INDEX

  • Abbott, L.B., 1
  • Abrahams, Mort, 1, 2, 3, 4
  • Academy Awards
    • 1963 overview, 1
    • 1965 overview, 1
    • 1967 complete list of nominees and winners, 1
    • 1967 nominations, 1
    • 1967 presentation, 1
    • campaigning for nominations and awards, 1, 2, 3, 4, 5
    • and death of Dr. King, 1, 2, 3
    • handicapping, 1
    • Poitier wins Best Actor, 1, 2, 3
    • tradition of previous winners as presenters, 1
  • Adler, Renata, 1, 2
  • The African Queen, 1, 2, 3, 4
  • After the Fall (play), 1, 2
  • Aghayan, Ray, 1
  • Albee, Edward, 1, 2
  • Alda, Alan, 1, 2
  • Aldrich, Robert, 1, 2, 3
  • Alfie, 1, 2, 3, 4
  • Alice Adams, 1, 2
  • All Fall Down, 1, 2
  • Allen, Dede, 1, 2, 3, 4, 5
  • Allen, Lewis, 1, 2, 3, 4
  • Allen, Woody, 1, 2, 3, 4, 5, 6
  • Allied Artists, 1
  • Alpert, Hollis, 1, 2, 3, 4, 5, 6
  • America, America, 1, 2
  • American International Pictures (AIP), 1, 2, 3, 4
  • The Americanization of Emily, 1, 2
  • An American in Paris, 1, 2
  • Andersonville, 1, 2, 3
  • Andrews, Julie, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
  • Ann- Margret, 1, 2
  • Anspach, Susan, 1, 2, 3
  • Antonioni, Michelangelo, 1, 2, 3, 4, 5, 6, 7, 8
  • The Apple Tree (play), 1, 2, 3
  • Arick, Larry, 1, 2
  • Arkin, Alan, 1, 2, 3
  • Arkoff, Samuel, 1
  • Ashby, Hal
    • after In the Heat of the Night, 1
    • background, 1
    • and death of Dr. King, 1
    • as detail man, 1, 2, 3, 4
    • as director of The Landlord, 1
    • as editor of In the Heat of the Night, 1, 2, 3, 4
  • Ashley, Elizabeth, 1
  • Asner, Ed, 1
  • Attenborough, Richard, 1
  • Aurthur, Robert Alan, 1
  • Ball, John, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
  • Bancroft, Anne
    • as 1967 Academy Award nominee, 1, 2
    • in The Miracle Worker, 1, 2
    • as Mrs. Robinson in The Graduate, 1, 2, 3, 4, 5, 6
    • presents Sidney Poitier his Best Actor Oscar, 1, 2, 3
    • and rehearsals for The Graduate, 1
    • in The Slender Thread, 1, 2
  • Bardot, Brigitte, 1, 2
  • Barefoot in the Park (movie), 1, 2, 3
  • Barefoot in the Park (play), 1, 2, 3, 4
  • Barrow, Buck (Clyde Barrow’s brother), 1, 2
  • Barrow, Clyde, 1, 2, 3, 4, 5
  • Barrow family, 1, 2, 3
  • Baum, Martin, 1, 2, 3
  • Beach Red, 1
  • Beatles, 1, 2, 3
  • Beatty, Warren
    • as 1967 first-time Academy Award nominee, 1, 2, 3, 4
    • and Abe Lastfogel, 1, 2
    • at Academy Awards, 1, 2
    • after Bonnie and Clyde, 1
    • asks Arthur Penn to direct Bonnie and Clyde, 1, 2
    • background, 1
    • early screenings of Bonnie and Clyde, 1
    • and Fahrenheit 1, 2
    • and The Graduate, 1, 2
    • his view of casting, 1
    • introduction to Bonnie and Clyde, 1, 2, 3
    • and Jack Warner, 1, 2, 3, 4
    • at Jane Fonda’s 1985 Fourth of July party, 1, 2
    • and Kaleidoscope, 1, 2, 3, 4, 5, 6, 7
