Ackerman, Maya, and Rafael Pèrez y Pèrez. 2017. “A Princess Minuet: A Song Written by Computer Systems.” YouTube, July 7. https://www.youtube.com/watch?v=wfIZFMPzClI.
Agüera y Arcas, Blaise. 2016a. “Deep Dream Art and Machine Learning Symposium 2016 Recap.” Medium, June 1. https://medium.com/artists-and-machine-intelligence/deepdream-art-and-machine-learning-symposium-2016-recap-396d1ecf87e3.
Agüera y Arcas, Blaise. 2016b. “Art in the Age of Machine Intelligence.” Medium, February 23. https://medium.com/artists-and-machine-intelligence/what-is-ami-ccd936394a83.
Aguilar, Carlos, and Hod Lipson. 2008. “A Robotic System for Interpreting Images into Painted Art Work.” In GA2008, 11th Generative Art Conference, edited by Celestino Soddu, 372–387.
Ahmed, Murad. 2015. “Lunch with the FT: Demis Hassabis.” Financial Times, January 30. https://www.ft.com/content/47aa9aa4-a7a5-11e4-be63-00144feab7de.
Akten, Memo. 2015a. “All Watched over by Machines of Loving Grace: Deepdream Edition.” http://www.memo.tv/portfolio/all-watched-over-by-machines-of-loving-grace-deepdream-edition/.
Akten, Memo. 2015b. “#Deepdream Is Blowing My Mind.” Medium, July 9. https://medium.com/@memoakten/deepdream-is-blowing-my-mind-6a2c8669c698.
Akten, Memo. 2017a. “Learning to See: Hello, World.” http://
Akten, Memo. 2017b. See the video in Akten 2017a.
Alvarez, Luis. 1985. Alvarez: Adventures of the Physicist. New York: Basic Books.
artwithMI. 2016. “What Is DeepDream? With Mike Tyka.” YouTube, September 12. https://
Asimov, Isaac. 1976. The Bicentennial Man. New York: Ballantine Books.
Attardo, Salvatore. 2008. “Semantics and Pragmatics of Humor.” Language and Linguistics Compass 2 (6): 1203–1215. https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1749-818X.2008.00107.x.
Bass, Dina. 2015. “And the New Yorker Cartoon Winner Is … a Computer.” Bloomberg, August 10. https://www.bloomberg.com/news/articles/2015-08-10/and-the-new-yorker-cartoon-contest-winner-is-a-computer.
Basulto, Dominic. 2015. “Why It Matters that Computers Are Now Able to Judge Human Creativity.” Washington Post, June 18. https://www.washingtonpost.com/news/innovations/wp/2015/06/18/why-it-matters-that-computers-are-now-able-to-judge-human-creativity/?utm_term=.b784bb0d6ac3.
Bernardo, Francisco, Michael Zbyszyński, Rebecca Fiebrink, and Mick Grierson. 2017. “Interactive Machine Learning for End-User Innovation.” In Proceedings of the AAAI Symposium Series: Designing the User Experience of Machine Learning Systems. http://research.gold.ac.uk/19767/1/BernardoZbyszynskiFiebrinkGrierson_UXML_2017.pdf.
Boden, Margaret A. 1990. The Creative Mind: Myths and Mechanisms. 2nd ed. London: Routledge.
Boden, Margaret A. 1994. “Précis of The Creative Mind: Myths and Mechanisms.” Behavioral and Brain Sciences 17 (3): 591–531.
Boden, Margaret A. 2016. AI: Its Nature and Future. Oxford: Oxford University Press.
Bostrom, Nick. 2014. Superintelligence: Paths, Dangers and Strategies. Oxford: Oxford University Press.
Bretan, Mason. 2015. “‘What You Say’: A Robot and Human Musical Performance.” YouTube, January 14. https://www.youtube.com/watch?v=O-bjTfYILPs.
Bretan, Mason, Gil Weinberg, and Larry Heck. 2016. “A Unit Selection Methodology for Music Generation Using Deep Neural Networks.” Arxiv. https://arxiv.org/abs/1612.03789.
Brogan, Jacob. 2017. “Out of the Loop.” Slate, August 9. http://www.slate.com/articles/technology/future_tense/2017/08/machine_learning_hobbyist_janelle_shane_talks_about_her_wacky_neural_nets.html.
Browne, Malcolm W. 1988. “The Benzen Ring: Dream Analysis.” New York Times, August 16. https://www.nytimes.com/1988/08/16/science/the-benzene-ring-dream-analysis.html.
Byrnes, Nanette. 2015. “Watson Makes a Salad.” MIT Technology Review 118 (4): 72–73.
Camerata, Christian. 2018. “The Unintended Effects of Open Office Space.” Harvard Business School Newsroom, July 9. https://www.hbs.edu/news/articles/Pages/bernstein-open-offices.aspx.
Campitelli, Guillermo, Fernand Gobet, and Merim Bilalić. 2014. “Cognitive Processes and the Development of Chess Genius.” In Cambridge Handbook of Expertise and Expert Performance, edited by K. A. Ericsson, N. Charness, P. Feltovich, and R. R. Hoffman, 350–374. Cambridge: Cambridge University Press.
Catmull, Ed. 2014. Creativity, Inc: Overcoming the Unseen Forces that Stand in the Way of True Inspiration. London: Bantum Press.
Chalmers, David. 1995. “Facing up to the Problem of Consciousness.” Journal of Consciousness Studies 2 (3): 200–219.
Chamberlain, Rebecca, Caitlin R. Mullin, and Johan Wagemans. 2017. “Putting the Art in Artificial: Aesthetic Responses to Computer-Generated Art.” Psychology of Aesthetics, Creativity and the Arts 12 (2): 177–192. https://www.researchgate.net/profile/Rebecca_Chamberlain/publication/319496343_Putting_the_Art_in_Artificial_Aesthetic_Responses_to_Computer-Generated_Art/links/59b7b0cf0f7e9bd4a7fe6f0d/Putting-the-Art-in-Artificial-Aesthetic-Responses-to-Computer-Generated-Art.pdf.
Chan, Dawn. 2017. “The AI that Has Nothing to Learn from Humans.” Atlantic, October 20. https://www.theatlantic.com/technology/archive/2017/10/alphago-zero-the-ai-that-taught-itself-go/543450/.
Chipp, Herschel. 1968. Theories of Modern Art: A Source Book for Artists and Critics. With contributions by Peter Zelz and Joshua C. Taylor. Berkeley: University of California Press.
Claparéde, E., E. Fehr, and T. Flournoy. 1907. “L’Enquête sur la méthode de travail du mathématician,” L’Enseignement Mathématique 4:306–312.
Coeckelbergh, Mark. 2017. “Can Machines Create Art?” Philosophy and Technology 30 (3): 285–303.
Cohen, Noam. 2008. “He Wrote 200,000 Books (but Computers Did Some of the Work).” New York Times, April 14. http://www.nytimes.com/2008/04/14/business/media/14link.html?_r=2&pagewanted=all.
Collins, Nick. 2016. “A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater.” Computer Music Journal 40 (3): 41–57. http://dro.dur.ac.uk/19901/2/19901.pdf?DDD23+tvvd27+dul4eg.
Colton, Simon. 2008. “Creativity versus the Perception of Creativity in Computational Systems.” In Papers from the 2008 AAAI Symposium, edited by Dan Ventura, Mary L. Maher, and Simon Colton, 14–20. Menlo Park: CA: AAAI Press. http://ccg.doc.gold.ac.uk/ccg_old/papers/colton_aaai08symp.pdf.
Colton, Simon. 2012. “The Painting Fool: Stories from Building an Automated Painter.” In Computers and Creativity, edited by Jon McCormack and Mark d’Inverno, 3–38. Berlin: Springer-Verlag.
