The index that appeared in the print version of this title does not match the pages in your e-book. Please use the search function on your e-reading device to search for terms of interest. For your reference, the terms that appear in the print index are listed below.
Aaberg, Philip
Aaliyah
“Act Naturally”
Adam and the Ants
Adams, John Luther
Africa, musical influence of
African-American music
aging
“Agua Que Va a Caer”
Agujetas, Manuel
“Ain’t It Funky Now”
“Ain’t Misbehavin’”
Akita, Masami, see Merzbow
Albronda, Eric
Allman Brothers
“All Night Long”
“All Nightmare Long”
Alonso, Tite Curet
Ambrosius, Marsha
American Sacred Harp singing
“Ana Fe Intizarak”
Andre 3000
Anthony, Marc
“Any Colour You Like”
“Any Way the Wind Blows”
Aquemini
Arabic music
Arango, Totico
Arbiter, Nathaniel
“Are You Sincere”
“Are You That Somebody”
Argerich, Martha
Armstrong, Louis
“Art of Storytellin’ (Part 1), Da”
“Ask the Watchman How Long”
Assault, D. J.
At Fillmore East
Atkins, Chet
“At Last I Am Free”
ATLiens
Audience with Betty Carter, The
audio space
Austurbaejarbíó
authority, musical, performance strategies for
autonomists (formalists)
Avital, Omer
Aztec Camera
“Baby’s in Black”
Bach, Johann Sebastian
Bachelard, Gaston
Bach Partitas
“Backdrop”
“Bad Girl”
Bailey, Derek
Baker, Chet
“Bakmiyor Cesmi Siyah”
Balliett, Whitney
Band of Gypsys
Barclay, David Readshaw
Barenboim, Daniel
Barry, Jeff
Basinski, William
Bat for Lashes
“Beat It”
Beatles
bebop
Becker, Judith
Beethoven, Ludwig van
Bell, Margaret
Belle Album, The
Bellson, Louis
bell tones
“Be My Baby”
“Benedictus”
Bennett, Bob
Bennetts, Les
Bernstein, Leonard
Berry, Chuck
Beta, Andy
Beverly, Frankie
Bey, Andy
Beyoncé
Big Apple Band
Big Black
Big Boi
Big Moe
Big Pokey
“Big Yellow Taxi”
Bizet, Georges
Black, Jimmy Carl
Black Bananas
Black Eyed Peas
Black Flag
black metal
Black Sabbath
Blaine, Hal
Blanchard, Edgar
blast beat
Bley, Paul
Blue Cheer
blues; as defiance vs. sadness; talking
Blues at Carnegie Hall
“Bluesology”
“B.O.B.”
Bob B. Soxx and the Blue Jeans
“Body and Soul”
Bonham, John
Book of the Courtier, The (Castiglione)
Boredoms
bossa nova
Botstein, Leon
Boult, Adrian
Bower, Jimmy
Boyd, Eddie
“Brainwash”
“Brando”
Brant, Henry
Braxton, Anthony
Brazilian music
Brecht, Eric
Brecht, Kurt
Brickman, Jim
Brown, Chris
Brown, James
Brown, Ray
Bruckner, Anton
Buckaroos
Bunyan, Vashti
Burke, Edmund
Butler, Todd
Byzantine Prayer
Cage, John
Cahn, Sammy
Californication
Callaghan, James
Cambridge Companion to the Piano (Hamilton)
Canções Praieiras
“Can’t Get Out of This Mood”
Cantor-Jackson, Betty
“Cantus in Memoriam Benjamin Britten”
Caramanica, Jon
Cardiff, Janet
Carey, Mariah
“Caridad”
“Caridad Malda”
Carlos, Wendy
Carr, Sonny
Carter, Betty
Carter, Ron
Casals, Pablo
Castiglione, Baldesar
Caymmi, Dorival
Caymmi e Seu Violão
Celibidache, Sergiu
cello music; improvisation in
Celtic Frost
“Cero Guapos en Yateras”
Charles, Ray
Chic
Chopin, Frédéric
chopped-and-screwed music
chords: repetition and variation of; single
chronic ennui cycle
“Church Bell Tone”
“Cinnamon Girl”
Cisneros, Al
Clarke, Kenny
Clash
classical music, European; debate on emotional component of music in; density in; fast tradition in
Clementi, Muzio
Clinton, George
“Close Forever Watching”
closeness; musical pairings in
Clube da Esquina
Coasters
Cobain, Kurt
Cold Vein
Cole, Nat King
collections, of music
College Dropout, The
Collette, Buddy
Colón, Willie
Coltrane, John
community
competition, musical
compression
compulsion; repetition vs.
