SUSPENDED VESSELS

for Joanna Gooding and Simon Curtis

Here is too narrow and brief:

equality and justice, to be real,

require the timeless. It argues

afterlife even to name them.

I’ve thought this more since that morning

in barren country vast as space-time

but affluent with cars

at the fence where my tightening budget

denied me basket-room

under the haunches of a hot-air balloon

and left thirteen people in it,

all ages, teens to grans,

laughing excitedly as the dragon nozzle

exhaled hoarse blazing lift, tautening it,

till they grabbed, dragged, swayed

up, up into their hiatus.

Others were already aloft,

I remember, light bulbs against the grizzled

mountain ridge and bare sky,

vertical yachts, with globe spinnakers.

More were being rigged, or offering

their gape for gusts of torch.

I must have looked away—

suddenly a cry erupted everywhere:

two, far up, lay overlapping,

corded and cheeked as the foresails of a ship

but tangled, and one collapsing.

I suppress in my mind

the long rag unravelling, the mixed

high voice of its spinning fall,

the dust-blast crash, the privacies

and hideous equality without justice

of those thirteen, which running helpers,

halting, must have seen

and professionals lifted out.

Instead, I look at coloured cash and plastic

and toddlerhood’s vehement equities

that are never quite silenced.

Indeed, it prickles, and soon glares

if people do not voice them.