All online resources cited here and in the Notes were live as of 16 March 2018, unless otherwise indicated.
A shortened form after the = sign indicates how a source is cited in the Notes.
Ashmolean Museum, Reports of the Visitors = Ashmolean Report, followed by year of publication.
1945, Oxford: printed at Oxford University Press by John Johnson
1946–57, Oxford: printed at Oxford University Press by Charles Batey
1958–61, Oxford: printed at Oxford University Press by Vivian Ridler
1962–6, Oxford: printed at Oxford University Press
1967 to 1971–2, Oxford: printed at Oxford University Press by Vivian Ridler
1973–4 to 1988, Oxford: printed at Oxford University Press
1989–98, Oxford: Ashmolean Museum
Biblioteca e Archivi di Egittologia, Università degli Studi, Milan
Pierre Lacau personal archive (1920s–1930s newspaper clippings, photographs, postcards)
Alexandre Varille archive (1920s newspapers and magazines)
Cambridge University Library
Papers of E.J. Dent (for correspondence to Dent from Burton, Harry and Cust, R.H.H.)
Newspaper clippings file, transferred from the Faculty of Asian and Middle Eastern Studies (including Illustrated London News, The Sphere, The Egyptian Gazette, and others)
Griffith Institute (GI), Oxford University
Black Binder, ‘List of Burton negatives’ characterized by subject (compiled by Elizabeth Miles) and ‘List of Tutankhamun Duplicate Negatives’ (‘Burton’s List’, by Carter’s ‘red numbers’) = GI/Black, followed by page numbers
Burton, Harry, correspondence files
Burton, Minnie, correspondence files
Burton, Minnie, diary (http://www.griffith.ox.ac.uk/
Carter (Howard) Archive
10 albums of photographs
Card catalogue of objects from the tomb of Tutankhamun
‘Catalogue of objects sent to Cairo 1922–29’ (TAA i.2.14)
Lantern slides
‘Rough inventory of objects sent to Cairo’ (TAA i.2.13) = GI/Carter Notebook 13
Set of contact prints from The Times, donated 1982 (TAA ii.19)
Carter Deposit files = GI/Carter 1945–6, GI/Carter 1947–77, GI/Carter 1978–80
Carter, Howard, diaries (http://www.griffith.ox.ac.uk/
Carter, Howard, journals (online, as above) = GI/HCjournals
Green Binder, ‘Index to Catalogue of Howard Carter Material’ and Penelope Fox’s comparison of the Griffith Institute and Metropolitan Museum holdings of Tutankhamun prints and negatives = GI/Green, followed by page numbers
Mace, Arthur, diaries (online, as for Carter journals and diaries) = GI/AMdiaries
NYMMA (New York Metropolitan Museum of Art) Photos files = GI/NYMMA, followed by subsection
Metropolitan Museum of Art (MMA), New York
52 albums of photographs, unbound, Department of Egyptian Art = MMA/Albums, followed by page number
Annual reports of the Trustees (https://www.jstor.org/
Burton, Harry, correspondence files = MMA/HB, followed by date range subsection
Hartmann, Celia. 2013. Irving MacManus records related to ‘Treasures of Tutankhamun’ exhibition, 1975–9, finding aid, MMA Archives = MMA/MacManus
Newspapers and periodicals. The following online databases were consulted, with individual articles cited in the Notes by article title, date, page, and author if credited.
Gallica (Bibliothèque nationale de France; sources consulted include Le Monde, Le Petit Parisien, Le Petit Journal Illustrée, and photographic archives, e.g. of Agence Rol.)
Illustrated London News Digital Archive
The Listener Historical Archive
ProQuest News (Chicago Tribune, Manchester Guardian, New York Times, The Sphere)
The Times Digital Archive
UKPressOnline (Daily Express, Daily Mail, Daily Mirror)
Universitäts Bibliothek, Heidelberg
5 albums of photographs (permalink urn:nbn:de:bsz:16-diglit–11073)
Abt, Jeffrey. American Egyptologist: The Life of James Henry Breasted and the Creation of His Oriental Institute. Chicago and London: Chicago University Press, 2011.
Abu el-Haj, Nadia. Facts on the Ground: Archaeological Practice and Territorial Self-Fashioning in Israeli Society. Chicago and London: Chicago University Press, 2001.
Abul-Magd, Zeinab. Imagined Empires: A History of Revolt in Egypt. Berkeley, Los Angeles, London: University of California Press, 2013.
Adams, John M. The Millionaire and the Mummies: Theodore Davis’s Gilded Age in the Valley of the Kings. New York: St Martin’s Press, 2013.
Ades, Dawn and Simon Baker. Undercover Surrealism: Georges Bataille and Documents. Cambridge, MA; London: The MIT Press; Hayward Gallery, 2006.
Allais, Lucia. ‘Integrities: The Salvage of Abu Simbel’, Grey Room 50 (2013): 6–45.
Allen, Susan J. Tutankhamun’s Tomb: The Thrill of Discovery. New York; New Haven and London, 2006.
Anastasio, Stefano and Barbara Arbeid. ‘Archeologia e fotografia negli album di John Alfred Spranger’, Quaderni Friulani di Archeologia 26 (2016): 161–8.
Appadurai, Arjun. ‘Archive and Aspiration’. In Information Is Alive, edited by Joke Brouwer and Arjen Mulder, 8–13. Rotterdam: V2_/NAi Publishers, 2003.
Assmann, Jan. ‘Preservation and Presentation of Self in Ancient Egyptian Portraiture.’ In Studies in Honor of William Kelly Simpson, edited by Peter Der Manuelian and Rita F. Freed, 55–81. Boston: Museum of Fine Arts, 1995.
Assmann, Jan. Moses the Egyptian: The Memory of Egypt in Western Monotheism. Cambridge, MA, 1998.
Atkinson, R.J.C. Field Archaeology. London: Methuen, 1946.
Bahrani, Zainab. The Graven Image: Representation in Babylonia and Assyria. Philadelphia: University of Pennsylvania Press, 2003.
Bahrani, Zainab. The Infinite Image: Art, Time, and the Aesthetic Dimension. London: Reaktion; Chicago: University of Chicago Press, 2014.
