Selected Bibliography

Abstract Painting in America. Exh. cat. New York: Whitney Museum of American Art, 1935.

Agee, William C. The 1930s: Painting and Sculpture in America. Exh. cat. New York: Whitney Museum of American Art, 1968.

Allentuck, Marcia Epstein. John Graham's System and Dialects of Art. Baltimore and London: Johns Hopkins Press, 1971.

American Abstract Artists. Papers. Archives of American Art, Smithsonian Institution, Washington, D.C.

—— American Abstract Artists. American Abstract Artists, 1936-1966. New York: Ram Press, 1966.

——. American Abstract Artists, Three Yearbooks: 1938, 1939, 1946. New York: Arno Press, 1969.

Raigell, Matthew, and Julia Williams. Artists Against War and Fascism: Papers of the First American Artists' Congress. New Brunswick, N. J.: Rutgers University Press, 1986.

Balken, Debra Bricker. Albert Eugene Gallatin and His Circle. Exh. cat. Coral Gables, Fla.: Lowe Art Museum, 1986.

Balken, Debra Bricker, and Deborah Menaker Rothschild. Suzy Frelinghuysen and George L. K. Morris, American Abstract Artists: Aspects of Their Work and Collection. Exh. cat. Williamstown, Mass.: Williams College Museum of Art, 1992.

Barr Jr., Alfred H. Cubism and Abstract Art. Exh. cat. New York: Museum of Modern Art, 1936.

Berman, Greta. The Lost Years: Mural Painting in New York City Under the Works Progress Administration, 1935—1943. Ph.D. diss. Ann Arbor, Mich.: UMI Research Press, 1975.

Cheetham, Mark A. The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting. Cambridge: Cambridge University Press, 1991.

Cummings, Paul. Interview with Charles G. Shaw, April 15, 1968. Archives of American Art, Smithsonian Institution, Washington, D.C., 1968.

——. Interview with George L. K. Morris, December 11, 1968. Archives of American Art, Smithsonian Institution, Washington, D.C.

Davidson, Abraham E. Early American Modernist Painting 1910—1938. New York: Harper and Row, 1981.

Dreishpoon, Douglas. "Painters, Patrons, Proselytizers." In New York Cubists: Works By A. E. Gallatin, George L. K. Morris, and Charles Shaw from the Thirties and Forties. Exh. cat. New York: Hirschl and Adler Galleries, 1988.

Elderfield, John. "Geometric Abstract Painting and Paris in the Thirties, Part I." Artforum 8, no. 9 (May 1970), 54—58.

——. "American Geometric Abstraction in the Late Thirties." Artforum 11, no. 4 (December 1972), 35-42.

Falkenheim, Jacqueline V. Roger Fry and the Beginnings of Formalist Art Criticism. Ann Arbor, Mich.: UMI Research Press, 1980.

Force, Juliana. "The Whitney Museum of American Art." Creative Art 9, no. 5 (1931), 387-89.

Fry, Edward, ed. Fernand Leger: Functions of Fainting. Trans. Alexandra Anderson. New York: Viking Press, 1973.

Gallati, Barbara Dayer. "Reintroducing Suzy Frelinghuysen." In Suzy Frelinghuysen. Exh. cat. New York: Salander O'Reilly Galleries, 1997.

Gallatin, Albert Eugene. Papers. Archives of American Art, Smithsonian Institution, Washington, D.C.

——. "Contemporary Art in Museums." New York Sun, November 10, 1928, 33.

——. "The Gallery of Living Art, New York University." Creative Art 9, no. 3 (March 1929), xl.

——. Gallery of Living Art, New York University. New York: New York University, 1930.

——. Gallery of Living Art, A. E. Gallatin Collection. New York: New York University, 1933.

——. Museum of Living Art, A. E. Gallatin Collection. New York: George Grady Press, 1936.

——. Museum of Living Art, A. E. Gallatin Collection. New York: New York University, 1940.

Goldwater, Robert. "Art Chronicle: A Season of Art." Partisan Review 14, no. 4 (July-August 1947), 414—18.

Graham, John. System and Dialectics of Art. New York: Delphic Studios, 1937.

Greenberg, Clement. "The Late Thirties in New York." In Art and Culture: Critical Essays. Boston: Beacon Press, 1961.

