TECHNIQUE 20

Fake Wax

Encaustic, or wax, is a beautiful medium whose use in art can be dated to early Egypt. Wax, when used in painting, imparts a magical sheen, sensual warm refraction, and tactile surface with subtle translucent qualities. There are some downsides to working with wax. Wax can pose a challenge for transport and storage with its delicate surface. Acrylic, however, can easily replicate wax effects while remaining nontoxic and offering more stable surfaces. This technique offers the simplest faking method: using layers of matte gel, with suggestions for enhancements at the end.


Materials List

Paint

One or more acrylic paint colors

Substrate

Any primed painting surface

Tools

Painting knife or other spreading tool, paintbrush

Products

An acrylic matte gel

For clean-up

Water, water container, paper towels or rags


STEP 1 Create an Underpainting

Using one or more paint colors, create an underpainting using dark and bright colors, since they will eventually be muted, lightened or veiled with subsequent layers.

STEP 2 Apply Matte Gel

Apply matte gel generously, using a knife, spatula or other application tool. Cover the entire surface or apply it to specific areas. Apply thicker for more veiling or thinner for more transparency. Since it is difficult to ascertain the gel’s transparency while wet, optionally test the application on a scrap painting with similar colors to your underpainting, letting it dry fully for accurate results. You can either smooth out the gel or increase texture with the knife. Use heavier gels for ease in smoother applications, while softer gels offer a buttery quality.

Finished Example

Here matte gel is applied to selected areas, showing as cloudy or translucent, leaving parts of the underpainting uncovered. Optionally continue painting and/or repeat another matte gel layer. Alternate paint and gel layers until satisfied.


Ideas


A fake encaustic effect is obtained here by alternating thin layers of polymer medium gloss with thin layers of Fine Pumice Gel, while paint and drawing materials were applied in between.

THE GREATEST LIMITATION, ONCE ACCEPTED, CAN BECOME AN OPENING

Donna Baek

Acrylic, pastel, charcoal and graphite on panel

30" × 30" (76cm × 76cm)