Ballad reproduced in the 1734 Select Trials
Arthur Gray was a footman who developed a passion for Griselda Murray, a relative of his master. Murray was a noted beauty, and former maid-in-waiting to Queen Caroline. One night she was staying at her father George Baillie’s house in St James’s, as she did when she was in London, when in the middle of the night Gray thrust open her bedroom door and entered, brandishing a sword and a pistol which he admitted he had brought with him to ‘put her in fear, and force her to comply’. Murray testified that Gray cried, ‘Madam, I mean to ravish ye, for I have entertained a violent love for you a long time, but as there is so great a difference betwixt your fortune and mine, I despair of enjoying my wishes by any means but force.’ She spent three-quarters of an hour begging him not to hurt her, but he replied, ‘No, I have ventured my life for your sake already, and therefore am resolutely bent to go through with my design, let the consequence be what it will – All the rest of the family are asleep, and if I lose this opportunity, I can never expect another. Your making a noise will signify nothing – I must and I will’ – and tried to rip the bedclothes off her. In the scuffle she was able to alert her parents and the household, and was rescued.
Gray was convicted and sentenced to death, but Griselda Murray procured a pardon for him; this was the cause of much salacious society gossip, insinuating that Murray (who belonged to a racy set) had in some way encouraged Gray’s affections. Friends like Lady Mary Wortley Montagu and Lord Hervey, respectively bitchy and sympathetic, wrote poems and ballads on the subject. Others speculated that Gray fabricated his passion for Murray to disguise his real motive, blackmail, saying that he had been hoping to catch her in bed with her purported lover, the progressive Bishop Burnet.
VIRTUE in Danger: Or, a Lamentable Story how a virtuous LADY had like to have been ravish’d by her Sister’s Footman.
To the Tune of, The Children in thee Wood.
WRITTEN by a LADY.
Now ponder well, ye ladies fair,
These words that I shall write:
I’ll tell a tale shall make you stare,
Of a poor lady’s fright.
She laid her down all in her bed,
And soon began to snore,
It never came into her head
To lock her chamber-door.
A footman of her sister dear,
A sturdy Scot was he,
Without a sense of godly fear,
Bethought him wickedly.
Thought he this lady lies alone,
I like her comely face;
It would most gallantly be done,
Her body to embrace.
In order to this bold attempt,
He ran up stairs apace;
While she, poor lady, nothing dreamt,
Or, dreamt it was his Grace.1
The candle flaming in her eyes,
Made her full soon awake:
He scorn’d to do it by surprize,
Or her a-sleeping take.
A sword he had, and hard by it,
A thing appear’d withal,
Which we, for very modesty,
A pistol chuse to call.
This pistol in one hand he took,
And thus began to woo her.
Oh! how this tender creature shook,
When he presented to her.
Lady, quoth he, I must obtain,
For I have lov’d thee long:
Would you know how my heart you gain’d,
You had it for a song.
Resolve to quench my present flame,
Or you shall murder’d be;
It was those pretty eyes, fair dame,
That first have murder’d me.
The lady look’d with fear, around,
As in her bed she lay;
And tho’ half dying in a swoon,
Thus to herself did say:
‘Who rashly judge,’ (it is a rule)
‘Do often judge amiss:
I thought this fellow was a fool;
But there’s some sense in this.’
She then recover’d heart of grace,
And did to him reply,
‘Sure Arthur, you’ve forgot your place,
Or know not that ’tis I.
‘Do you consider who it is,
That you thus rudely treat?
’Tis not for scoundrel scrubs to wish
To taste their master’s meat.’
Tut, tut, quoth he, I do not care;
And so pull’d down the cloaths:
Uncover’d lay this lady fair,
From bubbies down to toes.
‘Oh! Arthur, cover me’ (she said)
‘Or sure I shall get cold’:
Which presently the rogue obey’d;
He could not hear her scold.
He laid his sword close by her side;
Her heart went pit-apat:
‘You’ve but one weapon left,’ (she cry’d)
‘Sure I can deal with that.’
She saw the looby1 frighted stand,
Out of the bed jump’d she,
Catch’d hold of his so furious hand;
A sight it was to see!
His pistol-hand she held fast clos’d,
As she remembers well;
But how the other was dispos’d
There’s none alive can tell.
The sword full to his heart she laid,
But yet did not him slay;
For when he saw the shining blade,
God wot, he ran away.
When she was sure the knave was gone,
Out of her father’s hall,
This virtuous lady straight began
Most grievously to bawl.
In came Pawpaw, and Mawmaw dear,
Who wonder’d to behold:
‘Oot* Grisee, what a noise is here,
Why stond you in the cold?’
‘Mawmaw,’ she said, (and then she wept)
‘I have a battle won;
But if that I had soundly slept,
My honour had been gone.’
‘A footman of my sister, he –’
‘A footman!’ cried Mawmaw,
‘Dear Daughter this must never be,
And we not go to Law.’
This lady’s fame shall ever last,
And live in British song;
For she was, like Lucretia1 chaste
And eke was much more strong.