FURTHER READING

Bakeless, John, The Tragicall History of Christopher Marlowe, Cambridge, Ma., 1942

Bartels, Emily C, Spectacles of Strangeness: Imperialism, Alienation, and Marlowe, Philadelphia, 1993

Brown, John Russell, ‘Marlowe and the Actors’, Tulane Drama Review, 8.4 (Summer 1964), 155–73

Burton, Jonathan, ‘Anglo-Ottoman Relations and the Image of the Turk in Tamburlaine’, journal of Medieval and Early Modern Studies, Winter 2000, 30 (1) 125–56

Cartelli, Thomas, Marlowe, Shakespeare and the Economy of Theatrical Experience, Philadelphia, 1991

Ceresano, Susan P., ‘Tamburlaine and Edward Alleyn’s Ring’ Shakespeare Survey 1994 (47) 171–79

Cheney, Patrick, ed., The Cambridge Companion to Christopher Marlowe, Cambridge, 2004

Cunningham, J. S., ed., Tamburlaine the Great, Revels edition, Manchester, 1981

Deats, Sara M., and Logan, Robert A., eds, Marlowe’s Empery: Expanding his Critical Contexts, Newark DE and London, 2002

Ellis-Fermor, Una, ed., Tamburlaine the Great, London, 1930

Friedenreich, K. et al, eds., ‘A Poet and a filthie Play-maker’: New Essays on Christopher Marlowe, New York, 1988

Geckle, George L., Tamburlaine and Edward II: Text and Performance, London, 1988

Gillies, John, ‘Marlowe, the Timur Myth, and the Motives of Geography’ in John Gillies and Virginia Mason Vaughan, eds, Playing the Globe: Genre and Geography in English Renaissance Drama (Madison, NJ, 1998) 203–29

Goldman, Michael, ‘Marlowe and the Histrionics of Ravishment’, in Alvin Kernan, ed., Two Renaissance Mythmakers, Baltimore and London, 1977, pp. 22–40

Grantley, Darryll and Roberts, Peter, eds, Christopher Marlowe and English Renaissance Culture, Aldershot, England, 1996

Greenblatt, Stephen, Renaissance Self-Fashioning, Chicago, 1980

Kuriyama, Constance Brown, Christopher Marlowe: A Renaissance Life (Ithaca, NY, 2002)

Leggatt, Alexander, ‘Killing the Hero: Tamburlaine and Falstaff’ in Paul Budra and Betty Schellenberg, eds, Part Two: Reflections on the Sequel (Toronto, 1998) 53–67

Levin Richard, ‘The Contemporary Perception of Marlowe’s Tamburlaine’, Medieval and Renaissance Drama in English 1 (1984), 51–70

Levin, Harry, The Overreacher: A Study of Christopher Marlowe, London, 1954

Maus, Katherine Eisaman, Inwardness and Theater in the English Renaissance, Chicago, 1995

Nicholl, Charles, The Reckoning: The Murder of Christopher Marlowe, London, 1992

Riggs, David, The World of Christopher Marlowe, London, 2004

Shepherd, Alan ‘Endless Sacks: Soldiers’ Desire in Tamburlaine’ Renaissance Quarterly, Winter 1993 (46.4) 734–53

Taunton, Nina, ‘Unlawful Presences: The Politics of Military Space and the Problem of Women in Tamburlaine’ in Andrew Gordon and Bernhard Klein, eds, Literature, Mapping, and the Politics of Space in Early Modern Britain (Cambridge, 2001), 138–54

Thurn, David H., ‘Sights of Power in Tamburlaine’, ELR 19 (1989), 3–21

Vitkus, Daniel, Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630, New York, 2003

Waith, Eugene, The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden, London, 1962

Weil, Judith, Christopher Marlowe: Merlin’s Prophet, Cambridge, 1977

White, Paul Whitfield, ed., Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe (New York, NY, 1998)