For the last hour Alice has been holed away in the back office of Mirage Fashions, rearranging the rotas to fit around childcare issues, holidays and doctor’s appointments and now her head is pounding and she feels breathless in the tiny room. She stretches her arms above her head then stands up, stamping the life back into her legs. She hasn’t finished but she needs to get back out on the shop floor and check how everyone’s getting on before she breaks for lunch.
As she walks through the staff changing room she glances at her coat, hanging on the rack that runs the length of one wall. She’s strict with her staff when it comes to checking their mobile phones at work – only ever on official break times – but the urge to see if there have been any new messages is more than she can bear. Keeping one eye on the door, she fumbles her phone out of her bag. Nothing. No new messages from ‘Ann Friend’ and nothing from Simon either.
Last night, after she received the ‘who is Michael?’ message, she rang the number of the detective she’d spoken to earlier.
‘This is Alice Fletcher,’ she said, when DC Mitchell’s phone went straight to voicemail. ‘I spoke to you a couple of hours ago about an assault a man named Michael Easton carried out on me in the Evening Star pub. Well, I’ve just had a Facebook message from someone calling themselves Ann Friend saying that I shouldn’t trust Simon, the man who witnessed the assault. I thought it might be Michael so I replied saying I’d go to the police. The next message I received said: “Who is Michael?” He’s obviously playing games with me and I wanted to tell you just in case …’ just in case anything happens to me, she thought but couldn’t bring herself to say ‘… Just in case it might be evidence. Anyway, thank you. Goodbye.’
There was a voicemail from DC Mitchell waiting for her at 8 a.m. telling her to come in and make a statement. Alice rang Lynne, telling her she’d need her to open up, then made her way to the station. After she’d finished relaying what had happened to the detective, a blonde woman in her thirties with sharp, inquisitive blue eyes, she was reassured that she was right to report the messages and to keep a record of any other contact, sightings or occurrences that frightened or upset her. Three hours later, DC Mitchell left a message on Alice’s phone. Michael Easton had been interviewed and admitted assaulting her. He’d been given a caution and released.
Alice didn’t know whether to be upset that Michael hadn’t been locked up or relieved that he’d admitted to the assault. But she wasn’t going to spend the rest of her life looking over her shoulder, being startled by her own shadow, because some wanker had shoved her into a wall. If he got in touch again she’d tell him exactly where to get off.
Now she tucks her phone back into her bag, then presses a hand to her grumbling belly. Lynne’s already had her lunchbreak so she’ll be eating in Costa alone.
Alice pushes open the door to Costa, takes three or four steps across the coffee shop then freezes in her tracks. Sitting at the far end of the room with headphones jammed over his ears and a book in his hands is Simon. Keeping her eyes on him, Alice moves between the tables and reaches into the sandwich cabinet.
‘A latte please,’ she says to the barista as she places a chargrilled chicken and pesto sandwich on the counter, ‘and this.’ She fishes a bottle of water out of a chiller cabinet. ‘And this.’ She adds a chocolate muffin.
She pays, then moves to the end of the counter, Simon temporarily out of sight as she waits for her hot drink. Her heart is fluttering in her chest and she feels jittery and excited, like she did as a schoolgirl when she’d spot her crush, Jim Seymour, walking down the corridor towards her. Simon must work locally to spend his lunchbreak in Costa, she thinks. Or maybe, says a little voice in the back of her head, maybe he came here for lunch today in the hope that he’d run into you.
She carries her lunch to a free table near the window and chooses a chair between the glass-walled shop front and the counter. This way she can see the door and Simon. Normally she’d sit with her back to a solid wall like he has but everyone else seems to have had the same idea and there are no such tables free. She takes a sip of her coffee and unwraps her sandwich. Someone’s left a newspaper on her table, the headline, ‘Hunt for Missing Man Continues’, splashed across the front page alongside the image of a laughing young man. Instinctively Alice thinks about Emily and how easily someone else’s heartbreak could be her own. She pushes the thought away and steals a glance at Simon. She holds her gaze for a second, two, willing him to look up from his book, simultaneously excited and terrified. It’s one thing to share jokey text banter at home with a gin and tonic in her hand, and another to run into him in the middle of the day, sober, in her work uniform. She pats at her hair, smoothing it away from her face and runs her fingers through the ends. Why didn’t she refresh her lipstick before she left for lunch?
She takes a bite of her sandwich, steals another look at Simon, then reaches into her bag for her phone. She grins to herself as her thumbs move over the keys.
If I drank pickle juice I’d be more likely to turn into a villain than a superhero.
She presses send then peers from between her fingers to watch for Simon’s reaction. A second or two later he lays down his book and picks up his phone. Alice feels a jolt of pleasure as a smile creeps onto his lips. He’s not going to answer, she tells herself. He’ll want to get back to his book instead. But she’s wrong; his thumbs move over the screen, then Alice’s phone bleeps.
What would your villain name be?
Gin-Face. Like Two-Face but with better skin, and smelling faintly of juniper berries.
She isn’t sure if she’s imagining it or not but she’s pretty sure she catches the sound of a soft chuckle from across the room.
And what powers would Gin-Face have? he messages back.
Alice’s grin widens. Invisibility.
She presses send then, before Simon has time to reply she fires off another text.
Enjoying your book?
His jaw drops, then he looks up, his gaze sweeping the room. As their eyes meet he throws back his head and laughs. He raises a hand in hello then bends back over his phone. As Alice reaches for her latte her phone pings again.
