Beauty and the Critic · Aesthetics in an Age of Cultural Studies

This call to restore a sense of beauty to our culture will serve

as a bellwether of the future of literary studies.

Beauty and the Critic brings together well-known

members of the literary academy to reassert the importance of "aesthetic

criticism" and the treatment of literature as art.

The contributors are responding to what the editor calls

"the banality of partisanship of literary criticism in this country."

The common focus is a shared suspicion of critics who are only interested

in reducing authors and their works to ideological elements, thereby mostly

ignoring what makes their writings distinctive as works of art. This focus,

however, by no means represents a curmudgeonly reaction or a united front.

Indeed, the collection's strength is precisely its rich diversity even

as the contributors struggle with familiar problems in contemporary criticism,

including the problem of the increasing distance between the language of

the professoriate and the language of the general reader.

This collection of essays by its very nature does not

present a solution to the problem but demonstrates that critics still have

many ways to approach literature that attend to its peculiar idiom and

its distinctive achievement. The essays suggest that the profession of

literature is undergoing a sea change, not necessarily for the better,

and that popular models of interpretation have become rote, shopworn conventions--techniques

that replace thought rather than express it. James Soderholm and his colleagues

invite us to restore a sense of beauty and a sense of dignity to the study

of literature.