Filmosophy

Filmosophy
Authors
Frampton, Daniel
Publisher
Wallflower Press
Tags
philosophy , per004000 , performing arts , film and video , general , aesthetics , phi001000
ISBN
9781904764854
Date
2006-12-12T00:00:00+00:00
Size
14.96 MB
Lang
en
Downloaded: 63 times

Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Munsterberg to Gilles Deleuze) into a practical theory of “film-thinking,” arguing that film style conveys poetic ideas through a constant dramatic “intent” about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Bela Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.

Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Munsterberg to Gilles Deleuze) into a practical theory of “film-thinking,” arguing that film style conveys poetic ideas through a constant dramatic “intent” about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Bela Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.

Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo MUnsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as BEla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike.

FILMOSOPHY (R) is a registered U.S. trademark owned by Valentin Stoilov ([www.filmosophy.com](http://www.filmosophy.com)) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.