The body of this book is set in Spectrum, which is based on the design by Jan van Krimpen in 1943 for the Spectrum Publishing House. Spectrum was completed and released by the Monotype Corporation in 1955, although the Bible project it was originally commissioned for was never completed. Spectrum is known for its readability; its roots reach directly to Venetian typefaces of the 15th century. Its varied-weight curves and angular serifs evoke the calligraphic pen strokes of its forebearers.

Mrs. Eaves, used on the cover and for chapter titles in the interior, was designed by Zuzana Licko for Emigré in 1996 as a reprise of the Transitional typeface Baskerville, crafted in 1757. The name, Mrs. Eaves, comes from John Baskerville’s maid, Sarah Eaves, who became his wife after the death of her first husband. Like Spectrum, Baskerville was originally designed for use in a Bible. The beauty and versatility of Mrs. Eaves allow for its use as both a display and a body typeface.

Cover design by Julia Reich.

Interior design by Pneuma Books, LLC.

www.pneumabooks.com