concentration, repetition and
confidence; of musical authority; in virtuosity
Congolese music
Connor, Chris
Connors, Loren
contradiction
coordination: discrepancy vs.; synchronicity and closeness in
“Copacabana”
Copland, Aaron
Corea, Chick
Corner, Philip
“Corrine, Corrina”
Cortés, Miguel Angel
Cortijo y su Combo
Covay, Don
Creation
creativity, in listening
Creedence Clearwater Revival
Croce, Arlene
Crosby, Bing
“Crosstown Traffic”
Cuban music
“Cuca, La”
culture: of community and exclusivity; in listening; surpassing musical constraints of
Curtis/Live!
Cyrus, Miley
Dadawah
Daltrey, Roger
dancing; ballet; as communication; ecstatic; ritual of ownership in; sex and
D’Angelo
Danielson, Virginia
Dark Side of the Moon
“Dark Star”
Davis, Miles
Davis Sisters
“Day in the Life, A”
Deaf Center
Dean Martin Variety Show
Death Magnetic
death metal
“deep hidden meaning” (DHM)
de la Isla, Camarón
Delta 5
de Lucía, Paco
density
“depth machine” (digital conversion processor)
“Descent to the Zenith”
Diabaté, Sidiki
Diddley, Bo
difference tones
Dinosaur L
Dirty Rotten Imbeciles (D.R.I.)
discrepancy
Disintegration Loops, The
disorientation
distancing
Dixon, Floyd
“Django”
DJ Mustard
DJ Screw
DJ Screw, the Untold Story
DJ Snake
DM Stith
Dolphy, Eric
Donegan, Dorothy
Donegan, Lonnie
“Done Somebody Wrong”
“Donna”
“Don’t Stop the Music”
Dopesmoker
double-trap-set drumming
“Draft Me”
Drake
Drake, Nick
Drake, Pete
Drake, Robert
“Dream”
Dr. Feelgood
Dr. Luke
drums: audio space for; discrepancies of; as evocative; guitar and; pairing of
Ducks
Dumitrescu, Iancu
Duncan, Tommy
Duran Duran
“Dusty Skies”
Dylan, Bob
Earth
“Eat Yrself Fitter”
Echo Nest
ECM
Ecobag: 13 Japanese Birds in a Bag
Edwards, Bernard
“Egmont” overture (Beethoven)
Eicher, Manfred
Elgar, Edward
Ellington, Duke
emotion, musical transmission of
Empire
“Empire State of Mind”
“Enigma Variations”
Eno, Brian
Ensemble Pearl
Enslaved
Entertainment Tonight
entrainment
En Vivo desde el Teatro Real
Epiphone Emperor
equal temperament
Eric Dolphy at the Five Spot
Errico, Greg
ESG
“Eu Vim da Bahia”
Evagrius
Evans, Bill
“Everybody Dance”
“Evil”
exclusivity, community and
Exile on Main Street
expansion; repetition and; slowness and
expressionists (heteronomists)
“eyeball-to-eyeball” harmony
Eyehategod
Fall
“Falsa Baiana”
Farney, Dick
“fatigue”
Fauré, Gabriel
Feeling and Form (Langer)
Feld, Steven
Feldman, Morton
Fernández, Vicente
Ferrer, Lena
Ferrer, Pedro Luis
fetishistic music
Fifth Symphony (Beethoven)
“Fight the Power”
“Filthy McNasty”
“Five Long Years”
flamenco
Flamingos
“Flesh Storm”
Flipper
“Flying Home”
folk music
Folkways
Fontessa
For Bunita Marcus
formalists (autonomists)
“4'33"”
“Forty Part Motet, The”
Fournier, Vernell
Four Organs
Four Tops
Frame, Roddy
Freak Out!
Fresh
Fulkerson, James
funk
Funk, D. J.