    • and Leslie Caron, 1, 2, 3, 4, 5, 6, 7
    • and Lilith, 1, 2, 3, 4, 5, 6, 7
    • meets Robert Towne, 1
    • meets with Godard about Bonnie and Clyde, 1
    • and Mickey One, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
    • at Montreal premiere of Bonnie and Clyde, 1
    • obtains Benton and Newman’s Bonnie and Clyde script, 1, 2, 3, 4
    • as producer of Bonnie and Clyde, 1, 2, 3, 4, 5, 6, 7, 8, 9
    • and Promise Her Anything, 1, 2, 3
    • promotes Bonnie and Clyde, 1, 2
    • question of Clyde Barrow’s sexuality, 1, 2
    • relationship with Penn regarding Bonnie and Clyde, 1, 2, 3
    • search for director for Bonnie and Clyde, 1, 2
    • and Splendor in the Grass, 1, 2, 3
    • and What’s New, Pussycat?, 1, 2, 3, 4, 5
  • The Bedford Incident, 1, 2, 3, 4, 5, 6
  • Belafonte, Harry, 1, 2, 3, 4, 5, 6, 7, 8, 9
  • Benjamin, Robert, 1, 2, 3, 4, 5
  • Benton, Robert, and David Newman
    • at 1967 Academy Awards, 1, 2, 3
    • after Bonnie and Clyde, 1
    • and … It’s a Bird … It’s a Plane … It’s Superman (play), 1, 2
    • awarded Best Screenplay by New York Film Critics Circle, 1
    • background, 1
    • Benton’s visit from Warren Beatty, 1, 2, 3
    • and Bosley Crowther, 1, 2
    • drafted by Beatty to work on ad campaign for Bonnie and Clyde, 1
    • efforts to find director and studio for Bonnie and Clyde, 1
    • at Esquire, 1, 2, 3, 4, 5, 6, 7, 8
    • gain opportunity to secure production deal for Bonnie and Clyde, 1
    • and Godard, 1, 2, 3, 4
    • initial Bonnie and Clyde screenplay effort, 1, 2, 3
    • leave Bonnie and Clyde production, 1
    • and Pauline Kael, 1
    • question of Clyde Barrow’s sexuality, 1
    • response to Sarris review of Bonnie and Clyde, 1
    • sell Bonnie and Clyde script to Beatty, 1, 2
    • and success of Bonnie and Clyde, 1, 2
    • and Truffaut, 1, 2
  • Berbert, Marcel, 1
  • Bergen, Candice, 1, 2
  • Bergman, Ingmar, 1, 2, 3, 4, 5, 6
  • Berman, Pandro, 1
  • The Bible, 1, 2
  • Birdman of Alcatraz, 1, 2
  • black and white vs. color cinematography, 1, 2
  • The Blackboard Jungle, 1, 2, 3
  • blacklist, 1, 2
  • Blake, Robert, 1, 2, 3, 4, 5
  • Bloom, Claire, 1, 2, 3, 4
  • Blow- Up, 1, 2, 3, 4, 5
  • Bogart, Humphrey, 1, 2, 3
  • Bogdanovich, Peter, 1, 2
  • Bond (James) movies, 1, 2, 3, 4, 5, 6, 7
  • Bonnie and Clyde
    • Beatty obtains Benton and Newman’s script, 1, 2, 3, 4
    • budget and financing, 1, 2, 3, 4
    • casting, 1, 2
    • critical reaction, 1
    • film critic award considerations, 1, 2
    • filming final scene, 1
    • final weeks of filming in Burbank, 1
    • and François Truffaut, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14
    • The Graduate as companion piece, 1, 2, 3
    • initial Benton and Newman treatment, 1, 2
    • as Oscar contender, 1, 2, 3, 4, 5, 6, 7
