Sure and Certain Death

Sure and Certain Death
Authors
Barbara Nadel
Publisher
Headline
Tags
_nb_fixed , _rt_yes , blt , crime , fiction , mystery & detective , amateur sleuth , london , wwii , blitz , undertakers and undertaking
ISBN
9780755386468
Date
2011-05-12T04:00:00+00:00
Size
0.27 MB
Lang
en
Downloaded: 16 times

The chilling new World War Two crime mystery by the award-winning author Barbara Nadel; fourth in the highly popular Francis Hancock series. East London, 1940: Francis Hancock finds the brutally eviscerated body of a woman in a derelict house. Francis' sister, Nancy, knew the victim. Then, shockingly, two more murders follow. Rumours start to spread through the East End about another Jack the Ripper. When a fourth woman is murdered, Nancy admits that she knew all of the victims, and Francis sets out to find the killer, discovering a trail of murderous resentment that goes back decades...

From Publishers WeeklySet in early 1941, Nadel's unremarkable fourth Francis Hancock mystery (after 2008's Ashes to Ashes) involves yet another search for a latter-day Jack the Ripper. Hancock, a 48-year-old undertaker and Great War veteran, happens on the mutilated corpse of Nellie Martin in a ruined house in London's bomb-ravaged East End. Even before a second victim turns up, rumors swirl that the Ripper has returned, despite the half-century that has passed since the 1888 autumn of terror. Hancock eventually learns that each of the women had been a White Feather girl who confronted able-bodied men seen out of uniform during WWI and presented them with white feathers as a symbol of cowardice. He's unsettled to discover that his older sister also participated in the movement. A less than compelling whodunit plot and a hero whose torment over his war experiences appears commonplace compared to that of, say, Charles Todd's Ian Rutledge make this a routine read. (Nov.) (c) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review"Impeccable mystery plotting, exotic and atmospheric."  —Guardian on After the Mourning