Colton, Simon, Jacob Goodwin, and Tony Veale. 2012. “Full-FACE Poetry Generation.” In Proceedings of the Third International Conference on Computational Creativity 2012, edited by Mary Lou Maher, Kristian Hammond, Alison Pease, Rafael Pérez y Pérez, Dan Ventura, and Geraint Wiggins, 95–102. Dublin, Ireland: University College Dublin. http://computationalcreativity.net/iccc2012/wp-content/uploads/2012/05/095-Colton.pdf.
Colton, Simon, Jakob Haskov, Dan Ventura, Ian Gouldstone, Michael Cook, and Blanca Pérez-Ferrer. 2015. “The Painting Fool Sees! New Projects with the Automated Painter.” In Proceedings of the Sixth International Conference on Computational Creativity, edited by Hannu Toivonen, Simon Colton, Michael Cook, and Dan Ventura, 189–195. Provo, UT: Brigham Young University Press. http://computationalcreativity.net/iccc2015/proceedings/8_2Colton.pdf.
Colton, Simon, Maria Teresa Llano, Rose Hepworth, John Charnley, Catherine V. Gale, Archie Baron, François Pachet, et al. 2016. “The Beyond the Fence Musical and Computer Says Show Documentary.” In Proceedings of the Seventh International Conference on Compuational Creativity, edited by François Pachet, Amilcar Cardoso, Vincent Corruble, and Fiammetta Ghedini, 311–320. Paris, France: Sony CSL. http://repository.falmouth.ac.uk/2565/1/colton_iccc2016.pdf.
Colton, Simon, and Geraint A. Wiggins. 2012. “Computational Creativity: The Final Frontier?” In Proceedings of the 20th European Conference on Artificial Intelligence, edited by Luc De Raedt, Christian Bessiere, Didier Dubois, Patrick Doherty, Paolo Frasconi, Fredrik Heintz, and Peter Lucas, 21–26. Amsterdam, The Netherlands: IOS Press. http://ccg.doc.gold.ac.uk/wp-content/uploads/2016/10/colton_ecai12.pdf.Cope, David. 1999. “Facing the Music: Perspectives on Machine-Composed Music.” Leonardo Music Journal 9:79–87.
Cope, David. 2008. Tinman: A Life Explored. Bloomington, IN: iUniverse.
Coughlan, Robert. 1954. “Dr. Edward Teller’s Magnificent Obsession.” Life, September 6, 61–74.
Csikszentmihaly, Mihaly. 1975. Beyond Boredom and Anxiety: Experiencing Flow in Work and Play. San Francisco: Jossey-Bass.
Csikszentmihaly, Mihaly. 1988. “Society, Culture, Person: A Systems View of Creativity.” In The Nature of Creativity, edited by R. J. Sternburg, 325–329. Cambridge: Cambridge University Press.
Cytowic, Richard. 1993. The Man Who Tasted Shapes. London: Abacus/Little Brown.
Davis, Hannah, and Saif M. Mohammad. 2014. “Generating Music from Literature.” In Proceedings of the 3rd Workshop for Literature, edited by Anna Feldman, Anna Kazantseva, and Stan Szpakowicz, 1–10. Gothenburg: Association for Computational Linguistics. http://aclweb.org/anthology/W14-0901.
Dawn or Doom, Purdue University. 2016. “What Can We Learn from Computers (NOT) Understanding Humor: Julia Taylor Rayz.” YouTube, November 3. https://
Dennett, Daniel. 1991. Consciousness Explained. London: Penguin Books.
Dunn, Ashley L. 2018. “An Architect’s Defense of Open Plan Offices.” Fast Company, August 15. https://www.fastcompany.com/90218754/in-defense-of-open-offices.
Eck, Douglas. 2002. “Meter through Synchrony: Processing Rhythmical Patterns with Relaxation Oscillators.” PhD diss., Department of Computer Science, Cognitive Science Program, Indiana University, April. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.141.4262&rep=rep1&type=pd.
Eck, Douglas. 2016a. “Critique of First Magenta Music Sample.” Google groups, June 2. https://groups.google.com/a/tensorflow.org/forum/#!topic/magenta-discuss/KTFUN_yN84g.
Eck, Douglas. 2016b. “Generating Art & Music—with Douglas Eck.” YouTube, June 1. https://www.youtube.com/watch?v=HrilbzptOk4.
Eck, Douglas. 2016c. “Welcome to Magenta!” Magenta (blog), June 1. https://magenta.tensorflow.org/blog/2016/06/01/welcome-to-magenta/.
Eck, Douglas. 2017a. “Learning from A.I. Duet.” Magenta (blog), February 16. https://magenta.tensorflow.org/2017/02/16/ai-duet.
Eck, Douglas. 2017b. “Magenta: Music and Art Generation (TensorFlow Dev Summit 2017).” YouTube, February 15. https://www.youtube.com/watch?v=vM5NaGoynjE.
Eck, Douglas. 2017c. “Project Magenta: Music and Art with Machine Learning (Google I/O ’17).” YouTube, May 19. https://www.youtube.com/watch?v=2FAjQ6R_bf0.
Eck, Douglas, and Jasmin Lapalme. 2008. “Learning Musical Structure Directly from Sequences of Music.” University of Montreal, Department of Computer Science. http://www.iro.umontreal.ca/~pift6080/H08/documents/papers/lstm_music.pdf.
Eck, Douglas, and Jürgen Schmidhuber. 2002. “Learning the Long-Term Structure of the Blues.” In Proceedings of the International Conference of Artificial Neural Networks, edited by J. Dorronsoro, 96–103. Berlin: Springer. ftp://ftp.idsia.ch/pub/juergen/2002_icannMusic.pdf.
Einstein, Albert. 1949. “Autobiographical Notes.” In Albert Einstein: Philosopher-Scientist, edited by P. A. Schilpp, 3–94. La Salle, IL: Open Court Publishing Co.
Einstein, Albert. 1987. Collected Papers of Albert Einstein: Volume 1. Edited by John Stachel. Princeton: Princeton University Press.
Einstein, Albert, and Leopold Infeld. 1938. The Evolution of Physics: The Growth of Ideas from Early Concepts to Relativity and Quanta. Cambridge: Cambridge University Press.
Eleks. 2016. “Designing Apparel with Neural Style Transfer.” Eleks, September 2016. https://labs.eleks.com/2016/09/designing-apparel-neural-style-transfer.html.
Elgammal, Ahmed, Bingchen Liu, Mohamed Elhoseiny, and Marian Mazzone. 2017. “CAN: Creative Adversarial Networks Generating ‘Art’ by Learning About Styles and Deviating from Style Norms.” In Proceedings of the Eighth International Conference on Computational Creativity, edited by Ashok Goel, Anna Jordanous, and Alison Pease, 96–103. Atlanta: Georgia Institute of Technology Press. http://computationalcreativity.net/iccc2017/iccc17_proceedings.pdf.
Emerging Technology from the arXiv. 2017. “Machine Creativity Beats Some Modern Art.” MIT Technology Review, June 30. https://www.technologyreview.com/s/608195/machine-creativity-beats-some-modern-art/.
Engel, Jesse. 2017. “Making a Neural Synthesizer Instrument.” Magenta (blog), May 18. https://magenta.tensorflow.org/nsynth-instrument.
Engel, Jesse, Cinjon Resnick, Adam Roberts, Sander Dieleman, Mohammad Norouzi, Douglas Eck, and Karen Simonyan. 2017. “Neural Audio Synthesis of Musical Notes with WaveNet Autoencoders.” In Proceedings of the 34th International Conference on Machine Learning, edited by Doina Precup and Yee Whye Teh, 1068–1077. http://proceedings.mlr.press/v70/engel17a/engel17a.pdf.
