The Soloist

A moving story of the remarkable bond between a journalist in search of a story and a homeless, classically trained musician—destined to be a major motion picture from DreamWorks, starring Jamie Foxx and Robert Downey Jr.

When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African-Americans—until he gradually lost his ability to function, overcome by schizophrenia. When Lopez finds him, Ayers is homeless, paranoid, and deeply troubled, but glimmers of that brilliance are still there.

Over time, Steve Lopez and Nathaniel Ayers form a bond, and Lopez imagines that he might be able to change Ayers’s life. Lopez collects donated violins, a cello, even a stand-up bass and a piano; he takes Ayers to Walt Disney Concert Hall and helps him move indoors. For each triumph, there is a crashing disappointment, yet neither man gives up. In the process of trying to save Ayers, Lopez finds that his own life is changing, and his sense of what one man can accomplish in the lives of others begins to expand in new ways.

Poignant and ultimately hopeful, The Soloist is a beautifully told story of friendship and the redeeming power of music.

From Publishers WeeklyStarred Review. Scurrying back to his office one day, Lopez, a columnist for the L.A. Times, is stopped short by the ethereal strains of a violin. Searching for the sound, he spots a homeless man coaxing those beautiful sounds from a battered two-string violin. When the man finishes, Lopez compliments him briefly and rushes off to write about his newfound subject, Nathaniel Ayers, the homeless violinist. Over the next few days, Lopez discovers that Nathaniel was once a promising classical bass student at Juilliard, but that various pressures—including being one of a few African-American students and mounting schizophrenia—caused him to drop out. Enlisting the help of doctors, mental health professionals and professional musicians, Lopez attempts to help Nathaniel move off Skid Row, regain his dignity, develop his musical talent and free himself of the demons induced by the schizophrenia (at one point, Lopez arranges to have Ayers take cello lessons with a cellist from the L.A. Symphony). Throughout, Lopez endures disappointments and setbacks with Nathaniel's case, questions his own motives for helping his friend and acknowledges that Nathaniel has taught him about courage and humanity. With self-effacing humor, fast-paced yet elegant prose and unsparing honesty, Lopez tells an inspiring story of heartbreak and hope. (Apr.)  

From Booklist

Starred Review On the streets of the inner city, Los Angeles Times columnist and novelist Lopez (In the Clear, 2003) stumbled upon the story that changed his life. Nathaniel Ayers, a homeless African American man, was standing on a corner coaxing memorable music from a two-stringed violin. Turns out, 30 years earlier, Ayers had been at Juilliard studying classical bass when he experienced the first in a series of schizophrenic episodes that turned his musical dreams into a nightmare. Now, worlds away from the concert halls he imagined gracing, Ayers spends his days on Los Angeles’ Skid Row, fighting off rats and drug-frenzied fellow homeless—and serenading passersby. The spot where Ayers has chosen to play is no accident; it’s near the city’s statue of Beethoven and just down the hill from Walt Disney Concert Hall. Lopez quickly becomes an integral part of Ayers’ life, bringing him new instruments and even facilitating arrangements at a homeless shelter. But as he navigates the complex world of mental illness, Lopez discovers that good intentions (and good connections) are often powerless in the face of schizophrenia, a potent, prickly, unpredictable disease. Award-winning actors Jamie Foxx and Robert Downey Jr. are set to star in a movie version of this compelling, emotionally charged tale of raw talent and renewed hope. --Allison Block