BIBLIOGRAPHY

  1. Michael A. Amundson, Talking Machine West: A History and Catalogue of Tin Pan Alley’s Western Recordings 1902–18, University of Oklahoma Press 2017
  2. Gage Averill, Four Parts, No Waiting: A Social History of American Barbershop Harmony, Oxford University Press 2003
  3. Christina L. Baade, Victory Through Harmony: The BBC and Popular Music in World War Two, Oxford University Press 2012
  4. Rob Baker, Beautiful Idiots and Brilliant Lunatics, Amberley 2015
  5. Louis Barfe, Where Have All the Good Times Gone: The Rise and Fall of the Record Industry, Atlantic 2004
  6. Tony Bennett, Life Is a Gift, HarperCollins 2012
  7. Billy Bragg, Roots, Radicals and Rockers: How Skiffle Changed the World, Faber & Faber 2017
  8. Matt Brennan, Kick It: A Social History of the Drum Kit, Oxford University Press 2020
  9. Donald Clarke, The Rise and Fall of Popular Music, Penguin 1995
  10. Peter Cliffe, Fascinating Rhythm: Dance Tunes from Between the Wars and the Stars Who Made Them Magical, Egon 1990
  11. Harvey G. Cohen, Duke Ellington’s America, University of Chicago Press 2017
  12. Rich Cohen, Machers and Rockers, W. W. Norton 2004
  13. Nicholas Dawidoff, In the Country of Country, Faber & Faber 2005
  14. Robin Douglas-Home, Sinatra, Grossett & Dunlap 1961
  15. Susan and Lloyd Ecker, I Am Sophie Tucker, Prospecta Press 2014
  16. Travis Elborough and Nick Rennison, A London Year, Frances Lincoln 2013
  17. Ken Emerson, Doo-Dah! Stephen Foster and the Rise of American Popular Culture, Simon & Schuster 1997
  18. Daniel Farson, Marie Lloyd and Music Hall, Tom Stacey Ltd 1972
  19. Will Friedwald, The Great Jazz and Pop Vocal Albums, Pantheon 2017
  20. Philip Furia, Irving Berlin: A Life in Song, Schirmer 1998
  21. Peter Gammond, Scott Joplin and the Ragtime Era, Abacus 1975
  22. Rolan Gelatt, The Fabulous Phonograph, Cassell 1956
  23. Gary Giddins, Bing Crosby: A Pocketful of Dreams, Little, Brown 2000
  24. Isaac Goldberg, Tin Pan Alley, John Day 1930
  25. Leslie Gourse, Unforgettable: The Life and Mystique of Nat King Cole, New English Library 1991
  26. Tim Gracyk with Frank Hoffmann, Popular American Recording Pioneers 1895–1925, Haworth Press 2000
  27. Benny Green, Let’s Face the Music: The Golden Age of Popular Song, Michael Joseph 1990
  28. Kitty Grime, Jazz at Ronnie Scott’s, Robert Hale 1979
  29. Charles Hamm, Yesterdays: Popular Song in America, W. W. Norton 1979
  30. Roy Hemming and David Hajdu, Discovering Great Singers of Classic Pop, Newmarket 1991
  31. Eric Hobsbawm, The Jazz Scene, Faber & Faber 1959
  32. Eric Hobsbawm, ‘On the Reception of Jazz in Europe’, in Jazz und Sozialgeschichte, Chronos 1994
  33. Adrian Horn, Juke Box Britain: Americanisation and Youth Culture 1945–60, Manchester University Press 2009
  34. Alan Hyman, The Gaiety Years, Cassell 1975
  35. Chris Ingham, The Rough Guide to Frank Sinatra, Penguin 2005
  36. Mark Katz, Capturing Sound: How Technology Has Changed Music, University of California Press 1974
  37. Lenny Kaye, You Call It Madness: The Sensuous Song of the Croon, Villard 2004
  38. Charles Keil, Angeliki V. Keil and Dick Blau, Polka Happiness, Temple University Press 1992
  39. J. J. Kennedy, The Man Who Wrote the Teddy Bears’ Picnic, Author House 2011
  40. William Howland Kenney, Recorded Music in American Life: The Phonograph and Popular Memory 1890–1945, Oxford University Press 2003
  41. John Lahr, ‘Come Rain or Come Shine: The Bittersweet Life of Harold Arlen’, The New Yorker, September 2005
  42. Frankie Laine and Joseph F. Laredo, That Lucky Old Son, Pathfinder 1993
  43. Philip Larkin, All What Jazz: A Record Diary 1961–68, Faber & Faber 1970
  44. Philip Larkin, Reference Back: Uncollected Jazz Writings 1940–1984, University of Hull Press 1999
  45. Peggy Lee, Miss Peggy Lee, Bloomsbury 1990
