifs in
video clip
Rite of Spring scenes, “Introduction to Part I”
Rite of Spring scenes,” Introduction to Part II”: individual modus
trembling motifs in
for two pianos
Rite of Spring scenes, “Mystic Circles of the Young Girls” / “Mystic Circles of the Maidens” / “Mysterious Circles of the Young Girls”: choreography
chromatic harmonizations in
circle pattern in
“opposing hands” texture
orchestral sketches for
in the reconstructed choreography
tempo
vertical false relations in
video clip
Rite of Spring scenes, “Procession of the Sage / Procession of the Oldest and Wisest One”: tempo
tuba melody
video clip
Rite of Spring scenes, “Ritual Action of the Ancestors”: circle pattern in
in the reconstructed choreography
video clip
Rite of Spring scenes, “Ritual of Abduction”: chromatic harmonizations in
flutes in
harmonic organization of
meter in
pagan ritual as inspiration for
in the reconstructed choreography
video clip
Rite of Spring scenes, “Ritual of the Rival Tribes” / “Ritual of the Two Rival Tribes” / “Games of the Rival Tribes” / “Contest of the Rival Cities”: analysis of
choreography in
circle pattern in
introduction of melody C and synthesis melody
melodic theme
melodies A and B
oppositions in
orchestral sketches for
in the reconstructed choreography
tempo
video clips
Rite of Spring scenes, “Sacrificial Dance” / “Danse Sacrale” / “Dance of the Chosen One” / “Sacrifice of the Chosen One” / “Dance of the Chosen Maiden”: analysis of
bell-ringing motifs in
choreographic interpretations
driving rod
as feminist statement
jumps in
Nijinsky’s choreography for
preparation for
re-barring of
in the reconstructed choreography
rhythm and barring
in RoS Indexical
in Russian productions
sketch of Piltz in
Stravinsky’s sketches for
Tarnopolski’s quotation of
tempo of
trembling motives in
video clips. See also Chosen One / Chosen Maiden / Sacrificial Maiden (role)
Rite of Spring scenes, “Spring Rounds”: melodic inspiration for
orchestral sketches for
in the reconstructed choreography
tempo
video clip
Rite of Spring score(s): archived
completion of
dance rehearsal score
four-hand piano score
four-hand reduction, supplementary title page
orchestral score
piano transcription
revised versions of
Schoenberg’s score
score used by Bernstein
Rite of Spring: Sketches
Rites of Spring: The Great War and the Birth of the Modern Age (Eksteins)
ritual traditions. See Slavic rituals
Rivière, Jacques
Robert Joffrey Ballet. See Joffrey Ballet
Robin, William
Roch, Yseult
Rodriguez, Beatriz
Roerich, Nikolai: collaboration with Stravinsky
contributions of
costume design
differing interpretations from Stravinsky
at the premiere of the Rite
in Riot at the Rite
set design
Stravinsky’s letters to
at Talashkino
talk before U.S. premiere
Zvenigorod, Holy Gate
Roland-Manuel
Roman Catholic Church
Romanov dynasty
Romanticism
Roma/Sinti
Rome Opera Ballet
Rosbaud, Hans
RoS Indexical (Rainer)
final section
opening scene
part two
Rouault, Georges
Royal Ballet
Royal Opera House
Rozanov, Vasily
Rozhdestvensky, Gennady
Rozhdestvensky, Tikhon
Rubenstein, Ida
Ruska Roma
Russia: agrarian reform in
artistic climate in
artists’ colonies in
avant-garde art in
ballet in
Brezhnev Stagnation in
creation of the Duma
cultural and intellectual life in
cultural revolution
failure of the Duma
and the Khrushchev Thaw
modernization in
old Slavic rituals in
Orientalism
Petrine reforms in