“Funnel of Love”
“Furthest Thing”
Furtwängler, Wilhelm
Fushitsusha
Gallodoro, Al
Garcia, Jerry
Garotos da Lua
Garrison, Jimmy
gating
Gaye, Marvin
Gayngs
Genome recommendation model
George, Sergio
Germs
Gesang der Jünglinge
Get Up with It
G-funk
Ghil
ghost notes
Gigli, Beniamino
Gil, Gilberto
Gilberto, João
Gill, Brendan
Gilmore, Marcus
Ginn, Greg
Gira, Michael
“Girl Blue”
“Girl You Need a Change of Mind”
Glasper, Robert
Go
“Go Ahead John”
“Go Bang”
“God Hates Us All”
“God Save the Queen”
Golden Road, The
“Go Limp”
“Good-Bye”
Goodman, Benny
“Good Morning, Captain”
Górecki, Henryk
gospel music; metal as inverse
Grande Kallé, Le (Joseph Kabasele)
“granular” sound
Grateful Dead
Green, Al
Green, Lloyd
Greenwich, Ellie
Griffin, Billy
grito
“Grosse Fugue” (Beethoven)
Guetta, David
guitar: drums and; in improvisation; one-note solos for; techniques of
Günter, Bernhard
Guthrie, Woody
Haas, Georg Friedrich
Haggard, Merle
Haino, Keiji
hal (trance state)
Half Note club
Hamad, Mike
Hamilton, Kenneth
Hampton, Lionel
Handel, George Frideric
“Hand in Glove”
Hanslick, Eduard
“Haq Ali Ali Moula Ali”
hardcore punk
Harlem, musical scene in
harmony, close
Harold Melvin and the Blue Notes
Harvey Milk (band)
“Hateful”
“Have Love Will Travel”
Hawkins, Coleman
Haynes, Roy
Head and the Heart
Hear Me Talkin’ to Ya (Shapiro and Hentoff)
“Heartbreaker”
“Heaven Must Be Like This”
Helmet
“He Loved Him Madly”
He Loves Me, He Loves Me Not
Help!
Hendrix, Jimi
Henry Threadgill Sextett
Hentoff, Nat
Herman, Woody
Hero and the Blues, The (Murray)
“Herod 2014”
“Heroin”
Herreweghe, Philippe
hertz
heteronomists (expressionists)
heterophony
Hetfield, James
Hidley, Tom
“High School Confidential”
Hill, Aaron
Hill, Andrew
hip-hop; slowness in; speed in; see also rap
Holiday, Billie
“Holidays in the Sun”
“Honeysuckle Rose”
Hooker, John Lee
Hopkins, Nick
Horn, Shirley
Horowitz, Vladimir
Houses of the Holy
“How Can You Face Me”
Howlin’ Wolf
How the West Was Won
How to Listen to Music: Hints and Suggestions to Untaught Lovers of the Art (Krehbiel)
Hungarian Rhapsody no. 6 (Liszt)
“I Can See for Miles”
Ice Field
“I Could Have Danced All Night”
identity, in improvisation
Ienner, Don
“If”
“I Fall in Love Too Easily”
“I Feel for You”
“I Forgot More Than You’ll Ever Know About Him”
“I Heard Her Call My Name”
Ikeda, Ryoji
“I’m a Fool to Want You”
“I’m a Hog for You Baby”
“Immigrant Song”
“I’m Not in Love”
“I’m Not Satisfied”
Impressions
improvisation; of African Americans; engineers in; rhythmic talking in
“I’m Through with Love”
“I’m Waiting for the Man”
Indian music
indifference, as subtext
inevitability
“In France They Kiss on Main Street”
“In My Life”
“Inner City Blues”
Insideoutside
instruments, multiple
interpretation, in solos
In the Wee Small Hours
In Through the Out Door
intimacy: quietness in; real vs. false
“I Only Have Eyes for You”
Iron Maiden
Isley Brothers
Isotope
Issue Project Room
“I Surrender, Dear”
“I Take This Time”
“I Think I Got It Now”
“IV”
“I Wanna Be Sedated”
“I Wonder”
Jackson, Blair
Jackson, Michael
Jackson, Milt
Jackson, Ocie
Jackson, Wanda
Jackson 5
Jacquet, Illinois
Jagger, Mick
Jaimoe
Jamal, Ahmad
jam-band music
Japan
Jarmusch, Jim
Jarrett, Keith
Javanese music
Jay Z
jazz; exclusivity in; improvisation in; speed in; technological innovation in; virtuosity in
J-cards
J Dilla
“Je Crois Entendre Encore”
Jennings, Waylon
Jeremih
Jesus and Mary Chain
Jim and Jesse
João Gilberto (“White Album”)
Jobim, Antônio Carlos
John Coltrane Quartet
Johnson, Dexter
Johnson, Robert
“Joie du Sang des Étoiles”
Jones, Elvin
Jones, Etta
Jones, George
Jones, Steve
Jordan, Louis
“Julia”
“June 27” mixtape
“Jungle Love”
“Just a Little Bit”
“Just Like Honey”
“Just the Two of Us”
Kabasele, Joseph, see Grande Kallé, Le
kaif (prereaction)
“Kalakuta Show”
Katrina and the Waves
Kay, Connie
“Keep a Knockin’”
“Keep Knockin’ (But You Can’t Come In)”
Keil, Charles
Kelly, Machine Gun
Kendricks, Eddie
Kesha
Keyboard Sonata in B-flat Major (Clementi)
Khan, Ali Akbar
Khan, Chaka
Khan, Hazrat Inayat
Khan, Nusrat Fateh Ali
“Kicker Conspiracy”
King, B. B.
