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Index
Cover
Title Page
Note to Reader
Dedication
Contents
Introduction
T’AO CH’IEN (365–427)
Drinking Wine (I)
Drinking Wine (II)
Drinking Wine (III)
Returning to Fields and Gardens (I)
Returning to Fields and Gardens (II)
WANG HAN (687–726)
Song of Liang-chou
WANG WEI (701–761)
Bamboo Grove
Deer Park
Hsin-yi Village
Untitled
Highland
Sending Of Mr. Yuan
LI PO (701–762)
Drinking Alone with the Moon
Song of Ch’ang-kan
Night Thoughts
The Lotus
To the Tune of “Clear Happiness”
TU FU (712–770)
Return to Chiang Village
Spring View
Night at the Tower
Moonlight Night
Toughts on a Night Journey
PO CHÜ-I (772–846)
A Question Addressed to Mr. Liu
LIU TSUNG-YÜAN (773–819)
Snow on the River
LI HO (790–816)
Flying Light
Song of the Collator’s Sword in the Spring Bureau
Autumn Comes
TU MU (803–852)
Anchored at Ch’in-huai River
Easing My Heart
LI SHANG-YIN (813–858)
The Brocade Zither
Untitled (I)
Untitled (II)
The Lo-yu Tombs
On a Rainy Night, Lines to Be Sent North
LI YÜ (937–978)
To the Tune of “Meeting Happiness”
To the Tune of “Joy in the Oriole’s Flight”
SU TUNG-P’O (1036–1101)
Spring Night
LI CH’ING-CHAO (1084–1151)
To the Tune of “Intoxicated in the Shadows of Flowers”
To the Tune of “Telling My Most Intimate Feelings”
MA CHIH-YÜAN (1260–1324)
To the Tune of “Plum Blossoms in the Breeze”: Evening Bell at a Misty Temple
To the Tune of “Sailing at Night”(I)
To the Tune of “Sailing at Night”(II)
To the Tune of “Sky-clear Sand”: Autumn Toughts
SHEN CHOU (1427–1509)
Inscribed on a Painting
CHU TA, PA-TA-SHAN-JEN (1626–1705)
Globefsh
Bamboo
From a Painting of a Cat
Inscription for a Painting
Bright Light and Cloud Shadows
WEN I-TO (1899–1946)
Dead Water
Perhaps
Miracle
The Last Day
YEN CHEN (twentieth century)
Good Harvest
The Plum Hint
On the Willow Bank
Red Rain
Notes to Poems
Biographical Notes
About the Translator
Copyright
Special Thanks
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