Skirt of a Thousand Triangles

It was minus 27. The city was drowning in flags.

We closed our still normal windows in order

not to hear the bells. All around the Market Place

enormous white poles had been planted

every one and a half metres, from which fluttered

bloody banners many metres long,

embroidered with a white circle. That same night

more than sixty persons were registered

as having committed suicide.

Having quickly sat down with my back

to the window I could only count the shots,

not the unravelled scarves. While I was binding

bandages, with my common-or-garden nerves,

she told me how precisely to knock upon the door

when a house was ‘liberated’.

The first two days we spent

sitting on our suitcases.

When the porcelain isolators spaced at intervals

began to gleam white over the same forest-in-spring

she suddenly stopped addressing me as ‘Sister’

and, looking desperately English, began kissing

both my hands alternately at high speed:

near perfume, the flowering

of my hands and fingers …

Her dress contains many skirts, one in-between skirt

of upside-down shapes, and geometrically

red endings—long, leafy, earthy ends.

At times she picks up to her northern shoulder

whole armfuls of her skirt to free her feet,

its soft, ladylike materials, its deceiving sash.

We exchanged a short, almost rough,

kiss on the march. You have to back out

of the cell as you leave, and tread on a rag

on the splintering floor, to draw the others

after you. To truly rebuild flowers of globe mallow,

hands outstretched towards the camp.