POURS, or What stills reveal about the human figure

We are beings inhabited by surprise.
When we are still, speech pours out of us.
There is a reason for our hair.

A reason reasons our hair.
Did a little mouse run around “here”?
Or were we truly innocent of tabulation.

When still we are not cadavers.
Our biographies are not synonymous &
not letdowns.

Always chooses a note, & fails to sedate it.
A particular grief is always “being” jettisoned
until the soil, a varnish, lets up.

Because I said so.
Because “located” in inhabited space.
Because arm, ar

Nos oublis sont là, visibles et non pas chimériques

C’est acceptable, on dit
D’où vient ce pain merveilleux, on dit

La question est posée derrière l’écran du corps
La question est serrée entre les doigts

du visible, d’où on vient, d’où vient
ce pain

ce

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in a war, who lost an earlobe? who slept “right thru”?

Two

Tomarric an invention of a yellow spice or trill
Her ear still says so, is still
Fabulous with innuendo

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in a war, who baked flageolets with lamb? who “furnished”?

Three

There is an impetuous shadowing mirth
or Murph
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His beautiful length of fur seen in stills only
Still exists in stills a concocted reverie
But mortal does establish this

A coin or “this”
We inhabit or are spending
Sloughs off the human figure or off the dog

We have not been able to say “dog” up till now
In any poetry
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Si jamais on pouvait localiser la voix
Une corde de moins, l’empruntée ou “échec”
L’échouée

Today we are admitting certain consonants
as vowels
ovoid figures in a tested environment

Today we are admitting certain continents
as vow(el)s
Othered figurae in a viridial testament

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in a war, who carried forward the plush moniker? who “wised up”?

Four

Where we at last intended
a continent our gap still does disallow
my fortitude to admonish

As particular as any “new” regret
whose meaningful entity a swan song or landing
in a flecked home stilled

Our continent of admonish or disavow
The false dog who was no syllabus
but red hair & lopped or insistent grin

we cherished.
Some in him saw grey hound or razor cut above the eye
It was a catch-all

we did not inhabit
Car l’habitation implique la résonance de la mémoire
Car l’implication de la résonance écarterait la mémoire

Elle marche lentement vers ces pelouses vertes d’un hiver lointain
Pas habitable

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in a war, who wrung out the wet pyjama? who ached a stripe at noon?

Five

If an ovation is a lesser form of “triumph”
She came out at last with a feature that wept
against terminology

or spire, spite, danger sputum
Too “is” has been a way this danger does inhabit
presently

we are “up for walks” upon the greening Mountain
which is to say a feature or designation
Proper to admit or ponder

Proper to concatenate or disinter
Where features project an original form of landscape
what we planted there in still

Heretofore “unavailable”
La comtesse qui boit du café à la lumière du jour
Ils ont écrit: la précieuse lumière du jour dans leur pays

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in a war, who came back with curtailment? who “pitched” an arm?

el: Firstly, there is a lot here for which to beg your pardon. The deer came out of the hill trees to feed at the hot side of the building, stalking drifts to get there. It means an awful slow motion over time exposure. It was her house, there were still fallen apples. “Still” admits to what duration? The palimpsest determines or deters me. How will I know the answer, when I only saw the photos in which (& this cannot be changed now) the lower half of her legs was erased by the dog. A kind of pointing animal or reference out of the framework. Aside from this, I only want to say: fervid, avid, fervorous, ardour. These are the mechanisms I am trying to deal with. Yrs, er.