[Gutenberg 44572] • Points of Humour, Part 2 (of 2) 2

[Gutenberg 44572] • Points of Humour, Part 2 (of 2) 2
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Unknown
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Transcript
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anecdotes
Date
2014-04-09T00:00:00+00:00
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en
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Points of Humour (Part 1 —the writer only claims the merit of having suggested to him the materials.

Some of the ten points, now submitted to the public, arise out of a reprint of that admirable piece of humour, the Jolly Beggars of Burns;—A part of his works almost unknown to the public, in consequence of the scrupulousness of the poet's biographer and editor, who withheld them from the world. Lest we however should incur the charge, which Dr. Currie apprehended, we beg leave to prefix the observations on this subject by the first literary character in the kingdom, Sir Walter Scott, as they appeared in theQuarterly Review.

"Yet applauding, as we do most highly applaud, the leading principles of Dr. Currie's selection, we are aware that they sometimes led him into fastidious and over-delicate rejection of the bard's most spirited and happy effusions. A thin octavo, published at Glasgow in 1801, under the title of 'Poems ascribed to Robert Burns, the Ayrshire bard,' furnishes valuable proofs of this assertion; it contains, among a good deal of rubbish, some of his most brilliant poetry. A cantata, in particular, called The Jolly Beggars, for humorous description and nice discrimination of character, is inferior to no poem of the same length in the whole range of English poetry. The scene, indeed, is laid in the very lowest department of low life, the actors being a set of strolling vagrants, met to carouse, and barter their rags and plunder for liquor in a hedge ale-house. Yet even in describing the movements of such a group, the native taste of the poet has never suffered his pen to slide into any thing coarse or disgusting. The extravagant glee and outrageous frolic of the beggars are ridiculously contrasted with their maimed limbs, rags, and crutches—the sordid and squalid circumstances of their appearance are judiciously thrown into the shade. Nor is the art of the poet less conspicuous in the individual figures, than in the general mass. The festive vagrants are distinguished from each other by personal appearance and character, as much as any fortuitous assembly in the higher orders of life.