    • popularity, 1, 2, 3, 4, 5
    • postproduction, 1
    • premiere, 1
    • preproduction, 1
    • promotion, 1
    • search for director and studio, 1, 2, 3
    • significance of Time magazine cover, 1
    • as success, 1, 2
    • Texas filming, 1
    • wrap party, 1
    • The Bonnie Parker Story, 1
    • Brackman, Jacob, 1, 2
    • Brando, Marlon, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16
    • Breathless, 1, 2, 3, 4
    • Bricusse, Leslie
    • after Doctor Dolittle, 1, 2
    • and Anthony Newley, 1, 2, 3, 4, 5
    • background, 1
    • and Doctor Dolittle, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16
    • first approached about writing Doctor Dolittle, 1
    • previewing Doctor Dolittle, 1
  • Brinkley, David, 1
  • Broccoli, Albert R. “Cubby,” 1, 2
  • Brook, Peter, 1, 2
  • Brooks, Mel, 1, 2, 3
  • Brooks, Richard, 1, 2, 3, 4
  • Brown, David, 1, 2, 3
  • Brown, H. Rap, 1
  • Brown, Jim, 1, 2
  • Bruce, Lenny, 1, 2
  • Buñuel, Luis, 1, 2
  • Burton, Richard
    • and Cleopatra, 1, 2, 3
    • plays host to Rex Harrison and his wife, 1
    • sought after, 1
    • and Who’s Afraid of Virginia Woolf?, 1, 2, 3, 4, 5
  • Byrds, 1, 2, 3
  • Byrne, Anne, 1, 2    
  • Caine, Michael, 1, 2, 3, 4, 5
  • Camelot, 1, 2, 3, 4, 5, 6, 7
  • Capote, Truman, 1, 2, 3
  • Carey, Timothy, 1
  • Carmichael, Stokely, 1, 2, 3
  • Caron, Leslie
    • at 1967 Academy Awards, 1
    • and Truffaut, 1, 2, 3
    • and Warren Beatty, 1, 2, 3, 4, 5, 6, 7, 8
  • Carroll, Diahann, 1, 2, 3, 4, 5, 6, 7
  • Carroll, Kathleen, 1
  • Casino Royale, 1, 2
  • Cat Ballou, 1, 2, 3
  • The Catcher in the Rye (book), 1, 2
  • Catledge, Turner, 1, 2
  • Champlin, Charles, 1, 2
  • Changas, Estelle, 1
  • Channing, Carol, 1, 2
  • Chaplin, Charlie, 1
  • The Chase, 1, 2, 3, 4, 5, 6, 7, 8, 9
  • Chayefsky, Paddy, 1, 2
  • The Children’s Hour, 1, 2, 3
  • Chimes at Midnight, 1, 2
  • Christie, Julie, 1, 2, 3, 4
  • The Cincinnati Kid, 1, 2
  • cinematography, black and white vs. color, 1, 2
  • Cleopatra, 1, 2, 3, 4, 5, 6, 7, 8, 9
  • Clift, Montgomery, 1, 2, 3
  • Cohn, Roy, 1
  • Coles, Robert, 1
  • The Collector, 1, 2, 3, 4, 5
  • Collins, Joan, 1, 2, 3, 4, 5
  • Columbia Pictures. See also Frankovich, Mike
    • 1967 Oscar contenders, 1
    • and Casino Royale, 1, 2
    • and The Chase, 1, 2
    • and In Cold Blood, 1, 2
    • and Guess Who’s Coming to Dinner, 1, 2, 3
    • and In the Heat of the Night, 1
    • interest in Bonnie and Clyde, 1, 2, 3
    • and Lilith, 1, 2
    • and Mickey One, 1, 2
    • need for more Bond-like movies, 1
    • new-found interest in musicals, 1
    • and To Sir, with Love, 1, 2, 3
    • and Stanley Kramer, 1, 2, 3, 4, 5
    • studio ownership question, 1
    • turns down Doctor Dolittle, 1
    • viewed as risk-taking studio, 1
  • Comden, Betty, 1, 2