Ericsson, Anders K. 2014. “Creative Genius: A Vew from the Expert-Performance Approach.” In The Wiley Handbook of Genius, edited by Dean Keith Simonton, 321–349. West Sussex, UK: John Wiley and Sons.
Farbood, Mary, and Egon Pasztor. 2007. “Hyperscore (2000–2006).” Last modified January 2, 2007. http://alumni.media.mit.edu/~mary/hyperscore.html.
Farbood, Morwaread Mary. 2011. “Computational Creativity—Morwaread Mary Farbood, New York University.” Vimeo, December 2. https://vimeo.com/33012887.
Farbood, Morwaread, Henry Kaufman, and Kevin Jennings. 2007. “Composing with Hyperscore: An Intuitive Interface for Visualizing Musical Structure.” In Volume 2007 of the International Computer Music Association, 111–117. Ann Arbor: University of Michigan Press. http://hdl.handle.net/2027/spo.bbp2372.2007.133.
Ferreira, Becky. 2016. “Joke-Telling Robots Are the Final Frontier of Artificial Intelligence.” Motherboard, March 15. https://motherboard.vice.com/en_us/article/z43nke/joke-telling-robots-are-the-final-frontier-of-artificial-intelligence.
Feynman, Richard. 1985. “Surely You’re Joking, Mr. Feynman!” Adventures of a Curious Character. New York: W. W. Norton.
Fiebrink, Rebecca. 2017. “Machine Learning as Meta-instrument: Human-Machine Partnerships Shaping Expressive Instrumental Creation.” In Musical Instruments in the 21st Century: Identities, Configurations, Practices, edited by Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, and Stefan Weinzierl, 137–151. Singapore: Springer.
Floreano, Dario, Sara Mitri, Stéphanie Magnenat, and Laurent Keller. 2007. “Evolutionary Conditions for the Emergence of Communication in Robots.” Evolutionary Biology 17 (6): 514–519.
Fulleylove, Rebecca. 2016. “The Italian Ideas Factory: Fabrica through the Eyes of Its Alumni.” It’s Nice That, April 12. https://www.itsnicethat.com/features/fabrica-research-centre-treviso-alumni-120416.
Garcia, Chris. 2015. “Algorithmic Music—David Cope and EMI.” Computer History Museum, April 29. http://www.computerhistory.org/atchm/algorithmic-music-david-cope-and-emi/.
Garling, Caleb. 2014. “‘Smart’ Software Can Be Tricked into Seeing What Isn’t There.” MIT Technology Review, December 24. http://www.evolvingai.org/files/MIT_Tech_Review_Fooling_paper.pdf.
Gaskin, Sam. 2018. “When Art Created by Artificial Intelligence Sells, Who Gets Paid?” Artsy, September 17. https://www.artsy.net/article/artsy-editorial-art-created-artificial-intelligence-sells-paid?utm_source=Cultural+Digital&utm_campaign=ebe744856a-culturaldigital138&utm_medium=email&utm_term=0_f5c318bb03-ebe744856a-115208857.
Gatys, Leon, Alexander S. Ecker, and Matthias Bethge. 2016. “Image Style Transfer Using Convolutional Neural Networks.” In Proceedings of the 2016 IEEE Conference on Computer Vision and Pattern Recognition, 2414–2423. Las Vegas, NV: IEEE. http://openaccess.thecvf.com/content_cvpr_2016/papers/Gatys_Image_Style_Transfer_CVPR_2016_paper.pdf.
Georgia Tech Center for Music Technology. 2017. “Deep Shimon.” Developed by Mason Bretan. YouTube, May 3. https://www.youtube.com/watch?v=j82nYLOnKtM.
Gervás, Pablo. 2000. “WASP: Evaluation of Different Strategies for the Automatic Generation of Spanish Verse.” In Proceedings of the AISB’00 Symposium on Creative and Cultural Aspects and Applications of AI and Cognitive Science, 93–100. Birmingham, UK: University of Birmingham Press.
Gervás, Pablo. 2002. “Exploring Quantitative Evaluations of the Creativity of Automatic Poets.” In Workshop on Creative Systems, Approaches to Creativity in Artificial Intelligence and Cognitive Science, 15th European Conference on Artificial Intelligence, 2002, edited by Frank van Hamelen, 39–46. Amsterdam: ISOS Press. http://nil.fdi.ucm.es/sites/default/files/GervasECAIws2002.pdf.
Gervás, Pablo. 2011. “Dynamic Inspiring Sets for Sustained Novelty in Poetry Generation.” In Proceedings of the Second International Conference on Computational Creativity, edited by Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease, and Geraint Wiggins, 111–116. Mexico City: Division de Ciencias de la Comunicacion y Diseno, Universidad Autonoma Metropolitana, Unidad Cuajimalpa.
Gervás, Pablo, Raquel Hervá, Carlos León, and Catherine V. Gale. 2016. “Annotating Musical Theatre Plots on Narrativeative Structure and Emotional Content.” In Seventh International Workshop on Computational Models, edited by Ben Miller, Antonio Lieto, Stephan G. Ware, and Mark A. Finlayson, 1–16. Leibniz: Dagstuhl.
Ghedini, Fiammetta, François Pachet, and Pierre Roy. 2015. “Creating Music and Texts in Flow Machines.” In Multdisciplinary Contributions to the Science of Creating Thinking (Creativity in the Twenty-First Century), edited by Geovanni Emanuele Corazza and Sergio Agnoli, 325–343. Berlin: Springer.
Ghiselin, Brewster, ed. 1952. The Creative Process: A Symposium. New York: New American Library.
Gibney, Elizabeth. 2017. “Self-Taught AI Is Best Yet at Strategy Game Go.” Nature, October 18. https://www.nature.com/news/self-taught-ai-is-best-yet-at-strategy-game-go-1.22858.
Glass, Philip. 2015. Words without Music. London: Faber and Faber Ltd.
Gonthier, George. 2005. “A Computer-Checked Proof of the Four Colour Theorem.” http://www2.tcs.ifi.lmu.de/~abel/lehre/WS07-08/CAFR/4colproof.pdf.
Goodfellow, Ian, Jean Pouget-Abadie, Mehdi Mirza, Bing Xu, David Warde-Farley, Sherji Ozair, Aaron Courville, and Yoshua Bongio. 2014. “Generative Adversarial Nets.” In Advances in Neural Information Processing Systems 27 (NIPS 2014), edited by Z. Ghahramani, M. Welling, C. Cortes, N. D. Lawrence, and K. Q. Weinberger. https://papers.nips.cc/paper/5423-generative-adversarial-nets.pdf.
Goodwin, Ross. 2016a. “Adventures in Narrated Reality.” Medium, March 18. https://medium.com/artists-and-machine-intelligence/adventures-in-narrated-reality-6516ff395ba3.
Goodwin, Ross. 2016b. “Adventures in Narrated Reality, Part II.” Medium, June 9. https://medium.com/artists-and-machine-intelligence/adventures-in-narrated-reality-part-ii-dc585af054cb.
Goodwin, Ross. 2018. 1 the Road. With an introduction by Kenric McDowell. Paris: Jean Boîte Editions.
Graziano, Michael S. A. 2013. Consciousness and the Social Brain. Oxford: Oxford University Press.
Ha, David, and Douglas Eck. 2017. “A Neural Representation of Sketch Drawings.” https://arxiv.org/pdf/1704.03477.pdf.
Hadamard, Jacques. 1954. An Essay on the Psychology of Invention in the Mathematical Field. New York: Dover. First published 1945.
