DANGER

Sometimes on quiet evenings

I visit hillside villages.

The music of poor men comforts me.

Days spent tunneling underground

must be so dark and harsh, but outdoors

at night, miners fill the village air

with songs of light . . .

until guitar players and singers

are surrounded

by drinkers,

and fights break out,

guns are drawn,

shots fired,

people injured.

When I accompany a doctor

to the bedside of a wounded man,

it feels oddly familiar

to once again be

a witness,

an outside observer

possessing no weapons

just verses

mere words.

This could have been me, lying bleeding

and helpless, back when I was younger

and more reckless, drinking, fighting,

and rebelling against the whole world

instead of just speaking out against

injustice.

At dawn, I leave the hills,

my heart filled with wonder

at the way human voices

persist in singing to blue sky,

no matter how crushing

the poverty, no matter

how dark

the tunnels

where miners

are forced to labor,

their suffering constantly

interrupted by daydreams.