The Warm Rain

Against the darker trees or an open car shed

is where we first see rain, on a cumulous day,

a subtle slant locating the light in air

in front of a forties still of tubs and bike-frames.

Next sign, the dust that was white pepper bared

starts pitting and re-knotting into peppercorns.

It stops being a raceway of rocket smoke behind cars,

it sidles off foliage, darkens to a lustre. The roof

of the bush barely leaks yet, but paper slows right down.

Hurrying parcels pearl but don’t now split

crossing the carparks. People clap things in odd salute

to the side of their heads, yell wit, dance on their doubles.

The sunny parallels, when opposite the light, have a flung look

like falling seed. They mass, and develop a shore sound:

fixtures get cancelled, the muckiest shovels rack up.

The highway whizzes, and lorries put spin on vapour:

soon puddles hit at speed will arch over you like a slammed sea.

I love it all, I agree with it. At nightfall, the cause

of the whole thing revolves, in white and tints, on TV

like the Crab nebula: it brandishes palm trees like mops,

its borders swell over the continent, they compress the other

nations of the weather. Fruit bumps lawn, and every country dam

brews under bubbles, milky temperas sombering to oils.

Grass rains upward; the crepe-myrtle tree heels, sopping crimson,

needing to be shaken like the kilt of a large man.

Hills run, air and paddocks are swollen. Eaves dribble like jaws

and coolness is a silent film, starring green and mirrors.

Tiny firetail finches, quiet in our climber rose, agree to it

like early humans. Cattle agree harder, hunched out in the clouds.

From here, the ocean may pump up and up and explode

around the lighthouses in gigantic cloak sleeves, the whole book

of foam slide and fritter, disclosing a pen shaft. Paratroops

of salt water may land in dock streets, skinless balloons

be flat out to queue down every drain, and the wind race

thousands of flags. Or we may be just chirpings, damped

under calm high cornfields of pour, with butter clearings

that spread and resume glare, hiding the warm rain

back inside our clothes, as mauve trees scab to cream

and grey trees strip bright salmon, with loden patches.