Bahrani, Zainab, Zeynep Çelik and Edhem Eldem, eds. Scramble for the Past: A Story of Archaeology in the Ottoman Empire, 1753–1914. Istanbul: SALT/Garanti Kültür, 2011.
Baird, J.A. ‘Photographing Dura-Europos, 1928–1937: An Archaeology of the Archive.’ American Journal of Archaeology 115, no. 3 (2011): 427–46.
Baird, J.A. and Lesley McFadyen, ‘Towards an Archaeology of Archaeological Archives’, Archaeological Review from Cambridge 29 (2014): 15–33.
Bangham, Jenny and Judith Kaplan, eds. Invisibility and Labour in the Human Sciences. Berlin: Max-Planck Institute for the History of Science (Preprint 484), 2016.
Banks, Marcus and Richard Vokes. ‘Introduction: Anthropology, Photography, and the Archive.’ History and Anthropology 21, no. 4 (2010): 337–49.
Banta, Melissa and Curtis M. Hinsley. From Site to Sight: Anthropology, Photography, and the Power of Imagery. Cambridge, MA: Peabody Museum Press, 1986.
Barker, Stephen, ed. 1996. Excavations and Their Objects: Freud’s Collection of Antiquity. Albany: State University of New York.
Baron, Beth. ‘Nationalist Iconography: Egypt as a Woman.’ In Rethinking Nationalism in the Arab Middle East, edited by James P. Jankowski and Israel Gershoni, 105–24. New York: Columbia University Press, 1997.
Bate, David. ‘The Memory of Photography’, Photographies 3 (2010): 243–57.
Bateman, Jonathan. ‘Wearing Juninho’s Shirt: Record and Negotiation in Excavation Photographs.’ In Envisioning the Past: Archaeology and the Image, edited by Sam Smiles and Stephanie Moser, 192–203. Malden, MA and Oxford: Blackwell, 2005.
Baudrillard, Jean. Simulacra and Simulation. Ann Arbor: University of Michigan Press, 1994.
Beegan, Gerry. The Mass Image: A Social History of Photomechanical Reproduction in Victorian London. Basingstoke: Palgrave Macmillan, 2008.
Belknap, Geoffrey. ‘Through the Looking Glass: Photography, Science and Imperial Motivations in John Thomson’s Photographic Expeditions.’ History of Science 52, no. 1 (2014): 73–97.
Bergstein, Mary. Mirrors of Memory: Freud, Photography, and the History of Art. Ithaca and London: Cornell University Press, 2010.
Bhabha, Homi. ‘Of Mimicry and Man: The Ambivalence of Colonial Discourse,’ In Homi Bhobha, The Location of Culture, 85–92. London: Routledge, 2004 [1994].
Bierbrier, M.L., ed. Who Was Who in Egyptology, 4th edition. London: Egypt Exploration Society, 2012.
Boano, Rosa, Elisa Campanella, Gianluigi Mangiapane and Emma Rabino Massa. ‘Giovanni Marro e la ricerca antropologica in Egitto.’ In Missione Egitto 1903–1920: L’Avventura archeologica M.A.I. raccontata, edited by Paolo Del Vesco and Beppe Moiso, 307–13. Modena: Franco Cosimo Panini, 2017.
Bohrer, Frederick N. Photography and Archaeology. London: Reaktion, 2011.
Brilliant, Richard. Portraiture. London: Reaktion, 1991.
Braddock, Jeremy. Collecting as Modernist Practice. Baltimore: Johns Hopkins University Press, 2012.
Brothman, Brien. ‘Orders of Value: Probing the Theoretical Terms of Archival Practice.’ Archivaria 32 (1991): 78–100.
Brusius, Mirjam. ‘From Photographic Science to Scientific Photography: Talbot and Decipherment at the British Museum around 1850.’ In William Henry Fox Talbot: Beyond Photography, edited by Mirjam Brusius, Katrina Dean and Chitra Ramalingam, 219–44. New Haven and London: Yale University Press, 2013.
Brusius, Mirjam. Fotografie und museales Wissen: William Henry Fox Talbot, das Altertum und die Absenz der Fotografie. Berlin/Boston: De Gruyter 2015.
Brusius, Mirjam. ‘Hitting Two Birds with One Stone: An Afterword on Archeology and the History of Science.’ History of Science 55, no. 3 (2017): 383––91.
Buckley, Liam. ‘Objects of Love and Decay: Colonial Photographs in a Postcolonial Archive.’ Cultural Anthropology 20, no. 2 (2005): 249–70.
Burke, Janine. The Gods of Freud: Sigmund Freud’s Art Collection. Sydney and New York: Knopf, 2006.
Burton, Antoinette. ‘Introduction.’ In Archive Stories: Facts, Fictions, and the Writing of History, edited by Antoinette Burton, 1–24. Durham, NC and London: Duke University Press, 2005.
Butler, Beverley. ‘Egypt: Constructed Exiles of the Imagination’. In Contested Landscapes: Movement, Exile and Place, edited by Barbara Bender and Margot Winer, 303–18. Oxford: Berg, 2001.
Butler, Beverley. Return to Alexandria: An Ethnography of Cultural Heritage Revivalism and Museum Memory. Walnut Creek, CA: Left Coast Press, 2007.
Capart, Jean. Tout-ankh-amon. Brussels: Vromant, 1943.
Carr, Linda. Tessa Verney Wheeler: Women in Archaeology Before World War 2. Oxford: Oxford University Press, 2012.
Carruthers, William. ‘Introduction: Thinking about Histories of Egyptology.’ In Histories of Egyptology: Interdisciplinary Measures, edited by William Carruthers, 1–15. Abingdon and New York: Routledge, 2014.
Carruthers, William. ‘Grounding Ideologies: Archaeology, Decolonization and the Cold War in Egypt.’ In Decolonization and the Cold War: Negotiating Independence, edited by Elisabeth Leake and Leslie James, 167–182. London: Bloomsbury, 2015.
Carruthers, William. ‘Visualizing a Monumental Past: Archaeology, Nasser’s Egypt, and the Early Cold War’. History of Science (2017), online first.
Carruthers, William and Stéphane Van Damme. ‘Disassembling Archeology, Reassembling the Modern World.’ History of Science 55, no. 3 (2017): 255–72.