——. "After Abstract Expressionism." Art International 6, no. 8 (October 1962), 230—35.

Guilbaut, Serge. How New York Stole the Idea of Modem Art: Abstract Expressionism, Freedom, and the Cold War. Trans. Arthur Goldhammer. Chicago: University of Chicago Press, 1983.

Gurin, Ruth. Interview with George L. K. Morris, 1962. Archives of American Art, Smithsonian Institution, Washington, D.C.

Hall-Duncan, Nancy. The American Avant-Garde: A Decade of Change, 1936—1946. Exh. cat. Greenwich, Conn.: Bruce Museum of Arts and Science, 2000.

Hellman, Geoffrey. "The Medici on Washington Square." New Yorker, January 18, 1941, 25—31.

Hoopes, Donelson. George L. K. Morris Retrospective Exhibition of Painting and Sculpture, 1930—1964. Exh. cat. Washington, D.C: Corcoran Gallery of Art, 1965.

Jackson, Ward. "George L. K. Morris: Forty Years of Abstract Art." Art Journal 32 (Winter 1972-73), 150-56.

Jordan, Jim M., and Robert Goldwater. The Paintings of Arshile Gorky: A Critical Catalogue. New York and London: New York University Press, 1982.

Knott, Robert. "Defenders of Abstraction." In American Abstract Art of the 1930s and 1940s: The Donald J. Nicholson Collection. Exh. cat. Winston-Salem, N. C: Wake Forest University Fine Arts Gallery, 1998.

Kraskin, Sandra. Pioneers of Abstract Art: American Abstract Artists. Exh. cat. New York: Sidney Mishkin Gallery, Baruch College, 1996.

Lader, Melvin Paul. "Peggy Guggenheim's Art of this Century: The Surrealist Milieu and the American Avant-Garde, 1942—1947." Ph.D. diss. University of Delaware, 1981.

Lanchner, Carolyn. Fernand Léger. Exh. cat. New York: Museum of Modern Art, 1998.

Lane, John R. Stuart Davis: Art and Art Theory. Exh. cat. Brooklyn, N.Y.: The Brooklyn Museum, 1978.

Lane, John R., and Susan C. Larsen, eds. Abstract Painting and Sculpture in America, 1927—1944. Exh. cat. Pittsburgh: Carnegie Institute, Museum of Art; New York: Harry N. Abrams, 1983.

Langhorne, Elizabeth. "George L, K. Morris: Critic." Art Criticism 1, no. 4 (1981), 20-39.

Larsen, Susan Carol. "The American Abstract Artists: A Documentary History 1936—1941." Archives of American Art Journal 14, no. 1 (1974), 2-7.

——. "The American Abstract Artists Group: A History and Evaluation of Its Impact Upon American Art." Ph.D. diss. Northwestern University, 1975.

——. "Going Abstract in the '30s: An Interview with Ilya Bolotowsky." Art in America 64, no. 5 (September—October, 1976), 70-79.

——. "Albert Gallatin: The 'Park Avenue Cubist' Who Went Downtown." Art News 77, no. 10 (December 1978), 80—82.

Lasner, Mark Samuels. "The Pursuit of the Rare: Three Early Beardsley Collectors." Gazette of the Grolier Club, no. 51 (2000), 5-26.

Lederman, Mildred F. "Albert Eugene Gallatin and His Contributions to American Twentieth-Century Art." Ph.D. diss. New York University, 1976.

Lizza, Richard Williams. "The American Abstract Artists: Thirties Geometric Abstraction as Precursor to Forties." Ph.D. diss. Florida State University, 1985.

Lorenz, Melinda. "George L. K. Morris, Artist and Critic." Ph.D. diss. University of California at Santa Barbara, 1981.

McBride, Henry. "The New Art Society." New York Sun, March 3, 1941, 8.

Mecklenberg, Virginia M. The Patricia and Philip Frost Collection: American Abstraction, 1930—1945. Exh. cat. Washington, D.C.: National Museum of American Art, 1990.

Mondrian, Piet. "Plastic Art and Pure Plastic Art" (1937). In Robert Herbert, Modern Artists on Art. Englewood Cliffs, N. J.: Prentice-Hall, 1965.

