[Gutenberg 52436] • Fifteen Discourses

The most careless reader of these Discourses of Sir Joshua Reynolds will be struck by their frequent slighting and depreciatory allusions to the great Venetian colourists, and by the almost passionate note of warning sounded in them against the teaching and influence of these masters. The school of Venice is always referred to by Sir Joshua as the “decorative” school; “mere elegance” is defined as its principal object, and its “ornamental” character is affirmed to be totally inconsistent with any achievement of the first order. Tintoret and Veronese are selected for especial condemnation. “These are the persons who may be said to have exhausted all the powers of florid eloquence to debauch the young and inexperienced.” They have turned many painters “from those higher excellences of which the art is capable, and which ought to be required in every considerable production.”