King, J. D.
Kings of the Wild Frontier
King Tubby
Kleeb, Hildegard
“Know How You Stand”
koan
“Koko”
Konitz, Lee
Kowald, Peter
Kramer, Jonathan
Krehbiel, Henry
Kriss Kross
Krupa, Gene
Kuti, Fela
Kylesa
LaCaze, Joey
Lagos
Lamar, Kendrick
Langer, Suzanne
language, of music
Latin music
laughing
Lavoe, Héctor
“Lawdy Mama”
“law of two-thirds”
Lawrence, Donald
Lawrence, Tim
Led Zeppelin
Lee, Okkyung
Lee Konitz with Warne Marsh
length
Lennon, John
“Let’s Get It Started”
“Let’s Go Smitty”
Lewis, Jerry
Lewis, Jerry Lee
Lewis, John
“Liberation of Sound, The” (Varèse)
Library of Congress National Recording Registry
“Like a 45 on 33” (J. D. King)
Lil Jon
Lil Wayne
limited approximations
Linares, Carmen
linking music
“liquifying”
listening: accessing a strategy of openness in; audio space in; changing ways of; collecting as proprietary shareholding in; as creative; deep; as interactive; making connections in; through memory; as musical subject; skills of
Liszt, Franz
“Little Hands”
“Little Rain”
Little Richard
Live à L’Étoile
Live at Leeds
Live at the Star Club, Hamburg
Loft
Lohengrin (Wagner)
Lomax, Alan
London Symphony Orchestra
“Look, Know”
López, Cachao
Lose, Bruce
“Louange”
loudness
Louvin Brothers, Ira and Charlie
Lovano, Joe
“Lover Man”
“Loving Cup”
Lucca, Papo
Ludacris
Lush, Marion
Lydon, John
Lynn, Loretta
M (Cage)
MacDonald, Ian
Macero, Teo
MacFarlane, Seth
Machiavelli, Niccoló
“Machine Gun”
Maestro Rhythm King
Mahler, Gustav
“Making Time”
Mancuso, David
Mangueira Samba School
Manilow, Barry
Mardin, Arif
Margulies, Ben
Marhaug, Lasse
“Maria, La”
Marsh, Warne
Martin, Dean
Martin, Jeanne
Martin, Max
Martyn, John
Mass in F Minor (Bruckner)
Mato, Lo
Matos, Eric
Maya, Jesus
Maya y Cantú
Mayfield, Curtis
Maze
“Mbombo Ya Tshimbalanga”
MC5
McCartney, Paul
McCoury, Del
McCrae, George
McHugh, Jimmy
McLaughlin, John
McReynolds, Jesse
McShee, Jacqui
“Meaning of the Blues, The”
“Mean Woman Blues”
MED
Mejía, Miguel Aceves
memory, musical evocation of
Merzbow (Masami Akita)
Merzbox
Messiaen, Olivier
metal
Metallica
metrics
Mexican music
“Mi Camino”
Michelangeli, Arturo Benedetti
“Mickey’s Monkey”
“Mi Gente”
“Mighty Mighty (Spade and Whitey)”
“Mikka”
Miles Ahead
Mingus, Charles
“Mi Par d’Udir Ancora”
Miracles
“Mississippi Goddam”
Mitchell, Joni
Mitchell, Vashawn
mixing
modernity; loudness and; speed and
Modern Jazz Quartet
mona
Monk, Thelonious
Monroe’s Uptown House
mood
“Moon Ray”
Moran, Jason
“Morning After, The”
Morrissey
Moses, Lee
“Motel Time Again”
Mothers of Invention
Motian, Paul
Motown
Mottola, Tommy
Moving Star Hall Singers
Mozart, Wolfgang Amadeus
“Mrs. Officer”
Murch, Walter
Murray, Albert