Carter, Howard. The Tomb of Tut.Ankh.Amen, Volume II. London: Cassell, 1927.
Carter, Howard. The Tomb of Tut.Ankh.Amen, Volume III. London: Cassell, 1933.
Carter, Howard and A.C. Mace. The Tomb of Tut.Ankh.Amen, Volume I. London: Cassell, 1923.
Carter, Howard and Nicholas Reeves. Tut-Ankh-Amen: The Politics of Discovery. London: Duckworth, 1998.
Çelik, Zeynep. About Antiquities: Politics of Archaeology in the Ottoman Empire. Austin: University of Texas Press, 2016.
Challis, Debbie. The Archaeology of Race: The Eugenic Ideas of Francis Galton and Flinders Petrie. London: Bloomsbury, 2013.
Clément, Anne. ‘Rethinking “Peasant Consciousness” in Colonial Egypt: An Exploration of the Performance of Folksongs by Upper Egyptian Agricultural Workers on the Archaeological Excavation Sites of Karnak and Dendera at the Turn of the Twentieth Century (1885–1914).’ History and Anthropology 21, no. 2 (2010): 73–100.
Cohen, Getzel M. and Martha Sharp Joukowsky, eds. Breaking Ground Pioneering Women Archaeologists. Ann Arbor: University of Michigan Press, 2004.
Colla, Elliott. Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Durham, NC: Duke University Press, 2007.
Collier, Patrick. ‘Imperial/Modernist Forms in the Illustrated London News.’ Modernism/modernity 19, no. 3 (2012): 487–514.
Collins, Paul and Liam McNamara, Discovering Tutankhamun. Oxford: Ashmolean Museum, 2014.
Cone, Polly, ed. Wonderful Things: The Discovery of Tutankhamun’s Tomb. New York: Metropolitan Museum of Art, 1976.
Cook, Terry and Joan M. Schwartz. ‘Archives, Records, and Power: From (Postmodern) Theory to (Archival) Performance.’ Archival Science 2 (2002): 171–85.
Cookson, M.B. Photography for Archaeologists. London: Max Parrish, 1954.
Cottrell, Leonard. The Secrets of Tutankhamen. London: Evans Brothers, 1976 [1965].
Cox Hall, Amy. Framing a Lost City: Science, Photography, and the Making of Machu Picchu. Austin: University of Texas Press, 2017.
Cross, Karen and Julia Peck. ‘Editorial: Special Issue on Photography, Archive and Memory.’ Photographies 3 (2010): 127–38.
Daston, Lorraine. ‘The Immortal Archive: Nineteenth-Century Science Imagines the Future.’ In Science in the Archives: Pasts, Presents, Futures, edited by Lorraine Daston, 159–83. Chicago: University of Chicago Press, 2017.
Daston, Lorraine and Peter Galison. Objectivity. Brooklyn: Zone Books, 2007.
David, Francine Marie. Bei den Grabräubern: Meine Zeit im Tal der Könige. Zurich: Unionsverlag, 2011.
Davis, Theodore M. The Tombs of Harmhabi and Touatânkhamanou. London: Constable, 1912.
Der Manuelian, Peter, and George Andrew Reisner. ‘George Andrew Reisner on Archaeological Photography.’ Journal of the American Research Center in Egypt 29 (1992): 1–34.
Derrida, Jacques, Archive Fever: A Freudian Impression. London and Chicago, 1998.
Desroches-Noblecourt, Christiane. Tutankhamen. London: George Rainbird, 1963.
Desroches-Noblecourt, Christiane. Toutankhamon et son temps. Paris: Petit Palais, 1967.
Diaz-Andre, Margarita, and Marie Louise Stig Sørenson. Excavating Women: A History of Women in European Archaeology. Abingdon and New York: Routledge, 1998.
Dirks, Nicholas. ‘Annals of the Archive: Ethnographic Notes on the Sources of History.’ In From the Margins: Historical Anthropology and its Futures, edited by Brian Axel, 47–65. Durham, NC: Duke University Press, 2002.
Doyon, Wendy. ‘On Archaeological Labour in Modern Egypt.’ In Histories of Egyptology: Interdisciplinary Measures, edited by William Carruthers, 141–56. New York and London: Routledge, 2015.
Driaux, Delphine and Marie-Lys Arnette. Instantanés d’Égypte: Trésors photographiques de l’Institut français d’archéologie orientale. Cairo: Institut français d’archéologie orientale, 2016.
Droop, J.P. Archaeological Excavation. Cambridge: Cambridge University Press, 1915.
Du Mesnil du Buisson, Comte. La Technique des Fouilles Archéologiques: Les Principes Généraux. Paris: Paul Geuthner, 1934.
Dudley, Michael. ‘Chief Photographers.’ The Ashmolean 46 (Spring 2004), 22–3.
Dunphy, R. Graeme and Rainer Emig. ‘Introduction’. In Hybrid Humour: Comedy in Transcultural Perspectives, edited by R. Graeme Dunphy and Rainer Emig, 7–35. Amsterdam and NY: Rodopi, 2010.
Eaton-Krauss, Marianne. The Sarcophagus in the Tomb of Tutankhamun. Oxford: Griffith Institute, Ashmolean Museum, 1993.
Eaton-Krauss, Marianne. The Unknown Tutankhamun. London: Bloomsbury, 2016.
Eaton-Krauss, Marianne and Erhart Graefe. The Small Golden Shrine from the Tomb of Tutankhamun. Oxford: Griffith Institute, 1985.
Eco, Umberto. Travels in Hyperreality: Essays. London: Pan Books, 1987.
Edwards, Elizabeth. ‘Photographic “Types”: The Pursuit of Method.’ Visual Anthropology 3 (1990): 235–58.
Edwards, Elizabeth. Raw Histories: Photography, Anthropology, and Museums. Oxford: Berg, 2001.
Edwards, Elizabeth. ‘Negotiating Spaces: Some Photographic Incidents in the Western Pacific, 1883–84.’ In Picturing Place: Photography and the Geographical Imagination, edited by Joan M. Schwartz and James R. Ryan, 261–79. London and New York: I.B. Tauris, 2003.
Edwards, Elizabeth. ‘Photographs: Material Form and the Dynamic Archive’. In Photo Archives and the Photographic Memory of Art History, edited by Costanza Caraffa, 47–56. Berlin: Deutscher Kunstverlag, 2011.
