Atlas

Kai-cheung Dung is an inventive and prolific author whose internationally-acclaimed, genre-bending work defies traditional acts of representation and narrative. This absorbing novel best exemplifies his versatility and experimentation, along with Chinas rapidly evolving literary culture, merging fiction, nonfiction, and poetry in a story of succeeding and failing to recapture the things we lose.Set in the long-lost City of Victoria (a fictional world similar to modern-day Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sectionstheory, the city, streets, and signsDungs novel reimagines Victoria through maps and other historical documents and artifacts, much like Italo Calvinos, Jorge Luis Borgess, and Paul Austers quasi-fictional adventures in map-reading and remapping. Mixing...

Set in the long-lost City of Victoria (a fictional world similar to Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sections–"Theory," "The City," "Streets," and "Signs"–the novel reimagines Victoria through maps and other historical documents and artifacts, mixing real-world scenarios with purely imaginary people and events while incorporating anecdotes and actual and fictional social commentary and critique. Much like the quasi-fictional adventures in map-reading and remapping explored by Paul Auster, Jorge Luis Borges, and Italo Calvino, Dung Kai-cheung's novel challenges the representation of place and history and the limits of technical and scientific media in reconstructing a history. It best exemplifies the author's versatility and experimentation, along with China's rapidly evolving literary culture, by blending fiction, nonfiction, and poetry in a story about succeeding and failing to recapture the things we lose. Playing with a variety of styles and subjects, Dung Kai-cheung inventively engages with the fate of Hong Kong since its British "handover" in 1997, which officially marked the end of colonial rule and the beginning of an uncharted future.

Kai-cheung Dung is an inventive and prolific author whose internationally-acclaimed, genre-bending work defies traditional acts of representation and narrative. This absorbing novel best exemplifies his versatility and experimentation, along with China's rapidly evolving literary culture, merging fiction, nonfiction, and poetry in a story of succeeding and failing to recapture the things we lose.

Set in the long-lost City of Victoria (a fictional world similar to modern-day Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sections--"theory," "the city," "streets," and "signs"--Dung's novel reimagines Victoria through maps and other historical documents and artifacts, much like Italo Calvino's, Jorge Luis Borges's, and Paul Auster's quasi-fictional adventures in map-reading and remapping. Mixing real-world scenarios with purely invented people and events, and incorporating anecdote and actual and fictional social commentary and critique, Dung's novel challenges the representation of place and history and the limits of technical and scientific media in reconstructing that history. Playing with a variety of styles and subjects, Dung creatively engages with the fate of Hong Kong since its British "handover" in 1997, which officially marked the end of colonial rule and the beginning of an uncharted future.