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Index
PROLOGUE
Foreword – “Someone needs to make the sand” ........... 7
Why I am writing these “Novel-writing guidelines” .... 10
Why You might be interested in these “Novel-Writing
What this document “Is NOT” .......................... 12
Novel-writing guidelines Notes......................... 14
The Story-publishing Industry ........................ 25
Genres ............................................... 32
Novel-building principles ............................ 64
The Experience ....................................... 77
Social Agenda ........................................ 79
Happening-Motivations, Happenings, and Pivots ........ 89
Happening-motivations and Pivots – Plot .............. 90
Happening-motivations, Happenings, and Pivots – Dis-
Happening-motivations, Happenings, and Pivots –
Undercurrents ....................................... 159
Characters - General ................................ 161
Characters – Protagonists ........................... 176
Characters – Secondary characters ................... 197
Characters – Incidental characters .................. 204
Characters – Character Groups ....................... 205
Characters – Alien personalities .................... 209
Happening-motivations and Happenings – Relationships 228
Place – The World ................................... 243
Place – Technology (Technological and legal) ........ 249
Place – Setting (A sub-element of the world) ........ 252
Place – Industry (or vocation) ...................... 259
Place – Locations ................................... 260
Happenings and Pivots – Plot-arc .................... 267
Happening-motivations – Non-plot-arc content ........ 277
Happenings and Pivots – Character arcs .............. 279
Happenings, Happening-Motivations, and Pivots –
Happenings and Pivots – Relationship-arcs (Relationship
Happenings and Pivots – Character-group arcs ........ 298
Pivots – Decision-points ............................ 300
Happenings and Pivots – Plans ....................... 308
Reader-Character Relationships – Getting the Reader to
Reader-author relationships – Creating a phantom reader-
Reader-Character Relationships – Creating Phantom
Creating Meeting Reader-Expectations ................ 339
Creating Reader-Believability ....................... 342
Creating Reader-Interest ............................ 345
Creating Reader-Entertainment ....................... 356
Creating Reader-Delight ............................. 361
Creating Reader-Feelings (and moods?) ............... 369
Creating Maintaining Reader-Investment .............. 377
Creating Reader-Thoughts ............................ 380
Creating reader-Comprehension ....................... 388
Creating Reader-“Rooting-for-a-character” ........... 389
Creating Reader-XXX: “Emotion” transition-templates . 390
Happenings – Chapters (and plot-arc) ................ 399
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