polarization of society in
ritual cults in
Silver Age of culture
socialist realism in
Stalinist
theater in
turbulent politics in
in World War I
Russian culture
Russian fashion. See also Russian peasant costumes
Russian Formalism. See also formalism
Russian Orthodox bell ringing. See also bell patterns
Russian Orthodox Church
Russian peasant costumes. See also Russian fashion
Russian Revolution. See Bolshevik Revolution (October Revolution)
Russian studies
Rylkova, Galina
Sabinina, Marina
Sacre du Printemps, Le. See Rite of Spring
sacre du printemps, Le (The Rehearsal)
sacrifice: gendered interpretations of
as theme
Sacrificial Maiden (role). See Chosen One / Chosen Maiden / Sacrificial Maiden (role)
Said, Edward
Saint Laurent, Yves
Saison Russe
Salome (character)
Salome (Wilde)
salsa dancing
saltus duriusculus
San Francisco Symphony
Savenko, Svetlana
Savvino-Storozhevsky monastery
Say, Fazil
Scala, La
scale slides
Schaeffner, André
Scheding, Florian
Scherliess, Volker
Schippers, Thomas
Schmid, Erich
Schoen, Wilhelm von (baron)
Schoenberg, Arnold. See Index of Composers and Their Works
Scholes, Percy
Schollar (Mlle)
Schönberg Center
Scythianism
Scythians
Second Viennese School
sectarianism
semiotics
semitones (interval class 1)
sensualism
Sergiy (Father Pimen, ringing novice)
serialism: classical
rotated rows
rotational array
row forms
and the Second Viennese School
segmentations
superimpositions
in Stravinsky’s works
transformation
transposition
twelve-tone. See also dodecaphonism; twelve-tone music
Sert, Misia
Service, Robert
sex/gender difference
sexuality, and the primitive
sexual metaphors
shamanic content
Shaw, Bernard
Shneerson, Grigorii
Sidel’nikov, Nikolai
Silver Age of culture
Silver Dove, The (Belyi)
Silvers, Sally
simfonizm
sketches. See musical sketches
Slavic rituals: divination
prenuptial rituals
round dances
sonic aspects of
sources for
Stravinsky’s interpretation of. See also folk material
Slavophilism
Slavs’ Poetic Outlook on Nature, The (Afanas’ev)
Slonimsky, Nicolas
socialist realism
Sokolova, Lydia (Hilda Tansley Munnings)
soleil de nuit, Le (ballet)
Solov’ev-Sedoi, Vasily
Soloviev, Vladimir
Soubies, Albert
Souday, Paul
Soudeikine, Serge
sound effects, from dancers
sound interference
Sovetskaia muzyka (journal)
Soviet studies
Speck, Scott
Speyer, Louis
Spring, Spring, Spring
stage design: authenticity in
by Benois
Egyptian
for The Nightingale
by Roerich
Stalinism
Stanislavsky, Konstantin
Starokotlitskii, Nikolai
States of Darkness (ballet)
State Symphonic Orchestra of the USSR
St. Catherine’s Monastery (Vidnoe)
St. Denis, Ruth
Stein, Leonard
Steinberg, Maximilian
Steuermann, Clara
Steuermann, Eduard
Stiedry, Fritz
stikhiia
Stokowski, Leopold
Stolypin, Pyotr
Straram Orchestra
stratifications. See also musical layers, superimpositions of
Stravinsky, Ekaterina
Stravinsky, Soulima
Stravinsky and the Russian Tradition: A Biography of the Works through “Mavra” (Taruskin)
Stravinsky Inside Out (Joseph)
“Stravinsky the Global Dancer” (Jordan & Nichols)
strings: cellos
lower string ostinati
low string themes
in Rite of Spring
solo violas
violas
violins
Studio for New Music Ensemble
stutter motives
Sukhanovo Prison
superimposition. See musical layers
Suvchinsky, Petr
Svetlanov, Evgeny (Yevgeny)
Svetlov, Valerian
Symbolism: in art
in poetry
Russian
syncopations
synthesis
Szécsen von Temerin, Nikolaus (count)
Tabachnik, Mikhail