Harari, Yuval Noah. 2015. Homo Deus: A Brief History of Tomorrow. London: Vintage.
Harmon, Sarah. 2015. “FIGURE8: A Novel System for Generating and Evaluating Figurative Language.” In Proceedings of the Sixth International Conference on Computational Creativity, edited by Hannu Toivanen, Simon Colton and Dan Ventura, 71–77. Provo, UT: Brigham Young University Press.
Hegarty, John. 2014. Hagarty on Creativity: There Are No Rules. London: Thames and Hudson.
Helmholtz, Hermann von. (1891) 1971. Selected Writings of Hermann von Helmholtz. Wesleyan, CT: Wesleyan University Press.
Hertzmann, Aaron. 2018. “Can Computers Create Art?” The Machine as Artist (for the 21st Century) 7 (2). https://doi.org/10.3390/arts7020018.
Hesse, Christopher. 2017. “Image-to-Image Demo: Interactive Image Translation with pix2pix-tensorflow.” Affinelayer.com, February 19. https://affinelayer.com/pixsrv/.
Heyman, Stephan. 2015. “How Computing Can Help Art Historians.” New York Times, July 15. https://www.nytimes.com/2015/07/16/arts/international/how-computing-can-help-art-historians.html.
Higginbotham, Adam. 2012. “Welcome to Rosalind Picard’s Touchy-Feely World of Emphatic Tech.” Wired, November 27. https://www.wired.co.uk/article/emotion-machines.
Highfield, Roger, and Paul Carter. 1993. The Private Lives of Albert Einstein. London: Faber and Faber.
Hildescheimer, Wolfgang. 1983. Mozart. New York: Vintage Books.
Hochreiter, Sepp, and Jürgen Schmidhuber. 1997. “Long Short-Term Memory.” Neural Computation 9 (8): 1735–1780.
Hofstadter, Douglas. 1979. Gödel, Escher, Bach: An Eternal Golden Braid. New York: Basic Books.
Hofstadter, Douglas. 2009. “Essay in the Style of Douglas Hofstadter.” AI Magazine 30 (3): 82–88.
Holmes, Edward, 1845. The Life of Mozart: Including His Correspondence. London: Chapman and Hall.
Holmes, Kevin. 2011. “Meet ‘Paul’ and ‘Pete,’ the Sketching Robots.” Vice, June 21. https://creators.vice.com/en_uk/article/78wmve/meet-paul-and-pete-the-sketching-robots-2.
Horng, Eric. 2010. “Northwestern Prof Defends Federally Funded Humor Grant.” ABC News, September 2. http://abc7chicago.com/archive/7647039/.
Huang, Cheng-Zhi Anna, Tim Cooijmans, Adam Roberts, Aaron Courville, and Douglas Eck. 2017. “Counterpoint by Convolution.” In ISMIR Proceedings 2017, edited by Xiao Hu, Sally Jo Cunningham, Doug Turnbull and Zhiyao Duan, 211–218. Suzhou, China: International Society for Music Information Retrieval. https://ismir2017.smcnus.org/wp-content/uploads/2017/10/187_Paper.pdf.
Huang, Cheng-Zhi Anna, Ian Simon, and Monica Dinculescu. 2018. “Music Transformer: Generating Music with Long-Term Structure.” Magenta (blog), December 13. https://magenta.tensorflow.org/music-transformer.
Huang, Cheng-Zhi Anna, Ashish Vaswani, Jakob Uszkoreit, Noam Shazeer, Ian Simon, Curtis Hawthorne, Andrew M. Dai, Matthew D. Hoffman, Monica Dinculescu, and Douglas Eck. 2019. “Music Transformer: Generating Music with Long-Term Structure.” https://openreview.net/pdf?id=rJe4ShAcF7. Published as a conference paper at ICLR 2019.
Isaacson, Walter. 2011. Steve Jobs. London: Little, Brown.
Isaacson, Walter. 2014. The Innovators. New York: Simon and Schuster.
Isola, Phillip, Jun-Yan Zhu, Tinghui Zhou, and Alexei A. Efros. 2017. “Image-to-Image Translation with Conditional Adversarial Networks.” In Proceedings of the 2017 Conference on Computer Vision and Pattern Recognition, edited by Xiao Hu, Sally Jo Cunningham, Doug Turnbull, and Zhiyao Duan, 5967–5976. https://arxiv.org/pdf/1611.07004.pdf.
Jennings, Ken. 2011. “My Puny Human Brain.” Slate, February 16. http://www.slate.com/articles/arts/culturebox/2011/02/my_puny_human_brain.html.
John-Steiner, Vera. 2000. Creative Collaboration. Oxford: Oxford University Press.
Jordanous, Anna. 2011. “Evaluating Evaluation: Assessing Progress in Computational Research.” In Proceedings of the Second International Conference on Computational Creativity, edited by Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease, and Geraint Wiggins, 102–107. Mexico City: Division de Ciencias de la Comunicacion y Diseno, Universidad Autonoma Metropolitana, Unidad Cuajimalpa.
Jordanous, Anna, and Bill Keller. 2016. “Modelling Creativity: Identifying Components through a Corpus-Based Approach.” PLoS ONE, 11 (10): 1–27.
Kasparov, Garry. 1996. “The Day that I Sensed a New Kind of Intelligence.” Time, March 25. http://content.time.com/time/subscriber/article/0,33009,984305-1,00.html.
Kasparov, Garry. 2010. “The Chess Master and the Computer.” New York Review of Books, February 11. http://www.nybooks.com/articles/2010/02/11/the-chess-master-and-the-computer/.
Kasparov, Garry. 2018. “Chess, a Drosophila of Reasoning.” Science 362 (6419): 1087. http://science.sciencemag.org/content/362/6419/1087.
Kennedy Center. 2016. “MacArthur Foundation: Jason Moran, George Lewis—Millenium Stage.” YouTube, October 2. https://www.youtube.com/watch?v=Mn3M2JLQOts.
Klingemann, Mario. 2017a. “Alternative Face.” YouTube, February 4. https://www.youtube.com/watch?v=af_9LXhcebY.
Klingemann, Mario. 2017b. “Machimaginarium.” Vimeo, May 16. https://vimeo.com/217699101.
Knapton, Sarah. 2017. “AlphaGo Zero: Google DeepMind Supercomputer Learns 3,000 Years of Human Intelligence in 40 Days.” Telegraph, October 18. https://www.telegraph.co.uk/science/2017/10/18/alphago-zero-google-deepmind-supercomputer-learns-3000-years/.
Knight, Will. 2017. “35 Innovators Under 35, Inventors: Ian Goodfellow.” MIT Technology Review. https://www.technologyreview.com/lists/innovators-under-35/2017/inventor/ian-goodfellow/.
Kobie, Nicole. 2017. “Can an AI Make You Laugh Out Loud?” Alphr, September 8. http://www.alphr.com/artificial-intelligence/1006967/can-an-ai-make-you-laugh-out-loud.
Kogan, Gene. 2015. “Experiments with Style Transfer.” http://genekogan.com/works/style-transfer/.
Kogan, Gene. 2018. “Pix2Pix.” http://ml4a.github.io/guides/Pix2Pix/.
Kuenzli, Rudolf E., and Francis M. Naumann, eds. 1989. Marcel Duchamp, Artist of the Century. Cambridge, MA: MIT Press.
Kurzweil, Ray. (2005) 2016. The Singularity Is Near: When Humans Transcend Biology. London: Gerald Duckworth and Co.
La Grange, Henry-Louis de, and Günther Weiss. 1995. Gustav Mahler: Letters to His Wife. In collaboration with Knud Martner. Berlin: Wolf Jobst Siedler Verlag GmbH.
