Scene Two

OTTO is seated. DOM stands at full attention, covering one eye with a bag of frozen peas.

OTTO

I told you not to engage her in conversation; you don’t have the skill set. Can’t you get a name out of someone without losing an eye? “Take down her particulars” is what I think I said. And don’t stand at attention all the time.

DOM

I’m only trying to fill out the jacket.

OTTO

It’s not just about posture in this business.

DOM

I walked out before she got to me.

OTTO

Listen to me. Are you listening to me?

DOM

Is it really that big?

OTTO

Don’t talk to me about these new uniforms.

DOM

She has no respect for authority.

OTTO

Don’t say that; you don’t know her. You don’t know her motives. Okay, you think you know; what are her motives?

DOM

She’s a thief.

OTTO

“Thief” is not a – listen to me – not a motive. “Thief” is a consequence. You understand?

DOM

No.

OTTO

We’ll go out sometime, we’ll talk about it.

DOM

Like – after work? Like friends?

OTTO

Look at me.

DOM

I am.

OTTO

Are you all right, can you see?

DOM opens his eye, blinks.

DOM

I think so.

OTTO

Jesus. Okay. What do we know so far?

DOM

Her name is Alma.

OTTO

Says who?

DOM

Her: she told me. And the other one is Phyllis.

OTTO

Phyllis.

DOM

To us, they don’t have names, right?

OTTO

Where did you get that?

DOM

To us they’re the apprehended suspects.

OTTO

Are you just making stuff up now?

DOM

It’s in the training curriculum.

OTTO

You’ve been here, what, six hours?

DOM

Closer to seven, sir.

OTTO

Don’t get too excited about the training curriculum. You want to quote me the protocols for handling evidence, too? When meat falls out of somebody’s underpants? What goes on here is not covered in any rule book, believe me. Listen and learn. Sit down, for God’s sake, you make me feel like I’m at a –

DOM

Sir?

OTTO

– military tribunal. And why are you always interrupting me?

DOM

I’m only seeking clarification.

OTTO

You’re what?

DOM

When in doubt I should seek clarification.

OTTO

You can throw all that out the window. In here, it’s survival, going with your gut. It’s like this morning, with the banana thing –

DOM

I’m still a little confused about the bananas.

OTTO

It’s called a supposition of innocence. Sometimes a person will peel a banana and eat it while they’re shopping. And then when they get to the checkout they will probably pay for it. You don’t grab their arm and attempt to throw them to the ground.

DOM

So how do they weigh it?

OTTO

Huh?

DOM

Won’t it weigh less if the customer eats it?

OTTO

Is this a conversation about bananas? Could we just –

DOM

I made up for that, though.

OTTO

Yeah, you more than made up for it.

DOM

I knew she was up to something.

OTTO

Alma. Alma.

DOM

And Phyllis.

OTTO

Huh?

DOM

And what about securing and protecting the crime scene?

OTTO

Don’t call it a crime. It’s a story. What we need to do is get behind the story. We need to get inside their heads. You know why?

DOM

Because they’re the enemy.

OTTO

Where do you get that? How? How are they the enemy?

DOM

It’s like when you’re in a battle, in a war, right?

OTTO

Holy Jesus. You ever been in a war?

DOM

Not a regular war.

OTTO

The Salvation Army is not an army, just so you know.

DOM

Tell that to the Devil.

OTTO

I’m guessing you were a little too zealous for them.

DOM

Sometimes you just have to make people charitable.

OTTO

Sure, well, in here we work with a little less ardour. It’s more about attentiveness. It’s a sensitive environment. You don’t want to scare people away from buying their groceries.

DOM

No sir.

OTTO

When you run around shouting like that, in the middle of the store like that, all you’re doing is stopping the wrong people from doing the right things. You know what’s going on out there?

DOM

Where?

OTTO

Out – there?

DOM

Vice is what’s going on.

OTTO

Is that what you see? Vice?

DOM

An epidemic.

OTTO

Did I say that before? Don’t quote back to me things I didn’t say before. What I said was, we live in a world of have and have not. I think I said it over by the specialty foods, because whenever I’m over in the specialty foods I think about people in other parts of the world.

DOM

I remember, yeah.

OTTO

And we are here to remind people what they don’t have, they can’t have by just stuffing it into their jackets; the imbalances of the world cannot be corrected by a can of stolen tuna. And in a quiet and orderly way, we just induce them to please return the items from whence they were absconded, and walk away the better for it.

DOM

Is that why you told me not to stop them?

OTTO

Did I say not to stop them?

DOM

You said –

OTTO

It’s not just about stopping; it’s how we stop them. We represent the conscience, Dom. This new uniform, as ugly and ill fitting as it may be, speaks to the higher nature of human conduct. When some person dares to strike out at the world by sticking a frozen cheesecake into their backpack or whatever, we are here to remind them that there is a better way. You might want to unclench your fists a little.

DOM

I can’t help it.

OTTO

I know, and I understand. It’s hard to accept that there is wrong in the world, but we’re not just talking about some ladies with steaks up their dresses. Who are the real thieves? Ask yourself. We don’t have to do this, you know. Let people steal. Personally, I hate this fucking job. I could be doing something else with my fucking life. I could be out there –

DOM

Where?