Edwards, Elizabeth. “Tracing Photography.” In Made to Be Seen: Perspectives on the History of Visual Anthropology, edited by Marcus Banks and Jay Ruby, 159–89. Chicago and London: University of Chicago Press, 2011.
Edwards, Elizabeth. The Camera as Historian: Amateur Photographers and Historical Imagination, 1885–1918. Durham, NC and London: Duke University Press, 2012.
Edwards, Elizabeth. ‘Anthropology and Photography: A Long History of Knowledge and Affect.’ Photographies 8, no. 3 (2016): 235–52.
Edwards, Elizabeth. ‘Uncertain Knowledge: Photography and the Turn-of-the-century Anthropological Document.’ In Documenting the World: Film, Photography, and the Scientific Record, edited by Gregg Mitman and Kelley Wilder, 89–123. Chicago: University of Chicago Press, 2016.
Edwards, Elizabeth and Janice Hart, eds. Photographs, Objects, Histories: On the Materiality of Images. London and New York: Routledge, 2004.
Edwards, Elizabeth and Sigrid Lien. ‘Museums and the Work of Photographs.’ In Museums and the Work of Photographs, edited by Elizabeth Edwards and Sigrid Lien, 3–17. London: Bloomsbury, 2015.
Edwards, Elizabeth and Christopher Morton. ‘Between Art and Information: Towards a Collecting History of Photographs.’ In Photographs, Museums, Collections: Between Art and Information, edited by Elizabeth Edwards and Christopher Morton, 3–23. London: Bloomsbury, 2015.
Edwards, I.E.S. Treasures of Tutankhamun. London: British Museum Press, 1972.
Edwards, I.E.S. From the Pyramids to Tutankhamun: Memoirs of an Egyptologist. Oxford: Oxbow, 2000.
El Shakry, Omnia. The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt. Stanford, CA: Stanford University Press, 2007.
Elshakry, Marwa. ‘Histories of Egyptology in Egypt: Some Thoughts.’ In Histories of Egyptology: Interdisciplinary Measures, edited by William Carruthers, 185–97. New York and London: Routledge, 2015.
Evans, Jean. The Lives of Sumerian Sculpture: An Archaeology of the Early Dynastic Temple. New York: Cambridge University Press, 2012.
Fox, Penelope. 1951. Tutankhamun’s Treasure. London, New York, Toronto: Oxford University Press; Geoffrey Cumberlege.
Frayling, Christopher. The Face of Tutankhamun. London and Boston: Faber and Faber, 1992.
Fryxell, Allegra. ‘Tutankhamen, Egyptomania, and Temporal Enchantment in Interwar Britain’, Twentieth Century British History, 28, no. 4 (2017), 516–42.
Gamwell, Lynn, and Richard Wells, eds. Sigmund Freud and Art: His Personal Collection of Antiquities. Binghamton: State University of New York, 1989.
Gange, David. Dialogues with the Dead: Egyptology in British Culture and Religion 1822–1922. Oxford: Oxford University Press, 2013.
Gasper, Michael Ezekiel. The Power of Representation: Publics, Peasants, and Islam in Egypt. Stanford: Stanford University Press, 2009.
Geimer, Peter. ‘The Colors of Evidence: Picturing the Past in Photography and Film.’ In Documenting the World: Film, Photography, and the Scientific Record, edited by Gregg Mitman and Kelley Wilder, 45–64. Chicago: University of Chicago Press, 2016.
Geraci, Joseph. ‘Lehnert & Landrock of North Africa.’ History of Photography 27, no. 3 (2003): 294–98.
Gershoni, Israel. ‘Rethinking the Formation of Arab Nationalism in the Middle East, 1920–1945: Old and New Narratives.’ In Rethinking Nationalism in the Arab Middle East, edited by James P. Jankowski and Israel Gershoni, 3–25. New York: Columbia University Press, 1997.
Gershoni, Israel and James P. Jankowski. Redefining the Egyptian Nation, 1930–1945. Cambridge and New York: Cambridge University Press, 1995.
Gifford, Jayne. ‘Extracting the Best Deal for Britain: The Assassination of Sir Lee Stack in November 1924 and the Revision of Britain’s Nile Valley Policy.’ Canadian Journal of History 48 (2013): 87–114.
Gilberg, Mark. ‘Alfred Lucas: Egypt’s Sherlock Holmes.’ Journal of the American Institute for Conservation 36 (1997): 31–48.
Gilbert, Katharine Stoddart, ed. Treasures of Tutankhamun. New York: Metropolitan Museum of Art, 1976.
Golia, Maria. Photography and Egypt. London: Reaktion; Chicago: University of Chicago Press, 2010.
Goode, James F. Negotiating for the Past: Archaeology, Nationalism, and Diplomacy in the Middle East, 1919–1941. Austin: University of Texas Press, 2007.
Gregory, Derek. ‘Scripting Egypt: Orientalism and the Cultures of Travel.’ In Writes of Passage: Reading Travel Writing, edited by James Duncan and Derek Gregory, 114–50. London and New York: Routledge, 1999.
Gregory, Derek. ‘Colonial Nostalgia and Cultures of Travel: Spaces of Constructed Visibility in Egypt.’ In Consuming Tradition, Manufacturing Heritage: Global Norms and Urban Forms in the Age of Tourism, edited by Nezar AlSayyad, 212–39. London: Routledge, 2001.
Gretton, Tom. ‘The Pragmatics of Page Design in Nineteenth-Century General-Interest Weekly Illustrated News Magazines in London and Paris.’ Art History 33, no. 4 (2010): 68–79.
Grigsby, Darcy Grimaldo. ‘Out of the Earth: Egypt’s Statue of Liberty.’ In Edges of Empire: Orientalism and Visual Culture, edited by Jocelyn Hackforth-Jones and Mary Roberts, 38–69. Malden, MA and Oxford: Blackwell, 2005.
Guha, Sudeshna. ‘The Visual in Archaeology: Photographic Representation of Archaeological Practice in British India.’ Antiquity 76 (2002): 93–100.
Guha, Sudeshna, ed. The Marshall Albums: Photography and Archaeology. Ahmedabad: Mapin Publishing; Alkazi Collection of Photography, 2010.