Langley, Pat, Herbert Simon, Gary L. Bradshaw, and Jan M. Zytkow. 1987. Scientific Discovery: Computational Explorations of the Creative Processes. Cambridge, MA: MIT Press.
Lawson, Mark. 2009. “This Artificially Intelligent Music May Speak to Our Minds, but Not Our Souls.” Guardian, October 22. https://www.theguardian.com/commentisfree/2009/oct/22/music-computer-compose-copy.
Lee, M. H. 2017. “Go Players Excited about ‘More Humanlike’ AlphaGoZero.” Korea Bizwire, October 19. http://koreabizwire.com/go-players-excited-about-more-humanlike-alphago-zero/98282.
Lehrdahl, Fred, and Ray Jackendoff. 1982. A Generative Theory of Atonal Music. Cambridge, MA: MIT Press.
Lehrer, Jonah. 2009. “When Senses Intersect.” Scientific American, May 12. https://www.scientificamerican.com/article/when-senses-intersect/.
Lewis, George. 2000. “Too Many Notes: Computers, Complexity and Culture in Voyager.” Leonardo Music Journal 10:33–39.
Lohr, Steve. 2016. “IBM Is Counting on Its Bet on Watson and Paying Big Money for It.” New York Times, October 17. https://www.nytimes.com/2016/10/17/technology/ibm-is-counting-on-its-bet-on-watson-and-paying-big-money-for-it.html.
Lohr, Steve. 2018. “Is There a Smarter Path to Artificial Intelligence? Some Experts Hope So.” New York Times, June 20. https://www.nytimes.com/2018/06/20/technology/deep-learning-artificial-intelligence.html.
Luan, Fujun, Sylvain Paris, Eli Shechtman, and Kavita Bala. 2017. “Deep Photo Style Transfer.” In Proceedings of the 2017 Conference on Computer Vision and Pattern Recognition, edited by Xiao Hu, Sally Jo Cunningham, Doug Turnbull and Zhiyao Duan, 6997–7005. http://openaccess.thecvf.com/content_cvpr_2017/papers/Luan_Deep_Photo_Style_CVPR_2017_paper.pdf.
Luman, Douglas. 2015. “Book Review: #!” Found Poetry Review, August 4. http://www.foundpoetryreview.com/blog/book-review-nick-montfort/.
Mandler, George, 1994. “Hypermnesia, Incubation, and Mind-Popping: On Remembering without Really Trying,” In Attention and Performance XV, edited by C. Umilta and M. Moskovitch, 1–33. Cambridge, MA: MIT Press.
Marshall, Alex. 2018. “A Robot Walks into a Bar. But Can It Do Comedy?” New York Times, August 8. https://www.nytimes.com/2018/08/08/arts/ai-comedy-artificial-intelligence-piotr-mirowski.html.
Mastroianni, Brian 2016. “Orchestra Music Created with the Help of Artificial Intelligence.”In CBS News, September 27. https://www.cbsnews.com/news/orchestra-music-symphonologie-by-artificial-intelligence-human-composers/.
Mateas, M., and Nick Montfort. 2005. “A Box, Darkly: Obfuscation, Weird Languages, and Code Aesthetics.” In Proceedings of the 2005 Digital Arts and Culture Conference, 144–153. Copenhagen: University of Copenhagen.
McCarthy, John, Marvin L. Minsky, Nathaniel Rochester, and Claude E. Shannon. (1955) 2006. “A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence: August 31, 1955.” AI Magazine 27 (4): 12–14.
McDonald, Kyle. 2015. “Comparing Artificial Artists.” Medium, September 1. https://medium.com/@kcimc/comparing-artificial-artists-7d889428fce4.
McDowell, Kenric. 2016. “Music, Art & Machine Intelligence 2016 Conference Proceedings.” Medium, June 27. https://medium.com/artists-and-machine-intelligence/music-art-machine-intelligence-2016-conference-proceedings-ea376a4e2576.
Merill, Brad. 2014. “It’s Happening: Robots May Be the Creative Artists of the Future.” MakeUseOf, December 17. https://www.makeuseof.com/tag/happening-robots-may-creative-artists-future/.
Metz, Cade. 2016a. “Google’s Artificial Brain Is Pumping out Trippy—and Pricey—Art.” Wired, February 29. https://www.wired.com/2016/02/googles-artificial-intelligence-gets-first-art-show/.
Metz, Cade. 2016b. “This Is the Cutting Edge of Deep Learning Research.” Interview with Yann Lecun. https://www.forbes.com/sites/quora/2016/08/05/this-is-the-cutting-edge-of-deep-learning-research/#37e931e951c8.
Metz, Cade. 2019. “DeepMind Can Now Beat Us at Multiplayer Games, Too,” May 30. https://
Metz, Rachel. 2017. “Why Google’s AI Can Write Beautiful Songs but Still Can’t Tell a Joke.” MIT Technology Review, September 7. https://www.technologyreview.com/s/608777/why-googles-ai-can-write-beautiful-songs-but-still-cant-tell-a-joke/.
Miller, Arthur I. (1981) 1998. Albert Einstein’s Special Theory of Relativity: Emergence (1905) and Early Interpretation (1905–1911). Berlin: Springer-Verlag.
Miller, Arthur I. 1986. Imagery in Scientific Thought: Creating 20th-Century Physics. Cambridge, MA: MIT Press.
Miller, Arthur I. 1992. “Scientific Creativity: A Comparative Study of Henri Poincaré and Albert Einstein.” Creativity Research Journal 5 (4): 385–414.
Miller, Arthur I. 1994. “Why Did Poincaré Not Formulate Special Relativity in 1905?” In Henri Poincaré: Science and Philosophy, International Congress, Nancy, France, edited by John-Luis Greffe, Gerhard Heinzmann, and Kuno Lorenz, 69–101. Berlin: Akademie Verlag.
Miller, Arthur I. 2000. Insights of Genius: Imagery and Creativity in Science and Art. Cambridge, MA: MIT Press.
Miller, Arthur I. 2001. Einstein, Picasso: Space, Time and the Beauty that Causes Havok. New York: Basic Books.
Miller, Arthur I. 2002. “Erotica, Aesthetics and Schrödinger’s Wave Equation.” In It Must be Beautiful: Great Equations of Modern Science, edited by Graham Farmelo, 80–101. London: Granta Books.
Miller, Arthur I. 2005. Empire of the Stars: Friendship, Obsession and Betrayal in the Quest for Black Holes. London: Abacus.
Miller, Arthur I. 2009. 137: Jung, Pauli and the Pursuit of a Scientific Obsession. New York: Norton.
Miller, Arthur I. 2012. “Henri Poincaré: The Unlikely Link between Einstein and Picasso.” Guardian, July 17. https://www.theguardian.com/science/blog/2012/jul/17/henri-poincare-einstein-picasso.
Miller, Arthur I. 2014. Colliding Worlds: How Cutting-Edge Science Is Redefining Contemporary Art. New York: W. W. Norton.
Miller, Arthur I. 2015. “Creativity: How Cutting-Edge Science Is Redefining Contemporary Art.” Latitude Podcast #1, Latitude Festival, October 28, with Marius Kwimt. https://www.latitudefestival.com/news/listen-latitude-podcast-1.
Miranda, Eduardo. 2014a. “Biocomputer Music.” Vimeo, November 10. https://vimeo.com/111409050.
Miranda, Eduardo. 2014b. Thinking Music: The Inner Workings of a Composer’s Mind. Plymouth, England: University of Plymouth Press.
Miranda, Eduardo, Andrew Adamatzky, and Jeff Jones. 2011. “Sounds Synthesis with Slime Mould of Physarum Polycephalum.” Journal of Bionic Engineering 8 (2): 107–113.