OTTO

There!

DOM

I thought they were letting you go.

OTTO

I didn’t tell you that. Who told you that?

DOM

It’s why you’re training me in.

OTTO

I told you we had philosophical differences is what I told you. Letting me go? I’m letting them go. The kid takes a bottle of rubbing alcohol . . . rubbing alcohol. Is it Armageddon?

DOM

What kid?

OTTO

They hire you to guard the fucking merchandise, but are they down here, on the front lines, making these life-and-death, on-the-spot decisions? You know who’s making these decisions?

DOM

Us?

OTTO

You know what? Sometimes when I ask a question you don’t always have to answer it.

Beat.

Alma . . .

DOM

Should we go get them from the holding area?

OTTO

Who? No, let them sit in that locker for a while. Work up a sweat.

DOM

How? It’s eight degrees.

OTTO

We’ll let them just think about what they’ve done. You know what I’m saying?

DOM

Sir?

OTTO

Don’t call me “sir.” What?

DOM

I’ve been meaning to say –

OTTO

Don’t say you’ve “been meaning to say,” just say.

DOM

We did not clearly identify ourselves.

OTTO

When?

DOM

When we apprehended the suspects. We did not clearly identify ourselves as security providers.

OTTO

Here we go again with their rules! What do they think this is? Water polo? Or that fucking game with the weird bats that sounds like a – an insect?

DOM

And why aren’t we calling the police? I thought –

OTTO

That just narrows the scope of this investigation. The police walk in and bam, it’s over, Dom. Case closed.

DOM

Don’t we want it closed?

OTTO

It’s a door, Dom, you open it, see what’s on the other side. Without knowledge, Dom, without knowledge, what are we? Just . . . some guys guarding a store. Of course, now you’ve complicated the situation by, you know, catching these two –

DOM

That’s right.

OTTO

Let’s just go back to the beginning. You saw her put the meat under there.

DOM

I didn’t see anything.

OTTO

No?

DOM

I didn’t see her conceal the meat. I was just using my – you know?

OTTO

No.

DOM

The other one, she was walking in an unwieldy manner, so I used my intuition.

OTTO

Who asked you to use that?

DOM

I just wanted to make an impact here.

OTTO

Oh you did that, all right. We don’t have a case now.

DOM

What about the cameras?

OTTO

They were in a blind spot. We don’t have a case.

DOM

So we build a case.

OTTO

What are you talking about? How? How do we do that?

DOM

Give me one more try with her.

OTTO

Look, Dom, it’s your first catch – and congratulations, you caught a big one, and on your first shift and everything – but we don’t have a case if you didn’t see it happen.

DOM

You can’t just let them go.

OTTO

Who’s letting anybody go? It’s a bad stop. They could sue us for holding them without evidence. If we let them go now, we’re done for. We need a confession.

DOM

Maybe they’re holding more evidence. Maybe we need to search them.

OTTO

We can’t search them. We can’t do anything. Unless they actually confess –

DOM

I’ll get a confession.

OTTO

Look at you; you’re like a gun ready to go off. I’m taking over from here. Besides, I was the one who spotted her.

DOM

But you didn’t even think they were walking all that funny.

OTTO

In this neighbourhood, everybody walks funny.

He weakens.

Oh boy.

DOM

Are you okay, sir?

OTTO

Okay? I’ve been doing this job for thirty fucking years. Thirty! Go talk to her friend.

DOM

I won’t lose my cool this time.

OTTO

Just do what I do. Look at them through softened eyes. Like this.

He demonstrates.

DOM

What does that do?

OTTO

It’s a relaxation thing. I’m using it to reduce my stress. The job, the changes, when I need calming and mindfulness – you know, in order not to – Jesus. I think I’m having a heart attack.

DOM

I think I’m having one, too. My heart’s just, practically –

OTTO

This is a blood-pressure situation.

DOM

I know CPR.

DOM approaches OTTO, open mouthed.

OTTO

What are you –

DOM

I just –

OTTO

I’m fine for the moment, thanks. I can breathe on my own. Just sometimes – with all the pressure –

DOM

Yeah, the pressure –

OTTO

We don’t want to –

DOM

We don’t want to fly off the handle and kill anyone.

OTTO

What?

DOM

All I’m saying –

OTTO

Yeah, well – don’t say that. That’s not –

DOM

Not –

OTTO

We’ll just – we’ll leave them alone for a few more minutes.

DOM

Let them reflect on God and his commandments.

OTTO

Something like that.

DOM

Not let them pee.

OTTO

Yeah, well that’s –

DOM

No woman can stand being away from a restroom for too long.

OTTO

I guess not.

DOM

We’ll show them how it’s done. Right, Otto?

OTTO

This is how it’s done. With reason and good judgment and, who knows, maybe even a little humanity. Because without that, without that –

DOM

Sure.

Beat.

DOM

Have we got any duct tape?

Blackout. In silhouette, DOM and OTTO exit, returning a moment later with ALMA and PHYLLIS, a nervous thirty-two-year-old dressed as stylishly as she can afford. The two men seat the women at either end of the table, then leave, locking the door.