from Shaping the Dark: Three Readings of Tony Lloyd’s Oil on Linen Painting ‘On a Dark Night You Can See Forever’

Robyn Rowland

ii. Night holds history inside its black cape.

You know when your unit reaches the top of this ridge

your truck will turn, unload, and the firing begins.

Sarajevo sits sparkling, a diamond sunk below the ring of hills;

cosmopolitan, blended Ottoman and Austrian and Bosnian,

a jangle of colour and bright spirit, a tight woven history.

You enjoy the lights now; ‘like fairyland’, your mother used to say;

and she’d wonder: ‘what are you doing here?’

People below don’t know what you know.

That they are now targets, ducks in a shooting gallery.

That fifteen hundred children will be killed, ten thousand adults;

three hundred mortars a day will burn their books, crush their history,

buildings and bodies fragmented.

For four years – no heat, no power, no water, no food.

Then they will know blackness:

a lightless city where only your flares will ignite it

so mortars can find victims in the dark.

That long black road may go on forever.