A tenjō kudari (“ceiling hanger” yōkai) defends her theft

by Betsy Aoki

at night I hover above the beams you’ve hammered

between heaven and your spread silk coverlet

 

the air, which is nothing to you, is everything to me

the wood, which is something hard to you, is nothing to me

 

I slip fingers beyond the pine knots and holding on to breezes

with my other hand see the dust dancing between the straw

 

reach down for your sleeping face

 

eager for your exhalations      those moist, warm castoffs

they are spirals of rips                     bits of soft driftwood

 

eddying out from your body           discarded as casually

as you threw down my bones wrapped in kimono-rags

 

cast away as you did your horse fleeing on the road

from my father’s huntsmen    its lungs bursting      beneath your body

 

nightly your dead horse and I call to each other      strung singing

as we are from bough and beam sometimes hanging       still as skulls

 

above your head   as you sleep, as you ride, as you love

others far better than you ever loved us

 

tonight is the farthest I have ever stretched from the rafters

listening from the hackberry tree the horse whinnies in the cold

 

your eyelids flicker open as my cold lips fall on yours

no she does not even roll over as I steal your last breath

 

Inspired by The Hour of Meeting Evil Spirits: an Encyclopedia of Mononoke and Magic by Matthew Meyer

 

Elizabeth (Betsy) Aoki is a poet, short story writer and game producer. She has received fellowships and residencies from the City of Seattle, Artist Trust Foundation, Hedgebrook, and Clarion West Writers Workshop. She has a short story in Upper Rubber Boot Books’ anthology, Sharp & Sugar Tooth: Women Up to No Good, and her Uncanny poem “Okuri Inu, or the sending-off dog demon” was nominated for a Rhysling Award.

You can find her tweeting at @baoki or contact her via her website at betsyaoki.com.