A Room Where the Star-Spangled Banner Cannot Be Heard

A Room Where the Star-Spangled Banner Cannot Be Heard
Authors
Levy, Hideo
Publisher
Columbia University Press
Tags
literary criticism , asian , japanese , fiction , literary , lit008030 , fic019000
ISBN
9780231527972
Date
1992-01-01T00:00:00+00:00
Size
16.07 MB
Lang
en
Downloaded: 44 times

A Room Where the Star-Spangled Banner Cannot Be Heard is the highly acclaimed, moving debut of Levy Hideo (also known as Ian Hideo Levy), a white American author living in Japan who writes fiction and nonfiction in Japanese. Set against the political and social upheavals of the 1960s, which include student protests against the Vietnam War and the U.S.-Japan Mutual Cooperation and Security Treaty (AMPO), the novel tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the cultural trappings of an America that grows more and more remote, Ben flees his home to live with Ando, his Japanese friend. Refusing to speak en with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has every felt to home.As Ben struggles to understand the full contours of his identity, Levy's...

Set against the political and social upheavals of the 1960s, A Room Where the Star-Spangled Banner Cannot Be Heard tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father’s strict authority and the trappings of an America culture that has grown increasingly remote, Ben flees home to live with Andō, his Japanese friend. Refusing to speak English with Ben, Andō shows the young American the way to Shinjuku, the epicenter of Japan’s countercultural movement and the closest Ben has ever felt to home.From the vantage point of a privileged and alienated “outsider” (gaijin), Levy’s narrative, which echoes events in his own life, beautifully captures a heady, eventful moment in Japanese history. It also richly renders the universal struggle to grasp the full contours of one’s identity. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds reaching his ears. Eventually, the symbols and sensations take root, and he becomes one with Japanese language and culture. Through his explorations, Ben breaks free from English and the constraints of being a gaijin. Levy’s coming-of-age novel is an eloquent elegy to a lost time.

A Room Where the Star-Spangled Banner Cannot Be Heard is the highly acclaimed, moving debut of Levy Hideo (also known as Ian Hideo Levy), a white American author living in Japan who writes fiction and nonfiction in Japanese. Set against the political and social upheavals of the 1960s, which include student protests against the Vietnam War and the U.S.-Japan Mutual Cooperation and Security Treaty (AMPO), the novel tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the cultural trappings of an America that grows more and more remote, Ben flees his home to live with Ando, his Japanese friend. Refusing to speak English with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has every felt to home.

As Ben struggles to understand the full contours of his identity, Levy's coming-of-age novel offers an eloquent elegy to a lost time. From the vantage point of a privileged and alienated "outsider" (gaijin), A Room Where the Star-Spangled Banner Cannot Be Heard beautifully captures a heady, eventful moment in Japanese history. Ben's experiences virtually recreate Levy's own youth. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds that reach his ears. Eventually, the symbols and sensations take root, disproving the common assumption that foreigners can never really know Japanese language and culture. Through Ben's explorations, both he and the author break free from English and the constraints of being a "gaijin." Ben's character plays a leading role in each of the book parts: "A Room Where the Star-Spangled Banner Cannot Be Heard," "The End of November," and "One of the Guys."