Talashkino artists’ colony
Tale of Bygone Years (Nestor the Chronicler)
Taneyev, Sergei
Tanttu, Ville
Taylor, Diana
Teatro Colón (Buenos Aires)
Teliakovskii, Vladimir
tempo
dancers on
determination of
Kolisch’s ideas concerning
Leibowitz’s ideas concerning
in Rite of Spring
rubato (expressive timing)
Tenisheva. See Maria Tenisheva (princess)
Tereshchenko, Alexander
Tête d’or (Claudel)
tetrachords
text setting, alignment with rhythm and metrics
textural effect
théâtre, Le (magazine)
Théâtre Annamite
Théâtre de la Gaïté (Paris)
Théâtre de la Monnaie
Théâtre de l’Opéra (Paris)
Théâtre de l’Opéra Comique
Théâtre des Arts (Paris)
Théâtre des Champs-Élysées: ballet premieres at
centennial performance at
commemorative booklet issued by
construction of the balconies
demographic distribution of seating in
luxury of
premiere performance at
seating plan
Theatre Royal (London)
Theatro Municipal
thematic segments. See motives
Tilson Thomas, Michael
Times (London)
timpani
tirate
Tittoni, Tommaso
tmesis
Tolstoy, Leo
tonality
classic
poly-
topical analysis
topoi: for earthquakes and fear
elements as. See also trembling
tragic geometry
train bleu, Le
Treaty of London
trembling. See also Bebung
trichords
trills
tritones, sliding
tsarism
tubas
turnout
twelve-tone music. See also dodecaphonism; serialism
Two Centuries of Russian Art (exhibit)
Uljas, Ditte
UNESCO
Unger, Caroline
United States, systemic racism in
universalism
UN Social and Economic Council
Uspensky, Mikhail
Ussachevsky, Vladimir
utvalda, De [The chosen ones] (film)
Vallas, Léon
van den Toorn, Pieter
Van Vechten, Carl
Varga, Laszlo
variation, developing. See also motives
varied repetition
Velikaia zhertva (The Great Sacrifice). See Rite of Spring
Verein für musikalische Privataufführungen (Society for the Private Performance of Music)
Vereshchagina, Elena
Vereshchagina, Tatiana
Verner, Andrew
Vernon, Grenville
Vershinina, Irina
verticals
Vesy (periodical)
video clip, Russian Orthodox bell ringing
video clips, Rite of Spring: “Augurs of Spring”
“Dance of the Earth”
“Glorification of the Chosen One”
“Introduction”
“Mystic Circles of the Young Girls”
“Procession of the Sage”
“Ritual Action of the Ancestors”
“Ritual of Abduction”
“Ritual of the Rival Tribes”
“Sacrificial Dance”
“Spring Rounds”
Vienna Court Opera
Vietnamese Théâtre Annamite
Vigée-Lebrun, Elisabeth
violas
violence, in art
violins
Virgin Mary
virtuosity
visual art
vocal composition
Vogue (magazine)
Volokhova, Natal’ia
Volynsky, Akim
von Bülow, Hans
von Hoffmansthal, Hugo
Vrubel, Mikhail
Vuillemin, Louis
Vuillermoz, Émile
Walkin, Jacob
Walsh, Stephen
Wanderers Group
Webster, Beveridge
Weidlé, Wladimir
Weissmann, Adolf
Wellesz, Egon
Wells, H. G.
Wenders, Wim
Werth, Léon
White, George, Jr.
Whittall, Arnold
Wigman, Mary
Wilde, Oscar
Williams, Raymond
Williams, Robin
Wise, C. Stanley
Wolff, Konrad
woodwinds: in L’après-midi d’un faune
bass clarinet
bassoon
bassoon opening solo
clarinet in A
clarinet themes
in Daphnis and Chloé
English horn themes
flutes
flute themes
low wind ostinato
oboe themes
piccolo clarinet
Stravinsky’s use of
Wordsworth, Barry
World of Art. See Mir iskusstva (magazine)
World of Art movement
World War I
Worth, Charles Frederick
Wozniak, Joanna
Wuppertal Tanztheater
Wurmser, André
xenophobia
Yanowsky, Zenaida
YieFilm
Yudina, Maria
Zander, Benjamin
Zvenigorod, Holy Gate (jingling town / town of ringing bells; Roerich)