Aberration of Starlight

Aberration of Starlight
Authors
Sorrentino, Gilbert
Publisher
Random House
ISBN
9780394511894
Date
1980-07-12T00:00:00+00:00
Size
0.33 MB
Lang
en
Downloaded: 66 times

Set at a boardinghouse in rural New Jersey in the summer of 1939, this novel revolves around four people who experience the comedies, torments and rare pleasures of family, romance and sex while on vacation from Brooklyn and the Depression. Billy Recco, an eager ten-year-old in search of a father . . . Marie Recco, nèe McGrath, an attractive divorcèe caught between her son and father, without a life of her own . . . John McGrath, dignified in manner yet brutally soured by life, insanely fearful of his daughter's restlessness . . . Tom Thebus, a rakish salesman who precipitates the conflict between Marie's hopes and her father's wrath.

We follow these individuals through the events of thirty-six hours, culminating in Tom's disastrous near seduction of Marie. As the novel's perspective shifts to each of these characters, four discrete stories take form, stories that Sorrentino further enriches by using a variety of literary methods—fantasies, letters, a narrative question-and-answer, fragments of dialogue and memory. Strong and unforgettable, each voice is compelling in itself, yet in the end is only part of a complex, painful pattern in which dreams go unfulfilled and efforts unrewarded.

What emerges is a sure understanding of four people who are occasionally ridiculous, but whose integrity and good intentions are consistently, and tragically, frustrated. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives. It is widely considered one of Sorrentino's finest novels.

"Wonderfully entertaining. . . . Mr. Sorrentino's imagination is rich and fine." (New York Times Book Review)

"Brave and fascinating . . . insidiously affecting." (New York Review of Books)

"Begins with laughter . . . ends in tears . . . by turns funny, sexy, and sad." (Saturday Review)

"Lively with narrative ingenuity—yet right to the heart of ordinary life." (Philip Roth)