Mohammad, Saif M., and Peter D. Turney. 2013. “Crowdsourcing a Word-Emotion Association Lexicon.” Computational Intelligence 29 (3): 436–465.
Montfort, Nick, and Rafael Pérez y Pérez. 2008. “Integrating a Plot Generator and an Automatic Narrator to Create and Tell Stories.” In Proceedings of the International Joint Workshop on Computational Creativity, edited by Pablo Gervás, Rafael Pérez y Pérez, and Tony Veale, 61–70. Technical Report IT/2008/2 Departamento de Ingeniería del Software e Inteligencia Artificial Universidad Complutense de Madrid. http://computationalcreativity.net/ijwcc08/ijwcc08proceedings.pdf.
Montfort, Nick, Rafael Pérez y Pérez, D. Fox Harrell, and Andrew Campana. 2013. “Slant: A Blackboard System to Generate Plot, Figuration, and Narrative Discourse Aspects of Stories.” In Proceedings of the Fourth International Conference on Computational Creativity, edited by Mary Lou Maher, Tony Veale, Rob Saunders, and Oliver Brown, 168–175. Sydney, Australia: University of Sydney Press.
Montfort, Nick. 2014. #!. Denver, CO: Counterpath.
Montfort, Nick. 2017. The Truelist. Denver, CO: Counterpath.
Moravec, Hans. 1988. Mind Children: The Future of Robot and Human Intelligence. Cambridge MA: Harvard University Press.
Mordvintsev, Alexander, Mike Tyka, and Christopher Olah. 2015. “Inceptionism: Going Deeper into Neural Networks.” Google AI Blog, June 17. https://research.googleblog.com/2015/06/inceptionism-going-deeper-into-neural.html.
MusicTechFest. 2015. “MTF London: Rebecca Fiebrink.” YouTube, May 12. https://www.youtube.com/watch?v=yc5CL5EoPqg.
Nazim, Sarah. 2018. “‘Hello World’ Is the First Mainstream Music Album Composed with AI.” RX Music, January 15. https://rxmusic.com/editorial/hello-world-is-the-first-mainstream-music-album-composed-with-ai/.
Newell, Allen, and Herbert A. Simon. 1972. Human Problem Solving. Upper Saddle River, NJ: Prentice Hall.
Newitz, Annalee. 2016. “Movie Written by AI Algorithm Turns Out to Be Hilarious and Intense.” Ars Technica, June 9. https://arstechnica.com/gaming/2016/06/an-ai-wrote-this-movie-and-its-strangely-moving/.
Nguyen, Anh, Jason Yosinski, and Jeff Clune. 2015. “Deep Neural Networks Are Easily Fooled: High Confidence Predictions for Unrecognizable Images.” In 2015 Conference on Computer Vision and Pattern Recognition, 427–436. https://www.computer.org/csdl/proceedings-article/cvpr/2015/07298640/12OmNzvz6IH.
Nguyen, Anh, Alexey Dosovitskiy, Jason Yosinski, Thomas Brox, and Jeff Clune. 2016. “Synthesizing the Preferred Inputs for Neurons in Neural Networks via Deep Generator Networks.” In Proceedings of the Neural Information Processing Systems (NIPS 2016), edited by D. D. Lee, M. Sugiyama, U. V. Luxburg, I. Guyon, and R. Garnett, 1–9. http://papers.nips.cc/paper/6519-synthesizing-the-preferred-inpits-for-neurons-in-neural-networks-via-deep-generator-networks.pdf.
Noll, A. Michael. 1970. “Art Ex Machina.” IEEE Journal 8 (4): 10–14.
Noll, A. Michael. n.d. “Early Years at Bell Labs (1961–1971).” Unpublished. Courtesy of A. Michael Noll.
Nugent, Ciara. 2018. “The Painter behind These Artworks Is an AI Program. Do They Still Count as Art?” Time, August 20. http://time.com/5357221/obvious-artificial-intelligence-art/.
Olewitz, Chloe. 2016. “A Japanese AI Program Just Wrote a Short Novel, and It Almost Won a Literary Prize.” Digital Trends, March 23. https://www.digitaltrends.com/cool-tech/japanese-ai-writes-novel-passes-first-round-nationanl-literary-prize/.
Oore, Sageev. 2016. “Human Learning What WaveNet Learned from Humans.” Magenta (blog), September 23. https://magenta.tensorflow.org/2016/09/23/learning-music-from-learned-music.
O’Toole, Garson. 2013. “Good Artists Copy; Great Artists Steal.” Quote Investigator. https://quoteinvestigator.com/2013/03/06/artists-steal/#note-5574-11.
Pachet, François. 2003. “The Continuator: Musical Interaction with Style.” Journal of New Music Research 32 (3): 333–341.
Pachet, François. 2011. “Markov Constraints: Steerable Generation of Markov Sequences.” Constraints 16:148–172. https://link.springer.com/content/pdf/10.1007/s10601-010-9101-4.pdf.
Pachet, François. 2015. “Flow-Machines: CP Techniques to Model Style in Music and Text.” Association for Constraint Programming. https://
Papadopoulos, A., Pierre Roy, and François Pachet. 2016. “Assisted Lead Sheet Composition Using FlowComposer.” In Proceedings of the 22nd International Conference on Principles and Practice of Constraint Programming—CP, Toulouse, France, September 2016, edited by Michael Rueher, 769–785. Berlin: Springer.
Parrish, Allison. 2015. “Exploring (Semantic) Space with (Literal) Robots.” Open Transcripts, June 3. http://opentranscripts.org/transcript/semantic-space-literal-robots/.
Parrish, Allison. 2018a. Articulations. New York: Counterpath Press.
Parrish, Allison. 2018b. “Articulations: A Fragment Fragment Fragment.” Adjacent, June 15. https://itp.nyu.edu/adjacent/issue-3/articulations-a-fragment-fragment-fragment/.
Patch, Nick. 2016. “Algorithm and Blues: Putting a Google Written Song to the Test.” https://www.thestar.com/entertainment/music/2016/08/14/algorithm-and-blues-putting-a-google-written-song-to-the-test.html.
Pathak, Deepak, Philipp Krähenbühl, Jeff Donahue, Trevor Darrell, and Alexei A. Efros. 2016. “Context Encoders: Feature Learning by Inpainting.” In 2016 IEEE Conference on Computer Vision and Pattern Recognition, 2636–2544. Las Vegas, Nevada: IEEE. https://www.cv-foundation.org/openaccess/content_cvpr_2016/papers/Pathak_Context_Encoders_Feature_CVPR_2016_paper.pdf.
Pease, Alison, and Simon Colton. 2011. “Computational Creativity Theory: Inspirations behind the FACE and the IDEA Models.” In Proceedings of the Second International Conference on Computational Creativity, edited by Dan Ventura, Pablo Gervás. D. Fox, Mary Lou Maher, Alison Pease and Geraint Wiggins, 72–77. Mexico City: Division de Ciencias de la Comunicacion y Diseno, Universidad Autonoma Metropolitana, Unidad Cuajimalpa https://pdfs.semanticscholar.org/04b7/27fb2aa0e10eabc89890700dbf5b9ea30028.pdf.
Pérez y Pérez, Rafael. 2017. MEXICA: 20 Years–20 Stories (20 AÑOS–20 HISTORIAS). Denver, CO: Counterpath Press.
Perloff, Marjorie. 2010. Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: University of Chicago Press.
Picard, Rosalind. (1997) 2000. Affective Computing. Cambridge, MA: MIT Press.
Picard, Rosalind. 2010. “Affective Computer: From Laughter to IEEE.” IEEE Transactions on Affective Computing 1 (1): 11–17.