Morris, George L. K. Papers. Archives of American Art, Smithsonian Institution, Washington, D.C.

——. "Fernand Léger Versus Cubism." Bulletin of the Museum of Modern Art 3, no. 1 (October 1935), 2—7.

——. "On America and a Living Art." Museum of Living Art: A. E. Gallatin Collection. New York: George Grady, 1936.

——. "On the Abstract Tradition." Plastique, no. 1 (Spring 1937), 12-14.

——. "Art Chronicle: Some Personal Letters to American Artists Recently Exhibiting in New York." Partisan Review 4, no. 4 (March 1938), 36—41.

——. "On Critics and Greenberg: A Communication." Partisan Review 15, no. 6 (June 1948), 681—84.

——. "What Abstract Art Means to Me." Museum of Modern Art Bulletin, no. 18 (Spring 1951), 3—4.

O'Connor, Frances V., ed. The New Deal Art Projects: An Anthology of Memoirs. Washington, D.C.: Smithsonian Institution Press, 1972.

Orton, Fred, and Griselda Pollock. "Avant-Gardes and Partisans Reviewed." In Francis Frascina, ed., Pollock and After: The Critical Debate. New York: Harper and Row, 1985.

Pennington, Buck. "The 'Floating World' in the Twenties: The Jazz Age and Charles Green Shaw." Archives of American Art Journal 20, no. 4 (1980), 17—24.

Petruck, Peninah R. Y. "American Art Criticism, 1910—1939." Ph.D. diss. New York University, 1979.

Roosa, Wayne. "American Art Criticism in the '30s: Thomas Craven, George L. K. Morris, and Stuart Davis." Ph.D. diss. Rutgers, The State University of New Jersey, 1989.

Rose, Barbara. American Abstract Artists: The Early Years. Exh. cat. New York: Sid Deutsch Gallery, 1980.

Rosenberg, Harold. "The Thirties." In The De-definition of Art. Chicago: University of Chicago Press, 1972.

Sandler, Irving. The Triumph of American Painting: A History of Abstract Expressionism. New York: Praeger, 1970.

Schapiro, Meyer. "The Social Bases of Art" (1936). In David Shapiro, ed., Social Realism: Art as a Weapon. New York: Frederick Ungar, 1973.

——. "The Nature of Abstract Art" (1937). In Modern Art: 19th and 20th Centuries. New York: George Braziller, 1978.

Schipper, Merle. "Hélion and the Gallatin Collection." Paper presented at the annual meeting of the College Art Association, Los Angeles, 1984.

Seuphor, Michel. Abstract Painting: Fifty Years of Accomplishment, from Kandinsky to the Present. New York: Harry N. Abrams, [1962].

Shaw, Charles G. Papers. Archives of American Art, Smithsonian Institution, Washington, D.C.

——. The Low-Down. New York: Henry Holt and Co., 1928.

——. Nightlife. New York: John Day Co., 1931.

——. New YorkOddly Enough. New York: Farrar and Rinehart, 1938.

Stavitsky, Gail. "New York Cubists: Works by A. E. Gallatin, George L. K. Morris and Charles G. Shaw." Arts Magazine 62 (April 1988), 81-85.

——. "The Development, Institutionalization, and Impact of the A. E. Gallatin Collection of Modern Art." Ph.D. diss. New York University, 1990.

——. "The A. E. Gallatin Collection: An Early Adventure in Modern Art." Bulletin of the Philadelphia Museum of Art 89, nos. 379-80 (Winter/Spring 1994).

Strickler, Susan, and Elaine D. Gustafson. The Second Wave: American Abstraction of the 1930s and the 1940s: Selections from the Penny and Elton Yasuna Collection. Exh. cat. Worcester, Mass.: Worcester Art Museum, 1991.

Tritschler, Thomas Candor. "The American Abstract Artists, 1937-1941." Ph.D. diss. University of Pennsylvania, 1974.

Venn, Beth. "An Elusive Geometry: The Art of Charles G. Shaw." Charles G. Shaw. Exh. cat. New York: Whitney Museum of American Art, 1997.

Wainwright, Alexander D. "A Checklist of the Writings of Albert Eugene Gallatin." Princeton University Library Chronicle 14, no. 3 (Spring 1953), 141-51.