BIBLIOGRAPHY
Binyon, Laurence: The Flight of the Dragon: An Essay on the Theory and Practice of Art in China and Japan, Based on Oriental Sources. Wisdom of the East Series, London, 1927
_____: Painting in the Far East. 2nd ed., London, 1913
Bowie, Henry P.: On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan. New York, 1911
Chiang Yee: The Chinese Eye: An Interpretation of Chinese Painting. London, 1935
_____: Chinese Calligraphy: An Introduction to Its Aethetic and Technique. London, 1938
Cohn, William: "Vergleichende Studie zur Malerei Japans und Chinas." Cicerone, XV, 1924
_____: Chinese Painting. London, 1950
Contag, Viktoria: Die Sechs berühmten Meister der Ch'ing Dynastie. Leipzig, 1940
_____: Zwei Meister Chinesischer Landschaftsmalerei. Baden-Baden, 1950
Diez, Ernst: Shan Shui. Vienna, 1943
Dorner, Max: Malmaterial und seine Verwendung im Bilde. Neu herausgegeben von Professor TomRoth und Dr. Richard Jacobi. Stuttgart, 1954
Ecke, Gustav: "Comments on Calligraphies and Paintings." Monumenta Serica, III, 1937-38
Fei Cheng-wu: Brush Drawing in the Chinese Manner. London and New York, 1957
Ferguson, J. C.: Survey of Chinese Art. Shanghai, 1939.
Fischer, Otto: Chinesische Landschaftsmalerei. Munich, 1923
Franke, Herbert: "Yüan Treatises on the Technique of Portrait Painting." Oriental Art, III, 1950
_____: "Zur Biographie des Pa-ta Shan-jen." Asiatica, Leipzig, 1959
Fuchs, Walter: "Rare Ch'ing Editions of the Keng-chih T'u." Studia Serica, Ch'engtu, 1947
_____: "New Material on Chinese Battle Paintings of the Eighteenth Century." JapaneseNational Commission for Unesco, Symposium Papers, Tokyo, 1959
Glaser, Curt: Die Kunst Ostasiens: Der Umkreis ihres Denkens und Gestaltens. 1920
Göpper, Dr. Roger: 1000 Jahre Chinesischer Malerei: Catalogue of the Exposition. Munich, 1959
Grosse, Einst: Die Ostasiatische Tuschmalerei. Berlin, 1922
Harada, B.: A Pageant of Chinese Painting. Tokyo, 1936
Herberts, Dr. Kurt: Die Maltechniken: Mittler zwischen Idee und Gestaltung. Düsseldorf, 1957
Hirth, Friedrich: Scraps from a Collector's Notebook. Leyden, 1905
Hu P'ei-hung: Shan Shui Ju Men. Peking, 1920
Jenyns, Soame: A Background to Chinese Painting. London, 1935
Kümmel, Otto: Die Kunst Chinas, Japans und Koreas: Handbuch der Kunstwissenschaft. Potsdam, 1929
LeCoq, A. von: Bilderatlas zur Kunst-und Kulturgeschichte Mittelasiens. Berlin, 1925
Lessing, Ferdinand: "Über die Symbolsprache in der Chinesischen Kunst." Sinica, 1934—35
Levenson, J. R.: "The Amateur Ideal in Ming and Early Ch'ing Societies: Evidence fromPainting": Chapter II in Confucian China and Its Modern Fate. Los Angeles, 1958
Lippe-Biesterfeld, E. A.: "Li K'ang und seine 'Ausfuhrliche Beschreibung des Bambus.'" OZ, 1942-43
March, Benjamin: Some Technical Terms of Chinese Painting. Baltimore, 1935
_____: "Linear Perspective in Chinese Painting." Eastern Art, III, Philadelpha, 1931
Moriya, Kenji: Die Japanische Malerei. Wiesbaden, 1953
Munsterberg, Hugo: The Landscape Painting of China and Japan. Rutland, Vermont, 1955
Noma, Seiroku: Artistry in Ink. Tokyo, circa 1957
Oi Motoi: Instruction in Sumi Painting. Tokyo, 1958
Petrucci, R.: La Philosophic de la Nature dans I'Art d'Extreme Orient. Paris, 1911
_____(trans.): "Mustard Seed Garden." Encyclopedic de la Peinture Chinoise, Paris, 1918
Rowley, George. Principles of Chinese Painting. Rev. ed., Princeton, 1947
Saito, Ryukyu: Japanese Ink Painting. Rutland, Vermont, 1959
Sakanishi Shio (trans.): Kuo Hsi: An Essay on Landscape Painting. Wisdom of the East Series, London, 1935
_____(trans.): The Spirit of the Brush, Being the Outlook of Chinese Painters on Nature: From Eastern Chin to Five Dynasties. Wisdom of the East Series, London, 1939
Salmony, A.: Chinesische Landschaftsmalerei. Berlin, 1921
Seckel, Dietrich: Buddhistische Kunst Ostasiens. Stuttgart, 1959
Sirèn, Osvald: The Chinese on the Art of Painting. Peking, 1936
_____: A History of Early Chinese Painting. 1933
_____: A History of Later Chinese Painting. 1938
_____: Chinese Painting, Leading Masters and Principles. London, 1956
Soper, Alexander S.: "Some Technical Terms in the Early Literature of Chinese Painting." Harvard Journal of Asiastic Studies, XXI, 1948
_____: "The First Two Laws of Hsieh Ho." Far Eastern Quarterly, 1949.
Shimada, S., and Yonezawa, Y.: Painting of Sung and Yuan Dynasties. Tokyo, 1952
Stein, Sir Aurel: Ruins of Desert Cathay. London, 1912
_____: Ancient Khotan. Oxford, 1907
Speiser, Werner: Meisterwerke Chinesischer Malerei. Berlin, 1947
Taki Seiichi: Three Essays on Oriental Painting. 1910
Tomita, K.: "Brush Strokes in Far Eastern Painting." Eastern Art, III, Philadelphia, 1931
Tseng Yu-ho: "The Seven Junipers of Wen Cheng-ming." Archives of the Chinese Art Society of America, VIII, New York, 1954
Tsuda Noritake: Ideals of Japanese Painting. Tokyo, 1940
Waley, Arthur: An Introduction to the Study of Chinese Painting. London, 1923
Wang Fang-chuen: Chinese Free-hand Flower Painting. Peking, 1936
Werner, E. T. C.: A Dictionary of Chinese Mythology. Shanghai, 1932
Williams, C. H. S.: Outlines of Chinese Symbolism. Peking, 1931
Ueda Juzo: Betrachtungen über Japanische Kunst. Kyoto, 1958
van Gulik, R. H. (trans.): Mi Fu: On Inkstones. Peking, 1938
_____(trans.): Scrapbook for Chinese Collectors (Shu Hua Shuo Ling). Beirut, 1958
_____: Chinese Pictorial Art as Viewed by the Connoisseur. Rome, 1958
Yashiro Yukio: "Connoisseurship in Chinese Painting." Journal of the Royal Society of Arts, London, 1936
Yonezawa, Y,: Painting in the Ming Dynasty. Tokyo, 1956
Yetts, W. P.: Symbolism in Chinese Art. Leyden, 1912.