Want to join me or shall we continue to text and pretend we’re not both in the same café?
Smiling, Alice gathers up her things and makes her way towards him.
‘Well, fancy seeing you here,’ he says as she draws closer. ‘Are you stalking me?’
She laughs. ‘I could ask you the same thing seeing as I actually work here.’
‘True, true. So you’re a Batman fan then?’ he asks and all the awkwardness Alice is holding in her chest slips away as they segue into a discussion about Ben Affleck, Christian Bale or Michael Keaton and who made the best Batman. As Simon talks – all expressive hands and bright eyes – she takes in the details of his face: his nose, the bridge bending towards his left eye, permanently skewed by a rugby ball, an accident or a fist, his grey eyes framed with dark blonde eyebrows, his wide, pale lips and the hint of ginger stubble on his jaw. The difference between his face when he talks, and when he listens, is extraordinary. It’s as though a light goes on behind his eyes when he speaks. It’s not that he’s not interested in what Alice has to say – he listens intently, his eyes never leaving hers – but he seems to find real joy in expressing himself. And he does it so well.
‘Has anyone told you what an amazing voice you’ve got?’ she blurts, before she can stop herself.
Simon laughs. ‘That might have been mentioned before.’
‘Has it?’ She feels a flush of embarrassment and averts her gaze. As she does she notices the woman sitting at the table to their right. She’s around Alice’s age, dressed in jeans and a pale pink jumper, with shoulder-length brown hair and greying roots. She’s got a book in her hands and a coffee in front of her and she’s openly gawping at Simon. Alice looks away. It seems she’s not the only one who finds Simon attractive.
‘Yeah, anyway.’ He moves a hand through the air, as though swiping the topic away. ‘Tell me more about you.’ His gaze flickers towards her left hand. ‘I’m guessing you’re not married?’
‘Divorced.’
‘Great!’ His response is so enthusiastic, so unchecked, that now it’s Simon’s turn to colour. He looks away and clears his throat. When he looks back at her something inside Alice lurches. He likes her, she can see it in his eyes. And, even more terrifying given what she went through the day before, she likes him too.
‘You?’ she asks.
He shakes his head. ‘Never been married.’
‘Right.’
There’s a beat as they continue to look at each other, neither of them saying a word. It is as though the volume has been turned down in the café. The chatter, the hiss of the coffee machines and the mewling of babies – Alice can’t hear any of it, just her pulse, pounding in her ears
‘So …’ Simon smiles. ‘This is nice, isn’t it?’
Alice nods, not trusting herself to speak.
‘I’d like to do it again.’
She clears her throat lightly. ‘Me too.’
‘Is tonight too soon?’
‘For what?’
They both laugh.
‘Dinner? There’s a really nice restaurant I know where …’
As Simon describes his favourite restaurant Alice tunes out, distracted by the woman at the other table. She’s put her book down and has turned in her seat so she’s facing them. She’s tapping her fingertips on her thighs and she’s staring openly at Simon. There’s a weird expression on her face – excitement mixed with nerves – and a strange energy emanating from her, as though she might jump out of her seat at any second.
Simon hasn’t noticed her; he’s still staring at Alice with an expectant look on his face. He wasn’t joking about taking her out to dinner. He genuinely wants to see her again, but it’s all happening so quickly – the first meeting, the flowers, the lunch and now an invitation out to dinner – that there’s a part of her that wants to put her foot on the brake. Particularly after what happened yesterday. But Simon’s not Michael – her gut instinct tells her that they’re very different men – and she’s so tired of being cautious and scared. She needs to be brave.
‘Yes,’ she says. ‘I’d love to go to dinner with you.’ She’s just about to ask him what time when she’s interrupted by her mobile bleeping. ‘One second, sorry.’ As she takes her phone out of her bag she inhales sharply. It’s 2.17 p.m. She’s late back for work.
Where are you? Lynne’s text asks. Everything ok? Fancy the cinema later?
Sorry, she texts back. I’ve got a night in with Emily planned.
She cringes at the lie but she can’t tell her best friend about dinner with Simon or she’ll have to explain that she ran into him at Costa. Lynne would insist on analysing every detail to death and she can’t face the third degree, not when she’s got so much else on her mind.
‘You all right?’ Simon asks as she gathers up her partially eaten sandwich, the edges dry and curling.
‘Yes, yes. Just um … I didn’t realise what time it was. I’m late for work.’
‘Oh God, sorry. Shall I text you later, about going out for dinner?’
‘Yes,’ she says, as she pushes her chair away from the table. ‘That would be lovely.’
As Alice and Simon get up, so does the woman at the other table. She bounds across the two metres or so that separate them and touches Simon on the arm. He reacts as though he was prodded with a knife rather than a finger and turns sharply, knocking against a passing barista.
‘Simon?’ the woman says as he stares at her with undisguised horror. ‘It is you, isn’t it? I’ve so missed—’
He shakes his head sharply. ‘You’ve confused me with someone else.’
‘No, I don’t think I have. I’ve been—’
The rest of her sentence is lost as Simon says to Alice, ‘Let’s get you back to work,’ then he takes her by the arm and half-guides, half-pulls her down the narrow corridor between the other diners. Alice glances back as he opens the door. The other woman is still standing by the table, watching them go, her arms spread wide and a look of incredulity on her face.