Poincaré, Henri. 1908a. “L’invention mathématique” [Mathemical discovery]. In La science et méthode [Science and Method], 43–63. Paris: Flammarion.
Poincaré, Henri. 1908b. “Les définitions mathématiques et l’enseignement” [Mathematical definitions and education]. In La science et méthode [Science and Method], 123–151. Paris: Flammarion.
Preston, Elizabeth. 2015. “How Machines Write Poetry.” Motherboard, December 15. https://motherboard.vice.com/en_us/article/ezpdb7/how-machines-write-poetry.
Radford, Alex, Luke Metz, and Soumith Chintala. 2016. “Unsupervised Representation Learning with Deep Convolutional Generative Adversarial Networks.” https://arxiv.org/pdf/1511.06434.pdf.
Rea, Naomi. 2018. “AI-Generated Art Just Got Its First Mainstream Gallery Show. See It Here—and Get Ready.” Artnet News, August 29. https://news.artnet.com/exhibitions/ai-generated-art-gallery-show-1339445.
Ridler, Anna. 2017. “The House of Usher.” Vimeo, May 16. https://vimeo.com/217670143.
Ritchie, Graeme. 2007. “Some Empirical Criteria for Attributing Creativity to a Computer Program.” Minds and Machines 17 (1): 67–99.
Ritchie, Graeme. 2009. “Can Computers Create Humor?” AI Magazine 30 (3): 71–80.
Roberts, Sioban. 2015. Genius at Play: The Curious Mind of John Horton Conway. London: Bloomsbury Publishing Plc.
Robinson, Ken. 2015. “Creativity Is in Everything: Especially Teaching.” KQED News, MindShift, April 22. https://www.kqed.org/mindshift/40217/sir-ken-robinson-creativity-is-in-everything-especially-teaching.
Rumelhart, David E., James L. McClelland, and the PDP Research Group. 1986. Parallel Distributed Processing: Explorations in the Microstructure of Cognition, Volume 1: Foundations. Cambridge, MA: MIT Press.
Safi, Michael. 2016. “Like a Beautiful Painting: Image of New Year’s Mayhem in Manchester Goes Viral.” Guardian, January 2. https://www.theguardian.com/uk-news/2016/jan/03/like-a-beautiful-painting-image-of-new-years-mayhem-in-manchester-goes-viral.
Sample, Ian. 2017. “‘It’s Able to Create Knowledge Itself’: Google Unveils AI That Learns on Its Own.” Guardian, October 18. https://www.theguardian.com/science/2017/oct/18/its-able-to-create-knowledge-itself-google-unveils-ai-learns-all-on-its-own.
Sbai, Othman, Mohamed Elhoseiny, Antoine Bordes, Yann LeCun, and Camille Couprie. 2018. “DesIGN: Design Inspiration from Generative Networks.” https://research.fb.com/wp-content/uploads/2018/04/design-design-inspiration-from-generative-networks.pdf.
Schering, Arnold. 1912. Bach-Jahrbuch, 1912. Leipzig: Breitkopf and Härtel.
Schneider, Tim, and Naomi Rea. 2018. “Has Artificial Intelligence Given Us the Next Great Art Movement? Experts Say Slow Down, the ‘Field Is in Its Infancy.’” Artnet News, September 25. https://news.artnet.com/art-world/ai-art-comes-to-market-is-it-worth-the-hype-1352011.
Searle, John. 1980. “Minds, Brains and Programs.” Behavioral and Brain Sciences 3 (3): 417–424.
Searle, John. 2002. Consciousness and Language. Cambridge: Cambridge University Press.
Shahaf, Dafna, Eric Horvitz, and Robert Mankoff. 2015. “Inside Jokes: Identifying Humorous Cartoon Captions.” In Proceedings of the 21st ACM SIGKDD International Conference on Knowledge Discovery and Data Mining, 1065–1074. Sydney, NSW, Australia: ACM. https://www.microsoft.com/en-us/research/wp-content/uploads/2016/11/phumor.pdf.
Shanahan, Murray. 2010. Embodiment and the Inner Life: Cognition and Consciousness in the Space of Possible Minds. Oxford: Oxford University Press.
Shanahan, Murray, Antonia Creswell, David Barrett, Kyriacos Nikiforou, Christos Kaplanis, and Marta Garnelo. 2019. “An Explicitly Relational Neural Network Architecture,” May 24. https://
Simon, Herbert. 1988. “Creativity and Motivation: A Response to Csikszentmihalyi.” New Ideas in Psychology 6:177–181.
Simon, Ian, and Sageev Oore. 2017. “Performance RNN: Generating Music with Expressive Timing and Dynamics.” Magenta (blog), June 29. https://magenta.tensorflow.org/performance-rnn.
Simonton, Dean. 2017. “Big-C versus Little-c Creativity: Definitions, Implications, and Inherent Educational Contradictions.” In Creative Contradictions in Education, Creativity Theory and Action in Education 1, edited by R. A. Beghetto and B. Sriraman, 3–19. Basel, Switzerland: Springer International Publishing. https://static1.squarespace.com/static/52d6f16be4b0770a479dfb9c/t/580e30a13e00be470f93e7c4/1477324962037/CreativeContradictions+%28sample+chapter+_+Chp+1%29.pdf.
Simonton, Dean. 2018. The Genius Checklist: Nine Paradoxical Tips on How You Can Become a Creative Genius. Cambridge, MA: MIT Press.
Singh, Divya, Margareta Ackerman, and Rafael Pérez y Pérez. 2017. “A Ballad of Mexicas: Automated Lyrical Writing.” In Proceedings of the Eighth International Congress on Computational Creativity, edited by Ashok Goel, Anna Jordanous, and Alison Pease, 229–236. Atlanta: Georgia Institute of Technology Press. http://computationalcreativity.net/iccc2017/iccc17_proceedings.pdf.
Smith, David. 2013. “Scroogled: Google Poaches Top Microsoft Engineer Blaise Agüera y Arcas.” International Business Times, December 16. http://
Solovine, Maurice. 1956. Albert Einstein: Lettres à Maurice Solovine. Paris: Gauthier-Villars.
Stanley, Kenneth O. 2017. “Neuroevolution: A Different Kind of Deep Learning.” O’Reilly, July 13. https://www.oreilly.com/ideas/neuroevolution-a-different-kind-of-deep-learning.
Sterling, Bruce. 2016. “Tech Art: Welcome to Magenta.” Wired, June 2. https://www.wired.com/beyond-the-beyond/2016/06/tech-art-welcome-magenta/.
Stock, Oliviero, and Carlo Strapparava. 2003. “Getting Serious about the Development of Computational Humor.” In Proceedings of the Eighteenth International Joint Conference on Artificial Intelligence, edited by Georg Gottlob and Toby Walsh, 59–64. Burlington, MA: Morgan Kaufmann.
Stock, Oliviero, and Carlo Strapparava. 2006. “Laughing with HAHAcronym, a Computational Humor System.” In AAAI’06 Proceedings of the 21st National Conference on Artificial Intelligence, edited by Anthony Cohen, 1675–1678. Cambridge, MA: AAAI Press. https://www.aaai.org/Papers/AAAI/2006/AAAI06-278.pdf.
Stocker, Gerfried, Christine Schöpf, and Hannes Leopoldseder, eds. 2017. AI: Artificial Intelligence: The Other I. Berlin: Hatje Cantz Verlag MBH.
Sturm, Bob L. 2017. “The Drunken Pint, a folk-rnn Original.” High Noon GMT (blog), February 18. https://highnoongmt.wordpress.com/2017/02/18/the-drunken-pint-a-folk-rnn-original/.
