The History of Joseph Andrews, Volume 2

The History of Joseph Andrews, Volume 2
Authors
Fielding, Henry
Publisher
BiblioBazaar
Tags
language arts & disciplines , linguistics , general
ISBN
9781140964117
Date
2006-01-01T00:00:00+00:00
Size
0.18 MB
Lang
en
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Joseph Andrews - Volume 2, was the first published full-length novel of the English author and magistrate Henry Fielding. Published in 1742 and defined by Fielding as a "comic epic poem in prose", it is the story of a good-natured footman's adventures on the road home from London with his friend and mentor, the absent-minded parson Abraham Adams. The novel represents the coming together of the two competing aesthetics of eighteenth-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift; and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on a variety of inspirations. Written "in imitation of the manner of Cervantes, the author of Don Quixote", the work owes much of its humour to the techniques developed by Cervantes, and its subject-matter to the seemingly loose arrangement of events, digressions and lower-class characters to the genre of writing known as picaresque. In deference to the literary tastes and recurring tropes of the period, it relies on bawdy humour, an impending marriage and a mystery surrounding unknown parentage, but conversely is rich in philosophical digressions, classical erudition and social purpose. Fielding's first venture into prose fiction came a year previously with the publication in pamphlet form of Shamela, a travesty of, and direct response to, the stylistic failings and moral hypocrisy that Fielding saw in Richardson's Pamela. Richardson's epistolary tale of a resolute servant girl, armed only with her "virtue", battling against her master's attempts at seduction had become an overnight literary sensation in 1741. The implicit moral message — that a girl's chastity has eventual value as a commodity —, as well as the awkwardness of the epistolary form in dealing with ongoing events, and the triviality of the detail which the form necessitates, were some of the main targets of Fielding's parody.