  • Connery, Sean, 1, 2, 3, 4, 5
  • Cool Hand Luke, 1, 2, 3, 4, 5, 6
  • Coppola, Francis, 1, 2, 3, 4, 5
  • Corliss, Richard, 1
  • Corman, Roger, 1, 2, 3, 4, 5
  • Cosby, Bill, 1, 2
  • A Countess from Hong Kong, 1
  • Crist, Judith, 1, 2, 3, 4
  • Crosby, Bing, 1, 2
  • Crowther, Bosley
    • 1966 ten best list, 1
    • given new assignment at New York Times, 1
    • leaves New York Times, 1
    • movie reviews, 1, 2, 3, 4
    • and New York Film Critics Circle, 1, 2, 3
    • view of Bonnie and Clyde, 1, 2, 3, 4, 5
    • view of Cleopatra, 1
    • view of Doctor Dolittle, 1
    • view of The Graduate, 1
    • view of Guess Who’s Coming to Dinner, 1
    • view of In the Heat of the Night, 1
    • view of Kurosawa films, 1
    • view of Orson Welles, 1, 2
    • view of Warren Beatty, 1
  • Cukor, George, 1, 2, 3, 4, 5, 6, 7, 8
  • Curtis, Tony, 1, 2
  • Daniels, William, 1, 2, 3, 4, 5
  • Darin, Bobby, 1, 2, 3
  • Darling, 1, 2, 3
  • Davis, Bette, 1, 2
  • Davis, Desmond, 1
  • Davis, Ossie, 1, 2
  • Davis, Sammy Jr., 1, 2, 3, 4, 5
  • Day, Doris, 1, 2, 3, 4, 5, 6
  • The Defiant Ones, 1, 2, 3, 4
  • DeMille, Cecil B., 1
  • Directors Guild, 1, 2, 3, 4, 5
  • The Dirty Dozen, 1, 2, 3, 4, 5
  • Disney, Walt, 1, 2, 3
  • Disney Company, 1, 2, 3, 4, 5, 6, 7
  • Dix, William, 1
  • Doctor Dolittle. See also Harrison, Rex
    • alternatives to Rex Harrison considered, 1
    • background, 1, 2
    • Bricusse succeeds Lerner as writer, 1
    • budget and financing, 1, 2, 3, 4, 5, 6, 7, 8
    • casting, 1
    • Castle Combe shoot, 1
    • critical reaction, 1
    • final shoot in LA, 1
    • free-dinner campaign, 1, 2, 3
    • music, 1
    • Oscar campaign, 1, 2
    • as Oscar contender, 1, 2, 3, 4
    • popularity, 1
    • previewing, 1
    • rehearsals, 1
    • St. Lucia shoot, 1
    • ”Talk to the Animals” (song), 1, 2, 3, 4, 5, 6, 7, 8
  • Doctor Dolittle books, 1, 2, 3
  • Doctor Zhivago, 1, 2, 3, 4
  • Dougherty, Marion, 1
  • Douglas, Melvyn, 1
  • Dr. Strangelove, 1, 2, 3, 4
  • Duke, Patty, 1, 2
  • Dunaway, Faye
    • as 1967 first-time Academy Award nominee, 1, 2, 3, 4
    • background, 1, 2
    • on Bonnie and Clyde set, 1, 2
    • casting, 1
    • and The Happening, 1, 2, 3, 4, 5, 6, 7
    • and Hurry Sundown, 1, 2, 3, 4, 5, 6
    • performance as Bonnie Parker, 1, 2
    • publicity for Bonnie and Clyde, 1
    • and success of Bonnie and Clyde, 1
    • written off by Steve McQueen as “Done Fade-Away,” 1, 2
  • Dunne, John Gregory, 1, 2, 3
  • Dutton, John C., 1, 2, 3, 4, 5, 6
  • Duvall, Robert, 1, 2, 3, 4, 5
  • Dylan, Bob, 1, 2, 3, 4    
  • Eastman Kodak, 1, 2
  • Eastwood, Clint, 1
  • Ebert, Roger, 1, 2
  • Eckhardt, William, 1
  • Eggar, Samantha, 1, 2, 3, 4, 5, 6, 7, 8
  • Eh? (play), 1, 2, 3
  • 1 1/2, 2, 3, 4, 5, 6
  • Embassy Pictures, 1, 2, 3. See also Levine, Joseph E.