music: collection, cataloging and documentation of; commercial aspects of; community and exclusivity in; connective patterns in; expanding length in; non-traditional; perfect moments in; physical reaction to; as a representation of physical space; text and subtext in; twentieth-century historical perspective on; ubiquitous access to; see also specific genres
Music and Sentiment (Rosen)
Music Grooves
Music of India: Morning and Evening Ragas
Muzak
“My Bonnie Lies over the Ocean”
Mydland, Brent
“My Own Way”
Nascimento, Milton
Nashville Teens
“Neighbours”
Newman, Ernest
New Orleans, La., musical influence of
“New San Antonio Rose”
New York, N.Y., music scene in
“New York, New York”
New York Times
Next Step
Niblock, Phill
“Night and Day”
Night Owl
Nile
Nina Simone in Concert
Ninth Symphony (Mahler)
Nirvana
“No Fucks”
“No Fun”
Nolan, Jerry
Nolen, Jimmy “Chank”
notation, for collections
Nothin to Look at Just a Record
Nurse with Wound
nyabinghi
“Oblivious”
Oersted
Ohio Players
“Oklahoma Hills”
O’Malley, Stephen
“O Mar”
Omar, Don
“One Down, One Up”
One Note
Only Lovers Left Alive
Only the Lonely
“On the Musically Beautiful” (Hanslick)
OOIOO
opera
organization, musical
“Other Half of Me, The”
Outkast
Out of the Afternoon
“Over and Over”
Owens, Buck
Owl Splinters
Ox, Cannibal
Paderewski, Ignacy Jan
Paganini, Niccolò
Page, Jimmy
“Painting on a Corpse”
Palmieri, Eddie
Pándi, Balázs
“Papa’s Got a Brand New Bag”
Parker, Charlie
Parker, Evan
Parker, Junior
Parker, Maceo
“Parker’s Mood”
Pärt, Arvo
“Participatory Discrepancies and the Power of Music” (Keil)
participatory discrepancy
“Party in the U.S.A.”
“Passing Complexion”
Patato & Totico
Patato & Totico
Paycheck, Johnny
PCP
Peace and Love
Pecheurs de Perles, Les (Bizet)
pedal point
Pereira, Geraldo
Pere Ubu
perfection, moments of musical
performance: authority in; heroism in; see also improvisation
“Periódico de Ayer”
personas, stagecraft of
Perspectives of New Music
Perverted by Language
Peterson, Dickie
Peterson, Oscar
Pettiford, Oscar
P-Funk
Phillips, Earl
Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful (Burke)
Phish
piano: fast; physical thrill of; quiet; single-note repetition on
Piano Quintet No. 2, op. 115 (Fauré)
Pierres Sacrées
Pike, Matt
Pink Floyd
Pink Moon
Pisaro, Michael
pitch
Playa
“Please Don’t Talk About Me When I’m Gone”
Pletnev, Mikhail
“Polacca”
polka music
Ponceña, Sonora
Pope, Alexander
pop music; rhythm of
“Possum”
postmodernism
post-punk
“Powder 8 Eeeeeeeeight”
Powell, Bud
practice sessions
Prince
Prince, The (Machiavelli)
protest
Public Castration Is a Good Idea
Public Enemy
punk; loudness of; metal vs.
“Pyramid”
Quartet for the End of Time
Quatuor Ysaÿe
quietness
quiet storm
Quintessence
Radigue, Eliane
Rădulescu, Horaţiu
ragas
Rakha, Alla
Ramanathan, M. D.