  46. Geoff Leonard and Pete Walker, Hit and Miss: The Story of the John Barry Seven, Redcliffe Press 2018
  47. Bruce Lindsay, Shellac and Swing: A Social History of the Gramophone in Britain, Fonthill 2020
  48. Anita Loos, Kiss Hollywood Goodbye, Viking 1974
  49. William McBrien, Cole Porter, Vintage 2000
  50. Allison McCracken, Real Men Don’t Sing: Crooning in American Culture, Duke University Press 2015
  51. Sara Maitland, Vesta Tilley, Virago 1986
  52. Karl Hagstrom Miller, Segregating Sound, Duke University Press 2010
  53. Judah Mirvish, ‘Albert Sandler: A Life and Discography’, Atavist.com (accessed 20 June 2017)
  54. Jerrold Northrop Moore, A Matter of Records: Fred Gaisberg and the Golden Era of the Gramophone, Taplinger 1976
  55. John Mullen, Propaganda and Dissent in British Popular Song During the Great War, Université de Bourgogne 2011
  56. Stuart Nicholson, Billie Holiday, Weidenfeld & Nicolson 1995
  57. Paul Oliver, Conversation with the Blues, Cassell 1965
  58. Paul Oliver, Songsters and Saints: Vocal Traditions on Race Records, Cambridge University Press 1994
  59. Richard Osborne, Vinyl: A History of the Analogue Record, Ashgate 2012
  60. Richard A. Peterson, Creating Country Music: Fabricating Authenticity, University of Chicago Press 1997
  61. Claudia Roth Pierpont, ‘Jazzbo: Why We Still Listen to Gershwin’, The New Yorker, January 2005
  62. Henry Pleasants, Serious Music and All That Jazz, Simon & Schuster 1969
  63. Henry Pleasants, The Great American Popular Singers, Simon & Schuster 1974
  64. J. P. Robinson, Fanatics and Collectors, Few Press 2020
  65. Clarkson Rose, Red Plush and Greasepaint: A Memory of the Music Halls, Museum Press 1964
  66. Steve Roud, Folk Song in England, Faber & Faber 2017
  67. Robert Rushmore, The Life of George Gershwin, Crowell-Collier Press 1966
  68. Jon Savage, Teenage: The Creation of Youth: 1875–1945, Faber & Faber 2008
  69. Meryle Secrest, Somewhere for Me: A Biography of Richard Rodgers, Alfred A. Knopf 2001
  70. Arnold Shaw, The Jazz Age: Popular Music in the 1920s, Oxford University Press 1987
  71. Wilfrid Sheed, The House That George Built, Random House 2008
  72. Alyn Shipton, A New History of Jazz, Continuum 2001
  73. David and Caroline Stafford, Fings Ain’t Wot They Used t’Be: The Lionel Bart Story, Omnibus 2011
  74. Mark Steyn, Broadway Babies Say Goodnight: Musicals Then and Now, Faber & Faber 1997
  75. Richard M. Sudhalter, Stardust Melody: The Life and Music of Hoagy Carmichael, Oxford University Press 2002
  76. David Suisman, Selling Sounds: The Commercial Revolution in American Music, Harvard University Press 2009
  77. David Suisman and Susan Strasser, Sound in the Age of Mechanical Reproduction, University of Pennsylvania Press 2010
  78. Nicholas E. Tawa, The Way to Tin Pan Alley: American Popular Song 1866–1910, Schirmer Reference 1990
  79. Terry Teachout, Duke: A Life of Duke Ellington, Avery 2013
  80. Melanie Tebbutt, Making Youth: A History of Youth in Modern Britain, Palgrave 2016
  81. Robert C. Toll, Blacking Up: The Minstrel Show in Nineteenth-Century America, Oxford University Press 1974
  82. Sheila Tracy, Talking Swing: The British Big Bands, Mainstream 1997
  83. Ted Vincent, Keep Cool: The Black Activists Who Built the Jazz Age, Pluto Press 1995
  84. Brian Ward and Patrick Huber, A&R Pioneers: Architects of American Roots Music on Record, Vanderbilt University Press 2018
  85. Joel Whitburn, Pop Memories 1890–1954, Record Research Inc. 1986
  86. Ian Whitcomb, After the Ball, Penguin 1972
  87. Ian Whitcomb, Irving Berlin and Ragtime America, Ebury 1987
  88. Jonny Whiteside, Cry: The Johnnie Ray Story, Barricade 1994
  89. Alec Wilder, American Popular Song: The Great Innovators 1900–1950, Oxford University Press 1972
  90. P. G. Wodehouse and Guy Bolton, Bring on the Girls, Herbert Jenkins 1954