  • Esquire (magazine)
    • Benton and Newman at, 1, 2, 3, 4, 5, 6, 7
    • Capote parody, 1
    • and New Sentimentality, 1, 2, 3
    • review of Guess Who’s Coming to Dinner, 1
  • European films, 1, 2, 3, 4, 5, 6. See also French New Wave
  • Evans, Edith, 1, 2, 3
  • Evans, Evans, 1, 2
  • Evans, Laurie, 1, 2
  • An Evening with Mike Nichols and Elaine May (play), 1, 2, 3, 4
  • Fahrenheit 1, 2, 3, 4, 5, 6, 7, 8
  • Fairchild, Morgan, 1
  • Fantastic Voyage, 1, 2
  • Farber, Stephen, 1
  • Faulkner, William, 1, 2
  • Feldman, Charles K., 1, 2, 3
  • Fellini, Federico, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
  • Finian’s Rainbow, 1, 2
  • Finney, Albert, 1, 2
  • Finstad, Suzanne, 1
  • Flanders, Michael, 1, 2
  • Flatt and Scruggs, 1, 2, 3, 4
  • A Flea in Her Ear, 1
  • Fleischer, Max, 1
  • Fleischer, Richard
    • after Doctor Dolittle, 1
    • background, 1
    • directs Doctor Dolittle, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18
    • previewing Doctor Dolittle, 1
  • Flinn, John, 1
  • Fonda, Henry, 1, 2, 3, 4
  • Fonda, Jane
    • 1985 Fourth of July party, 1
    • and Barefoot in the Park, 1
    • as possibility for playing Bonnie Parker, 1, 2, 3
    • view of Warren Beatty, 1
  • Fonda, Peter, 1, 2, 3, 4
  • For Love of Ivy, 1, 2
  • Ford, John, 1, 2, 3, 4 5 Pounds of Trouble, 6
  • Fowler, Marjorie, 1
  • Fox Film Company, 1. See also 20th Century- Fox
  • Frankenheimer, John, 1, 2, 3
  • Frankovich, Mike, 1, 2, 3, 4, 5, 6, 7, 8, 9
  • Fredericks, Ellsworth, 1
  • Freed, Arthur, 1
  • Freeman, Joel, 1, 2
  • French New Wave, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15. See also Godard, Jean-Luc; Truffaut, François
  • Frings, Kurt, 1
  • Gable, Clark, 1, 2
  • Ganis, Sid, 1, 2
  • Gardner, Ava, 1
  • Garfunkel, Art. See Simon and Garfunkel
  • Garland, Judy, 1, 2, 3, 4
  • Gates, Larry, 1
  • Gelb, Arthur, 1, 2
  • generation gap, 1
  • Get Smart (TV show), 1, 2
  • Gigi, 1, 2
  • Gill, Brendan, 1, 2, 3, 4, 5
  • Gilliatt, Penelope, 1, 2, 3, 4, 5, 6
  • Giroux, Claude, 1
  • Glass, George, 1, 2
  • Glenn, Roy, 1
  • Godard, Jean-Luc
    • at 1964 New York Film Festival, 1
    • black and white films, 1
    • and Breathless, 1
    • as college campus hero, 1, 2
    • flirtation with Bonnie and Clyde, 1, 2, 3, 4, 5, 6
    • and New Sentimentality, 1, 2
    • at screening of Gun Crazy, 1
    • visits set of Mickey One, 1, 2, 3
    • Wexler’s view, 1
  • Golden Boy, 1, 2
  • Golden Globe Awards, 1
  • Goldfinger, 1, 2, 3
  • Goldman, William, 1
  • Goldwyn, Samuel, 1, 2, 3
  • Goldwyn, Samuel Jr., 1
  • Gone With the Wind, 1, 2, 3, 4, 5
  • Goodbye, Mr. Chips, 1, 2
  • Gosnell, Ray, 1