“Ram On”
Ramone, Johnny
Ramones
ranchera
rap
Rastafarianism
“Rated X”
Rawlings, David
Ray, Danny
reciprocity
recordings: audio space of; concert; as historical record; indoor and outdoor; myths built around; one-take; sequential two-part structure in; unique and unrepeatable; see also tape, taping
record-making, conventions of
Redding, Otis
Red Hot Chili Peppers
Reed, Jimmy
Reed, Lou
reggae
Reich, Steve
Reig, Teddy
religious music; conventions of; single-note repetition in; see also gospel music
Religious Music of India
Remembranzas
Reminiscing in Tempo
repetition; in humor; in improvisation; single note in; stubborn note vs.; variation and
“Rhapsody in Blue”
Rhymes, Busta
rhythm: discrepancies in; as evocative; melody as; metrics vs.; speed of, see slowness; speed; tresillo; variation in
rhythm and blues
rhythmic talking
Rich, Don
Richards, Keith
Richie, Lionel
Richmond, Danny
Riggins, Karriem
Rihanna
Riley, Terry
Rio
“Rise Above”
ritual: in dancing; music as; religion and
Rivera, Ismael
Rivera, Mon
Roach, Max
“Road”
rock and roll; negativity in; rhythm of; roots of
“Rock Your Baby”
Rodgers, Nile
Rodríguez, Arsenio
Rodríguez, Olavo Alén
Rogé, Pascal
Rolling Stones
Rollins, Sonny
Ronettes
“Rosa Parks”
Rosen, Charles
Roslie, Gerry
Rosolino, Frank
Rourke, Constance
Roy Haynes Quartet
rumba
Russell, Arthur
sadness
“Salt Peanuts”
Sama (Sufi ceremony)
samba
“Samba de Uma Nota Só”
“Same Old Song”
San Francisco Tape Music Center
Sarabande no. 1 (Satie)
Sassy Swings the Tivoli
Satie, Erik
Satie Slowly
“Saturday Night Fish Fry”
“Saw Mill”
“Say It (Over and Over Again)”
Scarlatti, Domenico
Schaeffer, Pierre
Schonberg, Harold C.
Scott, Darrell
Scott, Little Jimmy
“Secret Black Box III”
Senagalese music
Sex Pistols
“Shake”
Shakur, Tupac
Shankar, Ravi
Shapiro, Nat
Sharrock, Sonny
Shavers, Charlie
Shaw, Artie
“She Loves You”
Shostakovich, Dmitri
“Shout”
shred videos
Sia
side-chaining
Sila: The Breath of the World
silence
Silver, Horace
“Silver Wings”
Simone, Nina
Simpson, Guilty
Sinatra, Frank
“Sing, Sing, Sing”
Sir Douglas Quintet
Skodvin, Erik
“Slang King”
Slayer
Sleep
Sleep
Slint
slow funk
slow jam
slowness; authority through; deliberately imposed; essence revealed through; as expansive; listening to
Sly and the Family Stone
“Small Hours”
Smalls, Biggie
Smash
Smith, Mark E.
Smiths
“Smokestack Lightnin’”
social commentary, music as
solos, in improvisation
Sonata in B Minor (Scarlatti)
Sonics
“Sookie Sookie”
Soused
South, musical influence of
“South Bound Train, The”
Southside Playaz
“Space Beneath My Grey Heart, The”
“Spaced Cowboy”
Spector, Phil
Spector, Ronnie
Spectralists
speed; in classical tradition; measurement of; modernity and
“Spem in Alium”
Spence, Kyle
Spence, Skip
“Spiritual”
“Sportscenter”
sprezzatura (cultivated indifference)
“Sri Jaanaki”
Stanier, John
Stankonia
Starks, Jabo
“Star Spangled Banner, The”
Steal Your Face (“Stealie”)
Stephens, Leigh
Stockhausen, Karlheinz
Stone, Sly
“Stones in My Passway”
Stooges
“Stormy Weather”
Strachwitz, Chris
streaming music
“Streets Ain’t Right, Da”
String Quartet no. 15 (Shostakovich)
String Quartet no. 19 (Mozart)
studio tracks
Styne, Jule
Sufi tradition
Sumac, Yma
“Summer Breeze”
Sunn O)))
swagger
Swallow, Steve
“Swang Down”
Swans
“Sweet Emmelina, My Gal”