Guha, Sudeshna. ‘Beyond Representations: Photographs in Archaeological Knowledge.’ Complutum 24, no. 2 (2013): 173–88.
Hall, Stuart. ‘The Spectacle of the Other.’ In Representation: Cultural Representations and Signifying Practices, edited by Stuart Hall, 225–90. London: Sage, 1997.
Hankey, Julia. A Passion for Egypt: Arthur Weigall, Tutankhamun, and the ‘Curse of the Pharaohs’. London: I.B. Tauris, 2001.
Harris, Verne. ‘A Shaft of Darkness: Derrida in the Archive.’ In Refiguring the Archive, edited by Carolyn Hamilton, Verne Harris, Jane Taylor, Michele Pickover, Graeme Reid and Razia Saleh, 61–81. Dordrecht, Boston, London: Kluwer Academic Publishers, 2002.
Hayes, Patricia, Jeremy Silvester and Wolfram Hartmann. ‘Photography, History, and Memory.’ In The Colonising Camera: Photographs in the Making of Namibian History, edited by Wolfram Hartmann, Jeremy Silvester and Patricia Hayes, 2–9. Cape Town: University of Cape Town Press, 1998.
Hayes, Patricia, Jeremy Silvester and Wolfram Hartmann. ‘“Picturing the Past” in Namibia’: The Visual Archive and its Energies. In Refiguring the Archive, edited by Carolyn Hamilton, Verne Harris, Jane Taylor, Michele Pickover, Graeme Reid and Razia Saleh, 103–34. Dordrecht, Boston, London: Kluwer Academic Publishers, 2002.
Hevia, James L. ‘The Photography Complex: Exposing Boxer-Era China (1900–1901), Making Civilization.’ In Photographies East: The Camera and Its Histories in East and Southeast Asia, edited by Rosalind Morris, 79–119. London and Durham, NC: Duke University Press, 2009.
Hockings, Paul. ‘Disasters Drawn: The Illustrated London News in the Mid–19th Century.’ Visual Anthropology 28 (2015): 21–50.
Hornung, Erik and Marsha Hill. The Tomb of Pharaoh Seti I. Zürich and Munich: Artemis, 1991.
Hoving, Thomas. Tutankhamun: The Untold Story. New York: Simon and Schuster, 1978.
Hoving, Thomas. Making the Mummies Dance. New York: Simon and Schuster, 1993.
Hurst, John G. ‘Donald Benjamin Harden 1901–1994’. Proceedings of the British Academy 94 (1997) 513–39.
Jackson, Ashley and David Tomkins. ‘Ephemera and the British Empire.’ In Exhibiting the Empire: Cultures of Display and the British Empire, edited by John McAleer and John M. MacKenzie, 142–67. Manchester: Manchester University Press, 2015.
Jacob, Wilson Chacko. Working out Egypt: Effendi Masculinity and Subject Formation in Colonial Modernity, 1870–1940. Durham, NC and London: Duke University Press, 2011.
James, T.G.H. Howard Carter: The Path to Tutankhamun. London and New York: I.B. Tauris, 2001 [1992].
James, T.G.H. ‘Moss, Rosalind Louisa Beaufort (1890–1990)’. Oxford Dictionary of National Biography, Oxford University Press, 2004. http://www.oxforddnb.com/
Johnson, George B. ‘Painting with Light: The Work of Archaeology Photographer Harry Burton.’ KMT 8, no. 2 (1997): 58–77.
Johnson, Geraldine A. ‘“(Un)Richtige Aufnahme”: Renaissance Sculpture and the Visual Historiography of Art History.’ Art History 36, no. 1 (2013): 12–51.
Johnson, W. Raymond. ‘The Epigraphic Survey and the “Chicago Method”.’ In Picturing the Past: Imaging and Imagining the Ancient Middle East, edited by Jack Green, Emily Teeter and John A. Larson, 31–8. Chicago: Oriental Institute of the University of Chicago, 2012.
Kennedy, Charles and Beaumont Newhall. Photographs by Clarence Kennedy. Northampton, MA: Smith College, 1967.
Kerbouef, Anne-Claire. 2005. ‘The Cairo Fire of 26 January 1952 and the interpretations of history.’ In Re-Envisioning Egypt 1919–1952, edited by Arthur Goldschmidt, Amy J. Johnson and Barak A. Salmoni, 194–216. Cairo and New York: American University in Cairo Press.
Ketelaar, Eric. ‘Tacit Narratives: The Meaning of Archives.’ Archival Science 1 (2001): 131–41.
Kett, Robert J. ‘Monuments in Print and Photography: Inscribing the Ancient in Nineteenth-Century Mexico.’ Getty Research Journal 9 (2017): 201–10.
Khater, Antoine. Le Régime Juridique des Fouilles et des Antiquités en Egypte. Cairo: Institut français d’archéologie orientale, 1960.
Klamm, Stefanie. ‘Reverse – Cardboard – Print: The Materiality of the Photographic Archive and its Function.’ In Documenting the World: Film, Photography, and the Scientific Record, edited by Gregg Mitman and Kelley Wilder, 166–99. Chicago: University of Chicago Press, 2016.
Klamm, Stefanie. Bilder des Vergangenen Visualisierung in der Archäologie im 19. Jahrhundert – Fotografie, Zeichnung und Abguss. Berlin: Mann, 2017.
Kracauer, Siegfriend. The Past’s Threshold: Essays on Photography, edited by Philippe Despoix and Maria Zinfert. Chicago: University of Chicago Press for Diaphanes, 2014.
Lansing, Ambrose. ‘In Memoriam: Harry Burton.’ Metropolitan Museum of Art Bulletin 35, no. 8 (1940): 165.
Latour, Bruno. We Have Never Been Modern. Cambridge, MA: Harvard University Press, 1993.
Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2007.
Lee, Christopher C. … The Grand Piano Came by Camel: Arthur C. Mace, the Neglected Egyptologist. Edinburgh and London: Mainstream, 1992.
Leek, F. Filce. The Human Remains from the Tomb of Tutankhamun. Tutankhamun’s Tomb Series, V. Oxford: Griffith Institute, 1972.
Lockman, Zachary. Contending Visions of the Middle East: The History and Politics of Orientalism. Cambridge and New York: Cambridge University Press, 2010.