  • Gould, Elliott, 1, 2
  • The Graduate
    • aftermath, 1
    • Bonnie and Clyde as companion piece, 1, 2, 3
    • cast rehearsals, 1
    • casting, 1, 2, 3
    • critical reaction, 1, 2
    • film critic award considerations, 1
    • filming, 1
    • financing, 1, 2
    • and Joseph E. Levine, 1, 2, 3
    • music in, 1
    • and new Production Code, 1
    • opening, 1
    • as Oscar contender, 1, 2, 3, 4, 5, 6
    • popularity, 1, 2, 3
    • premiere, 1
    • and Production Code, 1
    • publicity, 1, 2
    • screenplay, 1, 2
    • search for a Benjamin, 1
  • The Graduate (novel). See Webb, Charles
  • Grant, Cary, 1, 2, 3
  • Grant, Lee, 1, 2, 3, 4, 5
  • The Greatest Story Ever Told, 1, 2, 3, 4, 5, 6
  • Greeley, Andrew, 1, 2
  • Green, Adolph, 1, 2
  • Griffiths, Hugh, 1
  • Grodin, Charles, 1
  • Grosbard, Ulu, 1, 2
  • Guess Who’s Coming to Dinner
    • budget and financing, 1, 2, 3
    • casting, 1, 2, 3
    • critical reaction, 1
    • and death of Tracy, 1
    • demographic appeal, 1
    • filming, 1
    • as movie about interracial relationship, 1, 2
    • origin, 1
    • as Oscar contender, 1, 2, 3, 4
    • popularity, 1, 2
    • screenplay, 1, 2
  • Guffey, Burnett, 1, 2, 3, 4, 5
  • Guinness, Alec, 1, 2
  • Gun Crazy, 1, 2
  • Hackman, Gene, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
  • Hairston, Jester, 1
  • Hall, Conrad, 1
  • Hamer, Frank (character in Bonnie and Clyde), 1, 2, 3
  • Hamilton, Bernie, 1, 2
  • Handman, Wynn, 1, 2, 3, 4, 5, 6
  • Hanley, William, 1, 2, 3
  • Hanson, Curtis, 1
  • The Happening, 1, 2, 3, 4, 5, 6, 7
  • The Happiest Millionaire, 1, 2
  • Hardy, Juanita, 1, 2
  • Harris, Radie, 1, 2
  • Harrison, Rex
    • at 1 Academy Awards, 2
    • after completion of Doctor Dolittle, 1, 2, 3
    • background, 1, 2, 3, 4
    • and Doctor Dolittle, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15
    • and Doctor Dolittle final shoot in LA, 1
    • fired and rehired for Doctor Dolittle, 1, 2
    • and The Honey Pot, 1, 2, 3, 4
    • publicity for Doctor Dolittle, 1, 2
    • and Samantha Eggar, 1
    • wins Academy Award, 1, 2
  • Harry Noon and Night (play), 1, 2, 3, 4
  • Hartman, Elizabeth, 1, 2, 3
  • Hawks, Howard, 1, 2
  • Hays, Will, 1
  • Heller, Joseph, 1, 2
  • Hellman, Lillian, 1, 2, 3, 4
  • Henry, Buck
    • as 1967 Academy Award nominee, 1, 2
    • after The Graduate, 1
    • becomes The Graduate screenwriter, 1
    • and cast rehearsals for The Graduate, 1, 2, 3
    • and casting of The Graduate, 1, 2, 3, 4
    • and filming of The Graduate, 1, 2, 3, 4, 5
    • and Get Smart, 1
    • meets Godard, 1
    • and Mike Nichols, 1, 2, 3, 4, 5
    • prelude to The Graduate, 1