“Sweet Georgia Brown”
“Sweethearts in Heaven”
Swingin’ Easy
Switched-On Bach
Sylvia Rexach Canta a Sylvia Rexach
Symphony no. 3 (Górecki)
Symphony No. 7 (Bruckner)
Take as Needed for Pain
Talking Heads
Tallis, Thomas
Tamago
tape, taping: of concerts; customized; discrepancies in; editing; multi-track; in musical experimentation
tarab (ecstasy)
“Tarantas”
Tattoo You
Tatum, Art
tawajjuh (transmission)
Taylor, Cecil
Taylor, Mick
Taylor, Roger
Tech N9ne
technology: advancements in listening; advancements in recording; historical perspective of
tempo: fast, see speed; slow, see slowness
“Temptation Inside Your Heart”
10cc
“Tengo Un Amor”
tension; speed and
“Terraplane Blues”
“Territorial Pissings”
“Testify”
“Texas Me”
Texas Playboys
Thalberg, Sigismond
“Thelonious”
“There Goes That Song Again”
There Goes the Neighborhood
There’s a Riot Goin’ On
Thiele, Bob
This Guitar
Threadgill, Henry
Thunders, Johnny
“Time”
“Time After Time”
tinnitus
Tipo, Maria
“Titanium”
“Todo Tiene Su Final”
Tomahawk
“Tombstone Shadow”
Tommy Dorsey band
“Tomorrow Sunny”
tone: emotion and; repetitive; texture vs.
tone poems
tonic notes
Too Hard to Swallow
Totland, Otto
Tough Times
Townshend, Pete
transmission, state of
tresillo
triggering
Trio for Strings
trip-hop
“Trombone Piece, A”
Trucks, Butch
“True Wheel, The”
“Tryptich”
TTG Studios
tuning
Turangalîla Symphony
“Turn Down for What”
Tyner, McCoy
UGK
Umm Kulthum
“United States of Amnesia, The”
“Untitled (How Does It Feel)”
“Up Jumped You with Love”
Valdés, Patato
Valens, Ritchie
Valverde, Roberto
Van Gelder, Rudy
Varèse, Edgard
variation, in repetition
Vaughan, Sarah
Velvet Underground
Velvet Underground and Nico, The
“Venus in Furs”
vertical time
Village Vanguard
Vincebus Eruptum
virtuosity
“Vision of Love”
voice: in close harmony; in improvisation; rhythmic use of; in sound installation; text and subtext of; tonal quality of; transgressions in
volume: loud, see loudness; quiet, see quietness; silence; of space; variation in
“Volver Volver”
“Voz de Mi Madre, La”
Wagner, Richard
Wagner Operas, The (Newman)
“Wake Up Everybody”
Wald, Elijah
Walker, Cindy
Walker, Scott
“Walking on Sunshine”
Waller, Fats
Walsh, Ellis
Warhol, Andy
Warner Music Group
“Warning”
“War Pigs”
Washington, Grover, Jr.
Washington, Kamasi
water, musical proximity to
Water Music
Waters, Muddy
Watson, Johnny “Guitar”
Watts, Charlie
Wavves
Welch, Gillian
Welnick, Vince
“We’re a Winner”
“We R Who We R”
West, Kanye
“What’s a Girl to Do?”
What to Listen for in Music (Copland)
“What We Do Is Secret”
“When I Get Home”
“When Will You Come”
“Where Can You Be”
“Which Will”
“whistle” register
White, Barry
Whiteman, Paul
white noise
Whiteread, Rachel
Who; loudness of
Williams, Andy
Williams, Big Joe
Williams, Hank
Williams, Mike IX
Wills, Bob
Withers, Bill
Wolf Eyes
Wonder, Stevie
Words
World of Echo
World War I
“Would Ya Would Ya Baby”
“Wray”
Wyatt, Robert
Wyman, Bill
Xasthur
Xenakis, Iannis
Yarbrough and Peoples
Yob
“You Belong to Me”
“You’d Be So Nice to Come Home To”
“You Don’t Love Me”
“You Hit the Spot”
Young, La Monte
Young, Lester
Young, Neil
“Young Man Blues”
Young Thug
“Your Cheating Heart”
“You’re Lookin’ at Country”
YouTube
Yüceses, Hamiyet
Zappa, Frank
“Zip-a-Dee-Doo-Dah”
“Zombie”
Zooid
Z-Ro