[Hart 07] • Hart the Regulator 7
- Authors
- Harvey, John B.
- Publisher
- Piccadilly Publishing
- Tags
- wild west fiction , john harvey , old west , pulp western , hart the regulator , wes hart , western frontier fiction , bounty hunter
- Date
- 2015-02-01T00:00:00+00:00
- Size
- 0.49 MB
- Lang
- en
The brainchild of Amazon Kindle Number One bestselling western writers Mike Stotter and Ben Bridges, PICCADILLY PUBLISHING is dedicated to reissuing classic fiction from Yesterday and Today!
ARKANSAS BREAKOUT
THE REGULATOR is Wes Hart - ex-soldier, ex-Texas Ranger, ex-rider with Billy the Kid. He’s tough, ruthless and slick with a .45. He’s for hire now and he isn’t cheap.
There were seven of them. Seven men with nothing to lose and some kind of rough freedom to win on the other side of the walls of Arkansas State prison.
When they break out they’ve got a whole bunch of people who want them brought back for a whole bunch of reasons.
There’s the father who wants his boy’s killer brought back to face the rope and who’s hiring Wes Hart to make sure the job’s done the way the Regulator knows how...
ABOUT THE AUTHOR
Initially a teacher of English and Drama, John Harvey began writing in 1975, and now has over 100 published books to his credit. The first of his celebrated Charlie Resnick novels, Lonely Hearts, was named by The Times as one of the 100 most notable crime novels of the last century. In 2007 he received the CWA Cartier Diamond Dagger for Sustained Excellence in Crime Writing, and in 2009 he was made an honorary Doctor of Letters by the University of Nottingham.
A published poet, John ran Slow Dancer Press for nearly twenty years; in addition, he has written many scripts for television and radio, including dramatisations of novels by Graham Greene and A.S. Byatt and (with Shelley Silas) Paul Scott's The Raj Quartet.
John was one of the original 'Piccadilly Cowboys' and the Herne the Hunter series, was co-written with Laurence James under the name 'John J. McLaglen'.
John Harvey comments: "The qualities I most admire in prose are an uncluttered and spare style and clarity and pace of narrative; hopefully the more successful of my own writing comes close to achieving these things. In the Western I'm interested in finding a balance between the myth of the West (as it comes through American literature and film) and the historical reality. Increasingly, I'm concerned to attempt to make a stronger place for women in the Western, which is traditionally a refuge of masculinity and male fantasy.