    • sees Dustin Hoffman perform on stage in Harry Noon and Night, 1
    • view of Dustin Hoffman as leading man, 1
    • view of Joseph E. Levine, 1
    • writer co-credit issue, 1
  • Hepburn, Audrey, 1, 2, 3, 4, 5, 6
  • Hepburn, Katharine
    • as 1967 Academy Award nominee, 1, 2, 3
    • after Guess Who’s Coming to Dinner, 1
    • attitude toward blacks and Sidney Poitier, 1
    • and Guess Who’s Coming to Dinner, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
    • relationship with Spencer Tracy, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
    • and Ship of Fools, 1
    • and Tracy’s death, 1
  • Herrick, Margaret, 1
  • Hill, George Roy, 1, 2
  • Hiller, Arthur, 1, 2, 3
  • Himes, Chester, 1, 2
  • Hirshan, Leonard, 1, 2, 3
  • Hitchcock, Alfred, 1, 2, 3, 4, 5, 6, 7, 8
  • Hoffman, Dustin
    • as 1967 first-time Academy Award nominee, 1, 2, 3, 4, 5
    • after The Graduate, 1
    • attends public sneak preview of The Graduate, 1
    • background, 1, 2, 3, 4, 5
    • bad buzz about his performance, 1
    • becomes suddenly famous, 1
    • and casting of The Graduate, 1
    • filming The Graduate, 1, 2, 3, 4
    • at premiere of The Graduate, 1
    • and rehearsals for The Graduate, 1
  • Hogan’s Goat (play), 1, 2, 3, 4
  • Holder, Geoffrey, 1, 2
  • Hollywood, Old vs. New, 1, 2, 3
  • The Honey Pot, 1, 2, 3, 4
  • Hope, Bob, 1, 2, 3, 4, 5
  • Hopper, Dennis, 1, 2, 3
  • Hough, Stan, 1
  • Houghton, Katharine, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
  • How to Succeed in Business Without Really Trying, 1, 2, 3
  • Hud, 1, 2, 3
  • Hudson, Rock, 1, 2, 3, 4
  • Hunter, Ross, 1, 2, 3
  • Hurry Sundown, 1, 2, 3, 4, 5, 6, 7, 8
  • The Hustler, 1, 2, 3
  • Huston, John, 1, 2, 3, 4
  • Hutton, Brian, 1
  • Hyman, Eliot, 1, 2, 3, 4, 5
  • I Picked a Daisy (play), 1. See also On a Clear Day You Can See Forever (play)
  • I Spy (TV show), 1, 2
  • In Cold Blood, 1, 2, 3, 4, 5, 6
  • In the Heat of the Night
    • budget and financing, 1
    • casting, 1, 2
    • critical reaction, 1
    • film critic award considerations, 1
    • filming, 1
    • finding location for, 1, 2
    • initial interest in, 1, 2, 3
    • as Oscar contender, 1, 2, 3, 4, 5
    • popularity, 1, 2
    • preproduction, 1
    • publicity, 1, 2
    • Silliphant takes on adaptation of novel, 1, 2, 3
    • sneak preview, 1
    • wins New York Film Critics Circle award for Best Picture, 1
    • wrapping and postproduction, 1, 2, 3
  • Inge, William, 1, 2
  • Inherit the Wind, 1, 2, 3
  • Irving Thalberg Award, 1, 2
  • It’s a Bird … It’s a Plane … It’s Superman (play), 1, 2
  • It’s a Mad Mad Mad Mad World, 1, 2, 3
  • Jacobs, Arthur P.