Sturm, Bob L., and Oded Ben-Tal. 2017. “Taking the Models Back to Music Practice: Evaluating Generative Transcription Models Built Using Deep Learning.” Journal of Creative Music Systems 2 (1): 1–29. https://www.researchgate.net/publication/319905403_Taking_the_Models_back_to_Music_Practice_Evaluating_Generative_Transcription_Models_built_using_Deep_Learning.
Sturm, Bob L., Oded Ben-Tal, Úna Monaghan, Nick Collins, Dorien Herremans, Elaine Chew, Gaëtan Hadjeres, Emmanuel Deruty, and François Pachet. 2018. “Machine Learning Research That Matters for Music Creation: A Case Study.” Journal of New Music Research 48 (1): 36–55. Lancaster: Routledge/Taylor & Francis Online. https://
Sturm, Bob L., João Felipe Santos, Oded Ben-Tal, and Iryna Korshunova. 2016. “Music Transcription Modelling and Composition Using Deep Learning.” In Proceedings of the 1st Conference on Computer Simulation of Musical Creativity, University of Huddersfield, UK, June 17–19. https://drive.google.com/file/d/0B1OooSxEtl0FcTBiOGdvSTBmWnc/view.
Sullins, John P. 2012. “Robots, Love, and Sex: The Ethics of Building a Love Machine.” IEEE Transactions on Affective Computing 3 (4): 398–409.
Swafford, Jan. 2014. Beethoven: Anguish and Triumph. London: Faber and Faber.
Szegedy, Christian, Wojciech Zaremba, Ilya Sutskever, Joan Bruna, Dumitru Erhan, Ian Goodfellow, and Rob Fergus. 2013. “Intriguing Properties of Neural Networks.” Last revised February 19, 2014. https://arxiv.org/pdf/1312.6199.pdf.
Taylor, Julia M., and Lawrence J. Mazlack. 2004. “Computationally Recognizing Wordplay in Jokes.” In Proceedings of the Annual Meeting of the Cognitive Science Society, vol. 26, edited by Kenneth Forbus, Deirdre Gentner, and Terry Regier, 1315–1320. Mahwah, NJ: Lawrence Erlbaum Associates Inc. https://escholarship.org/uc/item/0v54b9jk.
Tech Events. 2015. “EmTech MIT 2015 Robots among Us: Seeking Creative Machines.” YouTube, November 10. https://www.youtube.com/watch?v=7w8x0tU-2i8.
Thiel, Peter. 2014. Zero to One: Notes on Startups or How to Build the Future. London: Penguin Random House.
Thoutt, Zack. 2017. “What Are Creative Adversarial Networks (CANs)?” Hackernoon (blog), September 25. https://hackernoon.com/what-are-creative-adversarial-networks-cans-bb81d09aa235.
Toulouse, Édouard. 1910. Henri Poincaré. Paris: Flammarion.
Tresset, Patrick, and Oliver Deussen. 2014. “Artistically Skilled Embodied Agents.” In Proceedings of the 50th Annual Convention of the AISB. http://doc.gold.ac.uk/aisb50/AISB50-S04/AISB50-S4-Tresset-paper.pdf.
Turkle, Shirley. 2018. “There Will Never Be an Age of Artificial Intimacy.” New York Times, August 11. https://www.nytimes.com/2018/08/11/opinion/there-will-never-be-an-age-of-artificial-intimacy.html.
Ulanoff, Lance. 2014. “Need to Write 5 Million Stories a Week? Robot Reporters to the Rescue.” Mashable, July 1. https://mashable.com/2014/07/01/robot-reporters-add-data-to-the-five-ws/#6YRZPuRcagq7.
Vance, Ashlee. 2015. Elon Musk: How the Billionaire CEO of SpaceX and Tesla Is Shaping Our Future. London: Virgin Books.
van den Oord, Aäron, Sandor Dieleman, and Heiga Zen. 2016. “WaveNet: A Generative Model for Raw Audio.” DeepMind.com, September 8. https://deepmind.com/blog/wavenet-generative-model-raw-audio/.
van den Oord, Aäron, Sander Dieleman, Heiga Zen, Karen Simonyan, Oriol Vinyals, Alex Graves, Nal Kalchbrenner, Andrew Senior, and Koray Kavukcuogln. 2016. “WaveNet: A Generative Model for Raw Video.” https://arxiv.org/pdf/1609.03499.pdf.
Vargas, Jose Antonio. 2010. “The Face of Facebook: Mark Zuckerberg Opens Up.” New Yorker, September 20. https://www.newyorker.com/magazine/2010/09/20/the-face-of-facebook.
Veale, Tony. 2015. “Game of Tropes: Exploring the Placebo Effect in Computational Creativity.” In Proceedings of the Sixth International Conference on Computational Creativity, edited by Hannu Tolvonen, Simon Colton, Michael Cook and Dan Ventura, 78–85. Provo, UT: Brigham University Press.
Veale, Tony. 2017. “Déjà Vu All Over Again: On the Creative Value of Familiar Elements in the Telling of Original Tales.” In Proceedings of ICCC 2017, the 8th International Conference on Computational Creativity, edited by Ashok Goel, Anna Jordanous, and Alison Pease, 245–252. Atlanta: Georgia Institute of Technology. http://computationalcreativity.net/iccc2017/iccc17_proceedings.pdf.
Veale, Tony. n.d. “ScealextricSimulator.” www
Voosen, Paul. 2017. “How AI Detectives Are Cracking Open the Black Box of Deep Learning.” Science, July 6. http://www.sciencemag.org/news/2017/07/how-ai-detectives-are-cracking-open-black-box-deep-learning.
Wallas, Graham. 1926. The Art of Thought. London: Jonathan Cape.
Walshe, Jennifer. 2014. “Aisteach: The Avant-Garde Archive of Ireland.” http://www.aisteach.org/.
Weinberg, Gil. 2015. “Professor Gil Weinberg: ‘Robotic Musicianship at Georgia Tech.’” Talks at Google. YouTube, March 25. https://www.youtube.com/watch?v=v5eUo2R_Lrc.
Weisberg, Robert W. 2006. “Modes of Expertise in Creative Thinking: Evidence from Case Studies.” In Cambridge Handbook of Expertise and Expert Performance, edited by K. A. Ericsson, N. Charness, P. Feltovich, and R. R. Hoffman, 761–787. Cambridge: Cambridge University Press.
Weizenbaum, Joseph. 1976. Computer Power and Human Reason, From Judgment to Calculation. New York: W. H. Freeman.
Wiggins, Geraint. 2012. “The Mind’s Chorus: Creativity before Consciousness.” Cognitive Computation 4 (September): 306–319.
Wilson, Chris. 2010. “I’ll Be Bach: A Computer Programme Is Writing Great, Original Works of Classical Music. Will Human Composers Soon Be Obsolete?” Slate, May 19. http://www.slate.com/articles/arts/music_box/2010/05/ill_be_bach.html.
Wotiz, J. H., and Susanna F. Rudofsky. 1954. “Kekulé’s Dreams: Fact or Fiction.” Chemistry in Britain 20:720–723.
Zhu, Jun-Yan. 2017. “CycleGAN.” GitHub. https://github.com/junyanz/CycleGAN.
Zhu, Jun-Yan, Taesung Park, Phillip Isola, and Alexei Efros. 2017. “Unpaired Image-to-Image Translation Using Cycle-Consistent Adversarial Networks.” In Proceedings of the 2017 IEEE International Conference on Computer Vision, 2242–2251. http://openaccess.thecvf.com/content_ICCV_2017/papers/Zhu_Unpaired_Image-To-Image_Translation_ICCV_2017_paper.pdf.