The Mea Culpa School is considered by some critics to be a subset of the Explanatory School, but others note the major new innovation by some of the more prominent members of this school—the deft element of whimsy.
The thrust of their poems is an acceptance of guilt via a creative and humorously inappropriate argument. In so doing, the poets are more concerned with imagination than plausibility, and we, the readers, are the better for it.
b. 1968
Actor Jeffrey Donovan takes a rather mundane situation—a DUI stop—and alchemically alters it with the introduction of poesy and Benadryl.
Sorry,
I didn’t see the red light or your stopped car . . .
The only mistake I made tonight
was drinking Benadryl with three glasses of wine,
I really think I’m only borderline
and not too drunk.
b. 1961
Sen. David Vitter’s poems bring to mind literary magazine Kenyon Review’s comment on the confessional poetry of Robert Lowell: “For these poems, the question of propriety no longer exists.” Vitter impressively goes several steps further than Lowell, abandoning decency and dignity as well.
i. The poet first expresses his basic philosophy:
I’m a conservative
who opposes
radically redefining
marriage—
the most important social institution
in human history . . .
I have no skeletons
in my closet.
ii. After being accused of having the “skeleton” of wearing diapers and consorting with a prostitute, the poet attacks:
The accusations are
Absolutely and
completely
untrue
just crass Louisiana politics.
iii. A short while later, the poet admits the truth, he indeed wore diapers with a prostitute, perhaps violating his strong family values stance, but God understands:
This was a very serious sin
in my past
for which I am, of course, completely responsible
Several years ago, I asked for and
received
forgiveness
from God
and my wife.
b. 1939
A fellow poet, Rev. Billy McCormack of the Louisiana Christian Coalition, weighs in.
Vitter may well be much more able
as a senator
now than before
because people tend to learn from their mistakes.