LAND AND SEA ASSETS. In 1999, this educational entity was renamed the Ocean Institute, a private non-profit attended by students from throughout California and beyond. The mission statement is “to inspire all generations, through education, to become responsible stewards of our oceans.” In 2002, it moved into this more expansive education center. On land, students learn hands-on with interactive laboratories and exhibits. (Photograph by Cliff Wassmann.)
LEARNING THE ROPES. In addition to teaching young students the ardors and glories of crewing a vintage rigged ship, the Ocean Institute extends this slice of living history to the devoted volunteer crew that maintains the ships, with headquarters in a New England–style sail loft beside the dock. Pilgrim sails only once a year, her 8,600 square feet of sails unfurled. Her two tall masts rise 110 feet in the air, scaled by experienced crews in the line of duty. (Photograph by the author.)
NEW ENGLAND REAPPEARS. While equipped with legally required engines, a stainless steel sink, and crew bunks for student overnights, this Pilgrim re-creation imparts a true feeling of being a player in maritime history. Elementary school students become crewmates, assigned to such duties as handling lines, raising sails, keeping watch, and gathering hides, as in the past. It is a rugged adventure, but one they never forget. (Photograph by the author.)
HIDE DROGHER STATUE. Permission to build on the hotel site included funding a piece of art. A statue of one of Dana’s crewmates tossing a cowhide over the bluff, as in history, was designed. Liz Bamattre, historical society president, became the adoptive mother of the Hide Drogher, guiding details of its creation and installation. The Drogher also became the society’s logo: a worker whose job was to deliver the goods to his crewmates, an Old West Indies term.
FIRING UP HISTORY. When the Stonehill Bridge was completed in 1992, the first vehicle over it was this 1965 Crown fire engine, the first state-of-the-art unit to serve the area. It spent its whole career at Station 29 in Capistrano Beach, acquired by the Dana Point Historical Society when it retired. Celebrating this dual role of history and civics are, from left to right, Doris Walker, historical society and Festival of Whales cofounder; Bill Bamattre, the mayor who drove the fire truck that day; and Carlos Olvera, then and now society president.
FANGS, THE GREAT WHITE SHARK. Suspended from a sling on the launching ramp crane, this 18-foot great white shark was an unusual catch by the Dana Point commercial fishing vessel Comanche in 1976. Landed alive after a five-hour fight, the two-ton fish was transported to Sea World San Diego, where she was exhibited. In the moving process, her jaws opened for the public that gathered, giving her the nickname “White Fangs.” (Photograph by the author.)
FIN WHALE. During another Festival of Whales, this 50-foot fin whale made of ferro-fiberglass came to rest in “Sandy’s” spot. Its smooth surface was an immediate attraction for youngsters to climb on and learn. Like the gray whale, the fin whale is a toothless filter-feeder. “Pheena” stayed long enough to smother the grass underneath her, so a permanent topiary whale, “Herb,” was planted there at Dana Point Harbor Drive and Island Way. (Photograph by the author.)
“FLO,” THE HUMPBACK WHALE. During one Festival of Whales, the enormous air-filled Flo joined visitors, floating along the children’s parade route propelled by dozens of supporting hands. She fulfilled that year’s theme: “Whales on Land, Sea, and Air.” Humpback whales are sometimes seen feeding along this shore. Namesake Dana reported sighting finbacks and humpbacks, as well as the dolphins still so active in these waters. (Photograph by the author.)
HISTORY REPEATS ITSELF. While the Festival of Whales began in 1972, mention of Dana Point’s association with this sea mammal was made in 1927, in the January 30 edition of the Los Angeles Examiner, as the early development of Dana Point was being announced. This caricature ties the name of the place and the three-masted ship Alert, the second vessel that brought namesake Dana here, with the visit of the whales.
NEW TOWN CENTER. Dana Point’s major civic project of the early 2000s is the redefining of Town Center, which starts at this split of Pacific Coast Highway and Del Prado. Significantly it lies between the city’s two other major transformations of the decade: harbor refurbishing below and headlands development above. Town Center must be traffic, business, and pedestrian friendly while retaining touches of its 1920s origin. Past, present, and future meet at this intersection with Street of the Blue Lantern.
AERIAL PERSPECTIVE OF A CITY, 1989. Geography has been kind to Dana Point. Its varied vistas include panoramic views of the ocean, the mountains, the valley, and the canyons. While from an aerial photograph it may appear relatively level to anyone who has not had the pleasure of being there, the modern build-out has generally taken advantage of its varying elevations. Hilly terraces have become residential communities. Storied cliffs still surround the anchorage where its history began.