    • after Doctor Dolittle, 1, 2
    • background, 1
    • and Doctor Dolittle, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18
    • heart attack, 1, 2, 3, 4
    • and lawsuit over rights to Dolittle books, 1
    • previewing Doctor Dolittle, 1, 2, 3
    • promotes Oscar nominations for Doctor Dolittle, 1, 2, 3
    • publicity company description, 1
  • James, Anthony, 1, 2
  • James Bond movies, 1, 2, 3, 4, 5, 6, 7
  • Jean Hersholt Humanitarian Award, 1
  • Jewison, Norman
    • at 1967 Academy Awards, 1
    • after In the Heat of the Night, 1
    • background, 1, 2
    • and The Cincinnati Kid, 1, 2
    • and death of Dr. King, 1, 2
    • and filming of In the Heat of the Night, 1, 2, 3, 4
    • gets In the Heat of the Night director job, 1
    • In the Heat of the Night wins New York Film
    • Critics Circle award for Best Picture, 1
    • his view of Stanley Kramer, 1
    • at premiere of The Graduate, 1
    • preproduction for In the Heat of the Night, 1, 2, 3
    • and The Russians Are Coming, the Russians Are Coming, 1, 2, 3, 4
    • and Send Me No Flowers, 1
    • and sneak preview of In the Heat of the Night, 1
    • and The Thomas Crown Affair, 1, 2
    • and Universal Studios, 1
    • works with Stirling Silliphant on script for In the Heat of the Night, 1, 2, 3, 4
    • wrapping and postproduction of In the Heat of the Night, 1, 2, 3, 4
  • Jiras, Bob, 1
  • Johnson, Lyndon B., 1, 2, 3, 4, 5, 6, 7, 8, 9
  • Jones, Elinor Wright
    • background, 1
    • contacts with Truffaut, 1, 2, 3, 4, 5
    • famous meeting with Godard about Bonnie and Clyde, 1
    • option on Bonnie and Clyde, 1, 2, 3, 4, 5, 6, 7, 8
  • Jones, Quincy, 1
  • Jones, Robert C., 1
  • Jones, Tom, 1, 2
  • The Journey of the Fifth Horse (play), 1, 2, 3
  • Judgment at Nuremberg, 1, 2, 3, 4, 5
  • Jules and Jim, 1, 2, 3, 4, 5
  • The Jungle Book, 1, 2
  • Jungleland, 1, 2, 3
  • Kael, Pauline, 1, 2, 3, 4, 5, 6, 7
  • Kaleidoscope, 1, 2, 3, 4, 5, 6, 7
  • Kalmenson, Ben, 1, 2, 3, 4, 5, 6
  • Kanin, Garson, 1, 2, 3
  • Kanter, Hal, 1, 2
  • Karp, Jack, 1
  • Kauffmann, Stanley, 1, 2, 3, 4
  • Kaye, Nora, 1, 2
  • Kazan, Elia, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16
  • Kellaway, Cecil, 1, 2, 3, 4
  • Keller, Frank, 1
  • Kelly, Gene, 1, 2, 3, 4
  • Kennedy, George, 1, 2
  • Kennedy, Jacqueline, 1, 2
  • Kennedy, John F., 1
  • Kennedy, Robert F., 1, 2
  • Kilgallen, Dorothy, 1, 2, 3
  • King, Dr. Martin Luther Jr., 1
  • The Knack, 1, 2
  • Kodak, 1, 2
  • Kramer, Karen, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10
  • Kramer, Larry, 1
  • Kramer, Stanley
    • at 1965 Academy Awards, 1
    • after Guess Who’s Coming to Dinner, 1
    • background, 1
    • casting of Guess Who’s Coming to Dinner, 1, 2, 3
    • filming of Guess Who’s Coming to Dinner, 1, 2, 3, 4, 5, 6, 7, 8, 9
    • and Rose screenplay for Guess Who’s Coming to Dinner, 1, 2
    • and Ship of Fools, 1, 2, 3, 4, 5, 6
    • and Spencer Tracy, 1, 2, 3, 4, 5
    • tours college campuses to talk about Guess Who’s Coming to Dinner, 1
  • Krim, Arthur, 1, 2, 3, 4, 5
  • Kubrick, Stanley, 1, 2, 3, 4, 5, 6, 7, 8
  • Kurosawa, Akira, 1, 2