Lucas, Gavin. Critical Approaches to Fieldwork: Contemporary and Historical Archaeological Practice. London and New York: Routledge, 2001.
McAlister, Melani. ‘“The Common Heritage of Mankind”: Race, Nation, and Masculinity in the King Tut Exhibit.’ Representations 54 (1996): 80–103.
McAlister, Melani. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East Since 1945. Berkeley and Los Angeles: University of California Press, 2001.
McClintock, Anne. Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. New York and London: Routledge, 1996.
Mace, Arthur C. ‘Work at the Tomb of Tutankhamun.’ Metropolitan Museum of Art Bulletin, Part 2: The Egyptian Expedition 1922–23 18, no. 12 (1923): 5–11.
Mak, Lanver, The British in Egypt: Community, Crime and Crises 1822–1922. London and New York: I.B. Tauris, 2012.
Matthews, Richard J. ‘Is the Archivist a “Radical Atheist” Now? Deconstruction, Its New Wave, and Archival Activism.’ Archival Science 16, no. 3 (2014): 213–60.
Mayer, Andreas. ‘Museale Inszenierungen von anthropologiscen Fiktionen: “Rasse” und “Menschheit” im Naturhistorischen Museum nach 1945.’ In Repräsentationsformen in den biologischen Wissenschaften, edited by Armin Geus, Thomas Junker, Hans-Jörg Rheinberger, Christa Riedl-Dorn and Michael Weingarten, 73–88. Berlin: VWB (Verlag für Wissenschaft und Bildung), 1999.
Mitchell, Timothy. Rule of Experts: Egypt, Techno-Politics, Modernity. Berkeley and Los Angeles: University of California Press, 2002.
Mitman, Gregg and Kelley Wilder. ‘Introduction.’ In Documenting the World: Film, Photography, and the Scientific Record, edited by Gregg Mitman and Kelley Wilder, 1–22. Chicago: University of Chicago Press, 2016.
Morris-Reich, Amos. Race and Photography: Racial Photography as Scientific Evidence, 1876–1980. Chicago and London: University of Chicago Press, 2016.
Morton, Christopher. ‘The Anthropologist as Photographer: Reading the Monograph and Reading the Archive.’ Visual Anthropology 18, no. 4 (2005): 389–405.
Morton, Christopher. ‘Photography and the Comparative Method: The Construction of an Anthropological Archive.’ Journal of the Royal Anthropological Institute 18, no. 2 (2012): 369–396.
Moshenska, Gabriel. ‘Thomas “Mummy” Pettigrew and the Study of Egypt in Early Nineteenth-century Britain.’ In Histories of Egyptology: Interdisciplinary Measures, edited by William Carruthers, 201–14. Abingdon, UK: Routledge, 2015.
Münch, Hans-Hubertus. ‘Categorizing Archaeological Finds: The Funerary Material of Queen Hetepheres I at Giza.’ Antiquity 74, no. 286 (2000): 898–908.
Murray, Helen and Mary Nuttall. A Handlist to Howard Carter’s Catalogue of Objects in Tutankhamun’s Tomb. Tutankhamun’s Tomb Series, I. Oxford: Griffith Institute, 1963.
Mussell, James. ‘Cohering Knowledge in the Nineteenth Century: Form, Genre and Periodical Studies.’ Victorian Periodicals Review 42, no. 1 (2009): 93–103.
Natale, Simone. ‘Photography and Communication Media in the Nineteenth Century.’ History of Photography 36, no. 4 (2012): 451–56.
Newbury, Colin. ‘Milner, Alfred, Viscount Milner (1854–1925)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, Oct 2008. http://www.oxforddnb.com/
Nora, Pierre. ‘Between Memory and History: Les Lieux de Mémoire.’ Representations 26, Special Issue: Memory and Counter-Memory (1989): 7–24.
Nora, Pierre. Realms of Memory: Rethinking the French Past. Chicago: University of Chicago Press, 1998. (Translated and abridged from Les Lieux de mémoire, Paris: Gallimard, 1984.)
Olsen, Bjornar, Michael Shanks, Timothy Webmoor and Christopher Witmore. Archaeology: The Discipline of things. Berkeley and Los Angles: University of California Press, 2012.
Orsenigo, Christian. ‘Una guida d’eccezione per illustri viaggiatori: Pierre Lacau e i Savoia in Egitto.’ In Da Brera alle Piramidi, edited by Christian Orsenigo, 113–17. Milan: Scalpendi, 2015.
Petrie, W.M.F. Racial Photographs From Egyptian Monuments. London: W. Harman for W.M.F. Petrie, 1887.
Petrie, W.M.F. Methods and Aims in Archaeology. London: Methuen, 1904.
Phillips, James E. ‘“To Make the Dry Bones Live”: Amédée Forestier’s Glastonbury Lake Village.’ In Envisioning the Past: Archaeology and the Image, edited by Sam Smiles and Stephanie Moser, 72–91. Malden, MA and Oxford: Blackwell, 2005.
Pinney, Christopher. Camera Indica: The Social Life of Indian Photographs. London: Reaktion, 1997.
Pinney, Christopher. ‘Camerawork as Technical Practice in Colonial India.’ In Material Powers: Cultural Studies, History, and the Material Turn, edited by Tony Bennett and Patrick Joyce, 145–70. London and New York: Routledge, 2010.
Poole, Deborah. Vision, Race, and Modernity: A Visual Economy of the Andean Image World. Princeton: Princeton University Press, 1997.
Poole, Deborah. ‘An Excess of Description: Ethnography, Race, and Visual Technologies.’ Annual Review of Anthropology 34 (2005): 159–79.
Price, Sally. Primitive Art in Civilized Places, 2nd ed. Chicago: University of Chicago Press, 2001 [1989].
Quirke, Stephen. Hidden Hands: Egyptian Workforces in Petrie Excavation Archives, 1880–1924. London: Duckworth, 2010.
Ramamurthy, Anandi. Imperial Persuaders: Images of Africa and Asia in British Advertising. Manchester: Manchester University Press, 2003.
Reid, Donald Malcolm. ‘Indigenous Egyptology: The Decolonization of a Profession?’ Journal of the American Oriental Society 105, no. 2 (1985): 233–46.
Reid, Donald Malcolm. ‘Nationalizing the Pharaonic Past: Egyptology, Imperialism, and Egyptian Nationalism, 1922–1952.’ In Rethinking Nationalism in the Arab Middle East, edited by James P. Jankowski and Israel Gershoni, 127–49. New York: Columbia University Press, 1997.
Reid, Donald Malcolm. Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. Berkeley and Los Angeles: University of California Press, 2002.
Reid, Donald Malcolm. Contesting Antiquity in Egypt: Archaeologies, Museums and the Struggle for Identities from World War 1 to Nasser. Cairo and New York: American University in Cairo Press, 2015.
Reid, Donald Malcolm. ‘Remembering and Forgetting Tutankhamun: Imperial and National Rhythms of Archaeology, 1922–1972.’ In Histories of Egyptology: Interdisciplinary Measures, edited by William Carruthers, 157–73. New York and London: Routledge, 2015.
Reisner, George A. ‘Hetep-Heres, Mother of Cheops.’ Bulletin of the Museum of Fine Arts, Boston, Supplement 25 (1927): 1–36.
Reisner, George A. and William Stevenson Smith. A History of the Giza Necropolis. Vol. 2, The Tomb of Hetep-Heres the Mother of Cheops: A Study of Egyptian Civilization in the Old Kingdom. Cambridge, MA: Harvard University Press, 1955.
Reeves, C.N. and John H. Taylor. Howard Carter before Tutankhamun. London: British Museum Press, 1992.
Reeves, Nicholas. The Complete Tutankhamun: The King, the Tomb, the Royal Treasure. London: Thames and Hudson, 1995.
Richards, Thomas. ‘Archive and Utopia.’ Representations 37 (1992): 104–35.
Richards, Thomas. The Imperial Archive: Knowledge and the Fantasy of Empire. London and New York: Verso, 1993.
Ridley, Ronald T. ‘The Dean of Archaeological Photographers: Harry Burton.’ Journal of Egyptian Archaeology 99 (2013): 117–30.
Riggs, Christina. The Beautiful Burial in Roman Egypt: Art, Identity, and Funerary Religion. Oxford: Oxford University Press, 2005.
Riggs, Christina. ‘Colonial Visions: Egyptian Antiquities and Contested Histories in the Cairo Museum’, Advances in Research – Museum Worlds 1 (2013): 65–84.
Riggs, Christina. Unwrapping Ancient Egypt. London: Bloomsbury, 2014.
Riggs, Christina. ‘Discussing Knowledge in the Making.’ In Histories of Egyptology: Interdisciplinary Measures, edited by William Carruthers, 129–38. New York and London: Routledge, 2015.
Riggs, Christina. ‘An Autopsic Art: Drawings of “Dr Granville’s Mummy” in the Royal Society Archives’. Notes and Records 70, no. 2 (2016): 107–33.
Riggs, Christina. ‘Photography and Antiquity in the Archive, or How Howard Carter Moved the Road to the Valley of the Kings.’ History of Photography 40, no. 3 (2016): 267–82.
Riggs, Christina. ‘The Body in the Box: Archiving the Egyptian Mummy.’ Archival Science 17, no. 2 (2017): 125–50.
Riggs, Christina. ‘Objects in the Photographic Archive: Between the Field and the Museum in Egyptian Archaeology’. Museum History Journal 10, no. 2 (2017): 140–61.
Riggs, Christina. Tutankhamun: The Original Photographs. London: Rupert Wace Ancient Art/Gower Press, 2017.
Riggs, Christina. ‘Photographing Tutankhamun: Photo-objects and the Archival Afterlives of Colonial Archaeology.’ In Photo-Objects: On the Materiality of Photographs and Photo-Archives in the Humanities and Sciences, edited by Julia Bärnighausen and Franka Schneider, forthcoming. Berlin: Max Planck Research Library for the History and Development of Knowledge.
Roberts, Donna and Patricia Allmer, eds. ‘Wonderful Things’: Surrealism and Egypt. Dada/Surrealism 19, no. 1 (2013). Iowa Research Online.
Robson, Eleanor. ‘Old Habits Die Hard: Writing the Excavation and Dispersal History of Nimrud.’ Museum History Journal 10, no. 2 (2017): 217–32.
Rohl, David M. A Test of Time: The Bible from Myth to History. London: Random House, 1995.
Rose, Gillian. ‘Practising Photography: An Archive, a Study, Some Photographs and a Researcher.’ Journal of Historical Geography 26, no. 4 (2000): 555–71.
Ryzova, Lucie. ‘Egyptianizing Modernity through the “New Effendiya”: Social and Cultural Constructions of the Middle Class in Egypt under the Monarchy.’ In Re-Envisioning Egypt 1919–1952, edited by Arthur Goldschmidt, Amy J. Johnson and Barak A. Salmoni, 124–63. Cairo and New York: American University in Cairo Press, 2005.
Ryzova, Lucie. The Age of the Effendiya: Passages to Modernity in National-Colonial Egypt. Oxford: Oxford University Press, 2014.
Ryzova, Lucie. ‘Mourning the Archive: Middle Eastern Photographic Heritage between Neoliberalism and Digital Reproduction.’ Comparative Studies in History and Society 56, no. 4 (2014): 1027–61.
Samuel, Raphael. Theatres of Memory: Past and Present in Contemporary Culture. London and New York: Verso, 1994.
Schiaparelli, Ernesto. La Tomba intatta dell’architetto Cha nella necropoli di Tebe. Turin: Reale Museo di Antichità, 1927.
Schlak, Tim. ‘Framing Photographs, Denying Archives: The Difficulty of Focusing on Archival Photographs.’ Archival Science 8 (2008): 85–101.
Schlanger, Nathan. ‘Manual and Intellectual Labour in Archaeology: Past and Present in Human Resource Management.’ In Unquiet Pasts: Risk Society, Lived Cultural Heritage, Re-Designing Reflexivity, edited by Stephanie Koerner and Ian Russell, 161–71. Farnham: Ashgate, 2010.
Schneider, Thomas and Peter Raulwing, eds. Egyptology from the First World War to the Third Reich: Ideology, Scholarship, and Individual Biographies. Leiden and Boston: Brill, 2013.
Schwartz, Joan M. ‘“We Make Our Tools and Our Tools Make Us”: Lessons from Photographs for the Practice, Politics, and Poetics of Diplomatics.’ Archivaria 40 (1995): 40–74.
Schwartz, Joan M. ‘“Records of Simple Truth and Precision”: Photography, Archives, and the Illusion of Control.’ Archivaria 50 (2000): 1–40.
Schwartz, Joan M. ‘Coming to Terms with Photographs: Descriptive Standards, Linguistic “Othering”, and the Margins of Archivy.’ Archivaria 54 (2002): 142–71.
Sekula, Allan. ‘The Body and the Archive.’ October 39 (1986): 3–64.
Sekula, Allan. ‘Reading an Archive: Photography between Labour and Capital.’ In Blasted Allegories: An Anthology of Writings by Contemporary Artists, edited by Brian Wallis, 114–27. Cambridge, MA and London: The MIT Press, 1987.
Shapin, Steven. ‘The Invisible Technician.’ American Scientist 77, no. 6 (1989): 554–63.
Shapin, Steven. Never Pure: Historical Studies of Science as if It Was Produced by People with Bodies, Situated in Time, Space, Culture, and Society, and Struggling for Credibility and Authority. Baltimore: Johns Hopkins University Press, 2010.
Shapin, Steven and Simon Schaffer. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton: Princeton University Press, 1985.
Shepherd, Nick. ‘“When the Hand That Holds the Trowel Is Black…”: Disciplinary Practices of Self-Representation and the Issue of ‘Native’ Labour in Archaeology.’ Journal of Social Archaeology 3, no. 3 (2003): 334–52.
Shepherd, Nick. Mirror in the Ground: Archaeology, Photography, and the Making of an Archive. Cape Town: Jonathan Ball, 2015.
Shiner, Larry. The Invention of Art: A Cultural History. Chicago: University of Chicago Press, 2001.
Siapkas, Johannes. ‘Skulls from the Past: Archaeological Negotiations of Scientific Racism.’ Bulletin of the History of Archaeology 26, no. 1 (2016): 1–9.
Simpson, R.S. ‘Griffith, Francis Llewellyn (1862–1934)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2008. http://www.oxforddnb.com/
Simpson, R.S. ‘Gardiner, Sir Alan Henderson (1879–1963).’ Oxford Dictionary of National Biography, 2009, 10.1093/ref:odnb/33322.
Sinnema, Peter W. Dynamics of the Picture Page: Representing the Nation in the Illustrated London News. Aldershot: Ashgate, 1998.
Spanel, Donald. Through Ancient Eyes: Egyptian Portraiture. Birmingham, AL: Birmingham Museum of Art, 1988.
Steedman, Carolyn. Dust: The Archive and Cultural History. Manchester: Manchester University Press, 2001.
Steedman, Carolyn. ‘After the Archive.’ Comparative Critical Studies 8, no. 2–3 (2011): 321–40.
Stevenson, Alice. ‘Artefacts of Excavation: The British Collection and Distribution of Egyptian Finds to Museums, 1880–1915.’ Journal of the History of Collections 26, no. 1 (2014): 89–102.
Stevenson, Alice, Emma Libonati and John Baines. ‘Introduction – Object Habits: Legacies of Fieldwork and the Museum.’ Museum History Journal 10, no. 2 (2017): 113–26.
Stoler, Ann Laura. ‘Colonial Archives and the Arts of Governance.’ Archival Science 2, no. 1–2 (2002): 87–109.
Stoler, Ann Laura. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton: Princeton University Press, 2009.
Swenson, Christine. The Experience of Sculptural Form: Photographs by Clarence Kennedy. Detroit: Detroit Institute of Arts, 1987.
Thompson, Jason. Wonderful Things: A History of Egyptology, 1: From Antiquity to 1881. Cairo and New York: American University in Cairo Press, 2015.
Thompson, Jason. Wonderful Things: A History of Egyptology, 2: The Golden Age: 1881–1914. Cairo and New York: American University in Cairo Press, 2015.
Thompson, Jason. Wonderful Things: A History of Egyptology, 3: From 1914 to the Twenty-first Century. Cairo and New York: American University in Cairo Press, 2017.
Tucker, Jennifer. Nature Exposed: Photography as Eyewitness in Victorian Science. Baltimore: Johns Hopkins University Press, 2005.
Tucker, Jennifer and Tina Campt. ‘Entwined Practices: Engagements with Photography in Historical Inquiry.’ History and Theory 48, no. 4 (2009): 1–8.
Tutankhamun Treasures: A Loan Exhibition from the Department of Antiquities of the United Arab Republic, 1961–1963. Washington, D.C.: Smithsonian Institution, 1961.
van der Spek, Kees. The Modern Neighbours of Tutankhamun: History, Life, and Work in the Villages of the Theban West Bank. Cairo and New York: American University in Cairo Press, 2011.
van Zyl, Susan. ‘Psychoanalysis and the Archive: Derrida’s Archive Fever.’ In Refiguring the Archive, edited by Carolyn Hamilton, Verne Harris, Jane Taylor, Michele Pickover, Graeme Reid and Razia Saleh, 39–59. Dordrecht, Boston, London: Kluwer Academic Publishers, 2002.
Wiese, André, ed. Ägypten, Orient und die Schweizer Moderne: Die Sammlung Rudolf Schmidt (1900–1970). Basel: Schwabe, 2011.
Wilder, Kelley. Photography and Science. London: Reaktion, 2009.
Wilfong, T. G. and Andrew W.S. Ferrara, eds. Karanis Revealed: Discovering the Past and Present of a Michigan Excavation in Egypt. Ann Arbor: Kelsey Museum of Archaeology, 2014.
Williams, Maynard Owen. ‘At the Tomb of Tutankhamen.’ The National Geographic Magazine 53, o. 5 (May 1923).
Winlock, H.E. Materials Used at the Embalming of King Tut-Ankh-Amun. New York: Metropolitan Museum of Art Papers, 1941.
Winlock, H.E. and Dorothea Arnold. Tutankhamun’s Funeral. New York: Metropolitan Museum of Art, 2010.
Yakel, Elizabeth. ‘Archival Representation.’ Archival Science 3 (2003): 1–25.